Soup imitates Art imitates Soup

Fifty years ago, Andy Warhol rocked the art world and the world of popular culture with his depiction of Campbell’s soup cans at the Los Angeles Museum of Contemporary Art. This year, Campbell’s returned the favor, with a collectors edition of 1.2 million cans of tomato soup that went on sale at Target on September 2.

Campbell’s 50th anniversary “Art of Soup” cans feature Andy Warhol picture and quotes on the back.

The art world of the ’50’s was dominated by the Abstract Expressionists, who lived bohemian lifestyles and had little but scorn for popular culture.  Warhol embraced it, even as he critiqued it with comments that ring true to this day, such as, “Someday everyone will be famous for fifteen minutes.”

Campbell’s Soup Cans by Andy Warhol, 1962

Campbell’s at first had reservations about Warhol’s depictions, but two years later, noting the popularity of his art, Campbell’s marketing manager sent Warhol a letter of appreciation and “a couple of cases of soup.” That same year, Campbell’s commissioned the first of several artworks they would purchase from Warhol over the years.

Back of the special cans, with image of Warhol and quote

In one of his memorable quotes, Warhol said, “I am deeply superficial.”  Much like Marcel Duchamp, one of the thrusts of his work was to raise question the nature of art.  The Abstract Expressionists embraced a hard drinking, hard loving, bohemian stance.  Willem de Kooning wore paint spattered jeans to his opening at the Museum of Modern Art.  He shunned imagery that “the masses” could comprehend, and celebrated the personal signature of his unique, impassioned brush strokes.

Warhol wore coats and ties, called his studio, “The Factory,” and his best known works showed common objects, reproduced by photo silkscreen, often by an assistant.  Warhol never touched them at all.  “Art is whatever you can get away with,” he said.  Regarding the bohemian set, he said, ““Those who talk about individuality the most are the ones who most object to deviation.”

If Duchamp and Warhol are kindred spirits, there is one great difference between them.  When Duchamp hung a urinal in a gallery, he did it for the shock value.  By all accounts, Warhol truly loved the icons of popular culture he depicted.  He also loved technology and experimented with an Amiga computer shortly before his death in 1987.  No doubt he would have been pleased by Campbell’s tribute.

Andy Warhol by Jack Mitchell. CC by SA

*** Some Andy Warhol quotes ***

“I think having land and not ruining it is the most beautiful art that anybody could ever want to own.”

“I’d asked around 10 or 15 people for suggestions. Finally one lady friend asked the right question, ‘Well, what do you love most?’ That’s how I started painting money.”

“It’s the movies that have really been running things in America ever since they were invented. They show you what to do, how to do it, when to do it, how to feel about it, and how to look how you feel about it.”

“During the 1960s, I think, people forgot what emotions were supposed to be. And I don’t think they’ve ever remembered.”

“Some day everybody will just think what they want to think, and then everybody will probably be thinking alike; that seems to be what is happening.” 

*** Update on the collectors cans ***

The edition of 1.2 million cans that went on sale September 2 for $0.75 appears to be sold out:  four can sets are going for $20 – $30 on eBay.

The Limits of Power: The End of American Exceptionalism by Andrew Bacevich – A book review

Anyone paying attention knows that our nation has lost its way, but that’s where clarity ends.  How and when did we go wrong?  Sometimes I wish I could read the histories that will be written a hundred years from now, after time has lent perspective to the chaos of current events.  Thanks to Andrew Bacevich, we don’t have to wait for at least one piercing analysis.

Bacevich, a Viet Nam veteran, retired as a colonel after 23 years in the army.  He holds a PhD in American Diplomatic History from Princeton and taught at West Point and Johns Hopkins before joining the faculty at Boston University in 1998.  In March, 2007, he described the US doctrine of “preventative warfare” as “immoral, illicit, and imprudent.”  Two months later, his son died in Iraq.

Andrew Bacevich

In The Limits of Power, published in 2008, Bacevich steps back to examine our history from WWII to the present, to look at the root cause of the folly that has made constant warfare, with its huge cost in lives and resources, our norm.  Foreign policy and domestic policy are wedded together, he says.  Despite political rhetoric, our seeming state of perpetual warfare is not simply the result of international villains like Slobodan Milošević, Saddam Hussein, or even Osama Bin Laden.  To blame them, he says, is like “blaming Herbert Hoover for the Great Depression or…attributing McCarthyism entirely to the antics of Senator Joseph McCarthy.”  Foreign policy has become “an expression of domestic dysfunction.”  Bacevich pulls no punches, and pinpoints the nature of this dysfunction in the title of his first chapter, “The Crisis of Profligacy.”

“For the majority of contemporary Americans, the essence of life, liberty, and the pursuit of happiness centers on a relentless personal quest to acquire, to consume, to indulge, and to shed whatever constraints might interfere with those endeavors.”

Bacevich says the critical, though seldom acknowledged, turning point was bookmarked by two presidential speeches.  The first was President Jimmy Carter’s so-called “malaise” speech, though he never used the word.

The seventies was a decade of severe economic shocks that saw the first oil crisis, a stock market meltdown, and our transition from a producer to a consumer economy.  On July 15, 1979, Carter said the real crisis was not what OPEC was doing to oil prices, but our way of life, which makes us depend on foreign oil.

“In a nation that was proud of hard work, strong families, close-knit communities and our faith in God…too many of us now tend to worship self-indulgence and consumption.  Human identity is no longer defined by what one does, but by what one owns.  But we’ve…learned that piling up material goods cannot fill the emptiness of lives which have no confidence or purpose.”

To continue down that road, Carter said, was “a certain route to failure.”  He urged a renewal of national purpose, characterized by national restraint and an effort to find and develop alternative energy sources.  The main effect of his speech was to provide ammunition to his political opponents.  Republican presidential candidate, Ronald Reagan, in his “morning in America” speech told us there were no restraints.  The energy crisis was the government’s fault.  The solution was to reduce federal spending and cut taxes.

In an effort to salvage his re-election prospects, Carter adopted a pugnacious tone, articulating the “Carter Doctrine” in January, 1980.  He said the nation would “use any means necessary, including military force,” to prevent any other power from dominating the Persian Gulf.”  Sadly, this endorsement of American imperialism rather than his earlier call to fiscal and moral balance is what guides our politicians to this day.  It isn’t hard to see why.  In the 1980 presidential election, Carter won just four states, while Reagan carried 48.  No one in Washinton missed the message:  the way to get elected is to pander to our illusions, to suggest that our credit is infinite and the bills will never come due.

In 1983, President Reagan proposed his “Star Wars” missile defense shield, implying that our national security and way of life were wedded to military superiority.  “Defense is not a budget item,” he said.  George Bush didn’t think so, nor do this year’s presidential candidates.  The President criticizes the Ryan budget for draconian cuts to key domestic services, but says nothing about its huge uptick in military spending – perhaps because for Democrats too, “defense is not a budget item.”

Bacevich articulates solutions akin to Carter’s – an end to the fool’s errand of trying to reshape the world in our image and an effort to set our own house in order.  He cautions that expecting those in power to adopt such a course of action is like expecting the CEO of a major car company to lobby for public transportation – there’s too much power and money vested in the status quo. Among other suggestions, he says:

“No doubt undertaking a serious…national effort to begin the transition to a post-fossil fuel economy promises to be a costly proposition.  Yet…spending trillions to forcibly democratize the Islamic world will achieve little, while investing trillions in energy research might actually produce something useful.” 

Technical innovation has been an American strongpoint, from the Mahattan Project to the space race, to the digital revolution.  In contrast, our efforts to reshape other cultures has been rather dismal.

If a change of course is possible, Bacevich does not think it likely.  Throughout his book, he quotes Reinhold Niebuhr, a pastor, theologian, and author who wrote between 1930 and 1960.  He gives us this quote by Niebuhr:

“One of the most pathetic aspects of human history is that every civilization expresses itself most pretentiously, compounds its partial and universal values most convincingly, and claims immortality for its finite existence at the very moment when the decay which leads to death has already begun.”

The Limits of Power is a disturbing book to read, but one I can recommend to everyone who prefers hard truth to subterfuge and lies.  For a more recent look at Andrew Bacevich and his ideas, I recommend this interview, conducted in March, on “Moyers and Friends:” http://billmoyers.com/episode/moving-beyond-war/

As they say in 12 step programs, admitting there is a problem is the first step toward a solution.

The Legacy of Joseph Campbell on billmoyers.com

Twenty-five years ago, Bill Moyers and Joseph Campbell filmed a groundbreaking series that opened the world of myth, story, and folklore to a large audience.   The Power of Myth series was completed in 1987, shortly before Campbell died at the age of 83.  It aired the following year on PBS, and you still sometimes find it replayed during pledge drives.  The companion DVD set and book are still in print.

To commemorate this anniversary, Moyers has loaded podcasts of the first two sessions – “The Hero’s Adventure,” and “The Message of Myth” on his website. http://billmoyers.com/2012/08/10/celebrating-the-legacy-of-joseph-campbell/

If you’ve never seen this series – or even if you have – grab some popcorn and fire it up on your largest monitor.  This wonderful introduction to key stories from around the world was filmed at George Lucas’s Skywalker Ranch.  Lucas was a serious student of Campbell, who structured the first Starwars trilogy around the hero myth.

Almost anything I have to say about myth and folklore is influenced by Campbell.  In these final interviews, he distills a lifetime of study into a clear but powerful series of tales and observations that forever changes one’s view of the great stories of humankind.

A fun music poll

I’m in the middle of a compelling book I know I’ll discuss when I finish, Andrew Bacevich’s 2008, The Limits of Power:  The End of American Exceptionalism. I don’t read all that fast, and there is so much to consider here that it will be a few days, but tonight I took a break to cruise around a bit, and I found a fun and interesting music poll on NPR.

It’s old news, really – it was posted a week ago, but there’s no clear time limit on this one.  Questions of taste and why certain pieces of music move us were posed in a recent article in The Guardian by Oxford professor and musicologist, Eric Clarke.  The Guardian has launched a website, “Six Songs of Me,” to map as many personal playlists as possible.  You can access the NPR story and the Guardian site here:  http://www.npr.org/blogs/deceptivecadence/2012/08/08/158442642/you-are-what-you-hear-what-your-favorite-music-says-about-you

A followup piece on NPR today covered some of the thousands of responses received, which range from serious to funny.  For instance, in the category  of “What would you want played at your funeral?” one person answered, “Stayin Alive,” and another, “Ding Dong the Witch is Dead.”

Here is the poll along with my answers.  Please feel free to list your songs in comments here as well as on the website.  Music is such an important and personal thing to so many, but it’s also fun to share.

  • What was the first song you ever bought?
  • El Paso by Marty Robbins
  • What song always gets you dancing?
  • Sultans of Swing by Dire Straits
  • What song takes you back to your childhood?
  • Medicine Wheel by Kate Wolf
  • What is your perfect love song?
  • Wedding Song by Bob Dylan
  • What song would you want at your funeral?
  • Barricades of Heaven by Jackson Browne
  • Time for an encore. One last song that makes you, you.
  • Box of Rain by the Grateful Dead

Meanwhile, this whole exercise brought to mind an exceptional clip of my choice for category two. This may be my favorite YouTube clip of all time – Mark Knopfler and Eric Clapton doing Sultans of Swing at the 1988 celebration of Nelson Mandela’s 70th birthday. You absolutely cannot sit still when you hear this. Enjoy!

Sales of “Imagine” halted after author admits inventing quotations

In May, I reviewed Jonah Lehrer’s new book, Imagine:  How Creativity Works  http://wp.me/pYql4-1Rv.  I ended by saying, “This is a wonderful study for anyone interested in imagination, creativity, and the conditions which favor it.”

Today I was saddened to read that Lehrer admitted fabricating Bob Dylan quotes in Imagine and lying about them when questioned by another journalist.  He resigned as a staff writer for The New Yorker, and Houghton Mifflin halted sales of the book, which had sold 200,000 copies since March and spent 16 weeks on The New York Times bestseller list.  http://www.sacbee.com/2012/07/30/4674919/author-acknowledges-fake-dylan.html

In a statement Monday, Lehrer said:  “The lies are over now. I understand the gravity of my position. I want to apologize to everyone I have let down, especially my editors and readers.”

The incident raised a number of questions.  It is striking in part because strict enforcement of ethical standards has become so rare in public life.  We don’t even blink when we read of fresh bank scandals, or athletes on steroids, or the California Parks department with a hidden stash of millions of dollars even as it was moving to shutter some of our finest parks.  We’re running a presidential campaign on attack adds, where truth is merely an option, rather than statements of principle from either candidate.  These days I look to PBS and the Comedy Channel for responsible TV journalism.

With standards so lax in so many areas of public life, how many aspiring writers can be certain they would resist the urge to tweak a sentence or two for a shot at the best seller list?  I am not, by any means, excusing Lehrer’s actions – I am saying I think I understand them.

I also understand failure.  It’s a fire that can consume a person or temper what they are made of.  I hope Mr. Lehrer can rise from his ashes with the kind of deeper and darker wisdom that comes from enduring the dark night of the soul.

Copyrights and the Olympic Opening Ceremony

Since my July 24 post on copyrights http://wp.me/pYql4-2fA generated significant interest, I want to direct you to another blog post discussing the probable copyright violations of Danny Boyle in his fanciful opening ceremony at the Olympics.

In her article “Reclaiming Mary Poppins and the Characters We Love,” Maggie O’Toole discusses way in which corporate interests have successfully lengthened and strengthened the rules in their own interest.  Maggie says:

“In this bit of public theater, director Danny Boyle reclaimed the British people’s ownership of their children’s literature, the rights to which have long since been sold off to various corporate interests…In doing so, he challenged the idea that these characters, or any characters, can belong to someone.”

Despite my recent musings on copyright, the idea never occurred to me.  Please read the full article.  If you love these characters, you will enjoy it!

http://maggienotmargaret.com/2012/07/28/reclaiming-mary-poppins-and-the-characters-we-love/

The hour of the wolf

Welcome Library, London, CC by NC

On monday morning, I woke around 3:00am with a sense of dread far out of proportion to the rather mundane dream I’d been having.  A thunderstorm rolling by increased the sense of menace at this darkest hour of the night.

The hour of the wolf is the phrase I’ve always used for such moments.  “It’s always darkest right before dawn,” we tell ourselves by daylight.  “It’s always darkest just before it goes pitch black,” says a demotivational poster you can find on despair.com.  That is the hour of the wolf (though despair.com is a funny website).

When I was an undergrad, we used to say, “Wherever two or more are gathered, they’ll start a film society.”  College film societies of the time loved Ingmar Bergman, and I did too, so I knew his 1968, The Hour of the Wolf, but it wasn’t one of my favorites from his surrealistic period.  The best definition I know came from dialog in the “Hour of the Wolf” episode of Babylon 5, in 1996:

“Have you ever heard of the hour of the wolf? … It’s the time between 3:00 and 4:00 in the morning. You can’t sleep, and all you can see is the troubles and the problems and the ways that your life should’ve gone but didn’t. All you can hear is the sound of your own heart.”  – Michael J. Straczynski, writer, Babylonian Productions.

Since I couldn’t sleep, I tried to remember what I knew of the phrase.  A long time ago, I read that it was coined in medieval Paris.  The gates of the city were shut at night, but during the winter, wolves sometimes slipped through at dusk.  At the darkest hour of the night, they would glide through the streets like shadows to prey on the poor unfortunates who were sleeping alone on the streets.  “Hour of the wolf” was the phrase coined by those who encountered the grisly remains in the morning.

Hint:  thinking of wolves chewing corpses doesn’t help you get back to sleep.

I knew by then what was keeping me up.  Some of it had to do with the Colorado shootings.  It’s hard to sleep easy after such an event, but that was not the heart of it.  On sunday, I’d listened to Chris Hedges, a guest on Moyers & Company, in a segment called, “Capitalism’s ‘Sacrifice Zones.'”

Hedges is a journalist who worked for the New York Times until he was “pushed out” for outspoken opposition to the war in Iraq.  The interview is important and very depressing, like much honest reporting these days (when you can find it).  

http://billmoyers.com/episode/full-show-capitalism’s-‘sacrifice-zones’/

It’s hard to know what to do with this kind of unpleasant truth.  One good thing that came out of this post is that I learned the source of the phrase, “live with the questions.”  Therapists, especially Jungians, like to quote it, but it was Rainer Maria Rilke who first penned it.  In 1903, in Letters to a Young Poet, he said:

“…I would like to beg you dear Sir, as well as I can, to have patience with everything unresolved in your heart and to try to love the questions themselves as if they were locked rooms or books written in a very foreign language. Don’t search for the answers, which could not be given to you now, because you would not be able to live them. And the point is to live everything. Live the questions now. Perhaps then, someday far in the future, you will gradually, without even noticing it, live your way into the answer.”

Notes on Superman and The Superman Song

It doesn’t take much reflection on superheroes (see my previous Batman post) to remember Superman.  For me, he always brings to mind a strange, funny, and poignant song by The Crash Test Dummies from their 1991 debut album, “The Ghosts That Haunt Me.”

What the song underscores is an intuition that has shaped my approach to characters in fiction:  they need to be larger than life but flawed and human too.  Though the plot needs super-strength, without his kryptonite allergy, the guy in the cape would be pretty boring.  Besides, it’s Clark Kent who we bond with.  Holding tight to his geek persona, in the days before geeks were cool, Clark sacrificed his hopes for human happiness out of dedication to a public that could never be allowed to know who to thank.  If you like stories of unrequited love and hopeless triads, Superman, Lois, and alter-ego, Clark, had it going decades before Twilight.

Even more poignant than fiction was the life of Christopher Reeve (1952-2004), one many actors – and I think the best – who played the Man of Steel.

Reeve as Superman

Reeve became a paraplegic in 1995, after a spinal injury suffered when he was thrown from a horse. For the rest of his life, he lobbied on behalf of spinal-cord injury treatment and stem-cell research. In overcoming the kind of loss that is most people’s worst nightmare, Reeve found the steel of courage in the depths of his human misfortune.

Reeve after his injury

Just like Clark Kent, in the last years of his life, Christopher Reeve lived a selfless life, dedicated to other people’s good.

The Crash Test Dummies had a similar intuition about Superman several year’s before Reeve’s accident, one both deeper and richer than what the word, “superhero” generally implies:

Folks said his family were all dead
Their planet crumbled but Superman, he forced himself
To carry on, forget Krypton, and keep going.

Superman never made any money
For saving the world from Solomon Grundy
And sometimes I despair the world will never see
Another man like him