Origin by Dan Brown: an audiobook review

After a murder in an art museum, Harvard symbolist, Robert Langdon, and a younger woman find themselves on the run from the police, who consider them persons of interest. They are also pursued by members of a shadowy organization who think they know too much. Langdon and his companion must decipher arcane clues to solve a puzzle which will prove their innocence and reveal important truths to the world.

No, I’m not having a flashback to Brown’s breakout novel, The DaVinci Code (2003), a riveting mystery-thriller that had me up until 2:00am on work nights until it was finished. Brown’s recently published Origin uses the same structure to reasonably good effect, though I never stayed up late to finish it.

Somewhere along the line, probably after The Lost Symbol (2009), I stopped reading Brown, finding his “thrills of the chase” could not overcome such glaring liabilities as two-dimensional villains, interminable data-dumps, and his seeming attempts to fuse the genres of thriller and travel guidebook.

For this venture back into Brown’s work, I chose an audiobook (a good move) which Mary and I listened to on a sojourn to Yosemite. Origin was a good listen while driving and during the cold and sometimes rainy evenings. It also posed intriguing questions about this point in history and emerging trends.

(Spoiler Alert)

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Drinking in America: Our Secret History by Susan Cheever

Drinking in America

The Pilgrims who came to America on the Mayflower were headed toward Virginia, where they had a land grant from King James.  Instead, they landed illegally in Massachusetts because they were running out of beer.  So says historian, Susan Cheever in her just-released Drinking in America: Our Secret History.  Cheever, a sober alcoholic, documents the pendulum swings of our national love-hate relationship with alcohol as she explores an important but little-known aspect of our past.

Alchohol was a factor at critical turning points in American history.  It is likely that the shot heard round the world was fired by one of the seventy militiamen awakened by Paul Revere, who passed the time while waiting three hours for British troops at the Buckman Tavern on Lexington Green.

According to Cheever, for all the volumes written on the civil war, no one has documented the considerable effect of alcohol on this conflict.  General George McClellan wrote, in February, 1862, “No one evil so much obstructs this army…as the degrading vice of drunkenness.”  McClellan, who did not drink, was relieved of command for indecisiveness in battle – or sanity, as Cheever suggests, while “His colleagues who succeeded on the battlefield – Grant, Meager, and Hooker, for example – were drinkers whose performance was often affected by their whiskey intake.” 

Most who have studied the war know about Grant, but not as many realize that because of the riotous condition of his camps, some credited General Hooker for lending his name as an epithet for prostitute.  General Thomas Meager fell off his horse while drunk as he led his troops into action at Antietam.  He drowned in 1867, after drunkenly falling off a riverboat in Montana.

Grant managed to sober up before his election as president, while Richard Nixon is revealed as an angry blackout drinker whom National Security Advisor, Henry Kissinger, Defense Secretary Melvin Laird, and White House Chief of Staff H.R. Haldeman had to protect from his own drunken rages.  They “danced around the president’s homicidal, drunken orders to bomb the shit out of this or nuke the shit out of that – orders usually not even remembered the next morning.  ‘If the president had his way,’ Kissinger told his aides, ‘there would be a nuclear war each week.‘”

Cheever’s survey not only covers political and military history, for drinking plays a part in our folklore and arts as well. John Chapman, aka, Johnny Appleseed, did not tramp around the countryside planting apples for pies, but for cider, and five of the seven 20th century American writers who won the nobel prize – Sinclair Lewis, Eugene O’Neill, William Faulkner, Ernest Hemingway, and John Steinbeck – were alcoholics. That there is no inherent connection between writing and alchohol is shown by a similar list of 19th century literary greats who did not drink to excess: “Melville, Emerson, Thoreau, Hawthorne, Longfellow, the Alcotts, and…Whitman.”

This underscores the paradox of the poles in our cultural history:  “temperance and intemperance, drinking and abstinence, liquor and sobriety, addiction and recovery.  Our country has been, at times, the drunkest country in the world; our country has been, at times, one of the least drunk countries in the world.”

As she sums up the “objective” view of modern historical authors, Susan Cheever notes that the “broad, dispassionate view,” often misses the “moments that make up our lives.” One of those things often missed by American historians is the effect of drinking on our history and national character.

“What is history?: a way to sift through the past in an effort to comprehend the world we live in; a way to understand ourselves; a way to make meaning of our lives by finding meaning in the past. How can we do that without acknowledging something many of us do every day, the thing that we use to punctuate our lives in celebrations and in sadness; how can we do it without acknowledging that glass of wine or whiskey neat or dry martini that has been such a powerful and invisible part of our life as a nation?”

Reversion by Amy Rogers: a book review

Reversion

Dr. Tessa Price lost her infant son to a rare genetic disorder. For Tessa, much more is at stake than science when she invents a radical gene therapy to save another child, seven-year old Gunnar Sigrunsson, who suffers from an equally fatal disease. When her procedure fails to gain U.S. regulatory approval, she opts to treat Gunnar at the Palacio Centro Medico, a posh international center for cutting edge medicine.

During one of her visits to the Palacio, Tessa finds Gunnar almost miraculously improved. On the same trip, chimpanzees in the animal lab seem to go mad, savagely killing one of their own. The events seem disconnected until an animal technician begins to exhibit signs of the same madness and releases the animals, despite their rabies-like symptoms, into the nearby forest.

The leader of a brutal drug cartel occupies the Palacio with his private army, while a rival cartel with modern weapons, lays siege from the outside. As the two factions exchange blows and animals attacks increase, Tessa and a small group of patients hide in the research wing, hoping to avoid detection.

Tessa realizes that the greatest threat may not be the drug lords or deranged chimps, but a revertant virus, combining elements of rabies with a bat virus that creates a rabies-like contagion that can be spread through touch, and apparently through the air. Tessa’s cell studies show that Gunnar is the host. The boy she is trying to save for the sake of personal redemption – for the fatal genes she passed to her own son – might doom everyone around him.

Reversion is the second novel of Dr. Amy Rogers, MD, PhD, who writes science thrillers, a genre one can explore in depth on her blog, sciencethrillers.com.

Dr. Amy Rogers

Dr. Amy Rogers

Amy is also a writing friend I know from the Sacramento branch of The California Writer’s Club. I posted an enthusiastic review of her first novel, Petroplague, in 2011. Once again, she has created a gripping story that parallels the headlines we read in the papers. You can find both ebook and hardcopy versions of Reversion by clicking the icon at the top of this post.

The Soul’s Code by James Hillman

the soul's code

James Hillman (1926-2011), a prolific post-Jungian psychologist, thinker, and cultural critic, wrote more than 20 books, but The Soul’s Code: In Search of Character and Calling (1997) is probably his best known work.

In a head-on attack upon the reductionist nature of both the nature and nurture camps of western developmental psychology, Hillman proposes a view of individual destiny based on Plato’s Myth of Er. Are we nothing but helpless products of our mothers in the first year of life or our luck-of-the-draw genetics? Or is there a deeper meaning to how we grow and unfold?

Hillman proposes an “acorn theory,” arguing that each acorn holds the pattern of the oak it may become, just as each soul that enters the world may bear a destiny shaped by intelligence rather than random chance: “what is lost in so many lives and what must be recovered [is] a sense of personal calling, that there is a reason I am alive.”

Hillman expounds his theory in a number of biographical sketches. He writes of Manolete, the most famous bullfighter of 20th century Spain. As a child, he was sickly and frail. “He stayed so much indoors and clung so tightly to his mother’s apron strings that his sisters and other children used to tease him.” Then, at the age of 11, he became fascinated with bulls.

Current psychology theory would hold that Manolete chose a macho vocation to compensate for his mama’s-boy childhood. Hillman wonders if somewhere deep inside, was “the acorn” that realized his destiny was to face down charging, thousand pound bulls, including the one that gored him to death at age 30. Of course that was too frightening a vision for a boy of 8 or 9 to hold!  Of course he held tight to his mother!

Hillman also discusses the childhood of Eleanor Roosevelt, one of the 20th century’s most influential women. As a child, Eleanor was “funny,” as well as “sullen, stubborn, spiteful, [and] sour…She lied; she stole, she threw antisocial tantrums in company.”

She lost her mother, a brother, and her “playboy father” before she was nine, but all the while carried on a vivid fantasy, “the realest thing in my life,” in which she lived with her father in a large household and traveled the world with him.

Psychotherapy would have regarded her fantasies as delusions and prescribed psychotropic medications to try to return her to normal. But what of the possibility that her visions meant something? What if her fantasies were “invented by her calling,” Hillman asks, and “were indeed more realistic in their orientation than her daily reality.”

“Imagination acted as a teacher, giving instruction for the large ministering tasks of caring for the welfare of a complex family, of a crippled husband, of the state of New York as the governor’s wife, the United States as its first lady, and even of the United Nations. Her fantasies of attending to “Father” were a preliminary praxis into which she could put her call, her huge devotion to the welfare of others.

Hillman is always provocative, inviting us to look deeper into, or “see through” the ideas that limit soul and it’s individual expression. Psychological literalism is often in his crosshairs, as when he says, “Our lives may be determined less by our childhood than by the way we have learned to imagine our childhoods.”

James Hillman, 1926-2011

James Hillman, 1926-2011

The Soul’s Code is a challenging book, but valuable as it sheds new light on many unquestioned assumptions about development, the individual, and destiny that need to be questioned.

Awakening Joy by James Baraz: a book review

Awakening Joy cover

In March, I reviewed Scott Adams’ latest book, How to Fail at Almost Everything and Still Win Big. It has much in common with the book I’m reviewing today: both focus on the myriad, day-to-day choices we make and how they can steer us toward or away from the lives we want to live.

Though one of the numerous “failures” Adams recounts was a book on meditation, he wrote How to Fail in purely secular terms. Baraz, who took up the study of mindfulness meditation in 1974, writes from a Buddhist perspective, but says, “many people, including myself, consider Buddhism to be more a philosophy than a religion, a way to live a harmonious life.” This tone should make Awakening Joy accessible to people of any faith or no faith.

Baraz, a founding member of Spirit Rock, first taught an Awakening Joy class in his living room in 2003. In working with initially interested but skeptical students, who didn’t just want to sit around singing Kumbaya, Baraz honed the presentation that is encompassed in his book and a five month online class.

The book has ten chapters or “Steps,”  which center on topics like mindfulness, compassion, forgiving oneself, and letting go. In some ways the first step is most challenging – figuring out what “joy” means personally and accepting that we want it and deserve it, now and not at some future time when we will have “earned” the right to feel good.

Baraz quotes the Buddha who said, “Whatever the practitioner frequently thinks and ponders upon, that will become the inclination of the mind.” Can it really be that simple? Anyone who has ever tried to meditate knows that working with the “inclination of the mind” may be simple but isn’t easy.

Awakening Joy is written with simple concepts, personal stories, and exercises designed to cut through our suspicion that feeling good means becoming Pollyanna. We’ve all seen small children manifest joy. What happened to us along the way? Baraz presents a series of simple steps designed to help us turn back toward the direction we’d rather travel.

Those Who Wish Me Dead by Michael Koryta: a book review

those who wish me dead

If you could find that and hold it there within yourself, a candle of self-confidence against the darkness, you could accomplish great things. He knew this. He’d been through it.

Fourteen year old Jace Wilson witnesses a murder-for-hire near his home in Indiana. Witness protection will not help, for the system has been compromised. U.S. Marshals appear to be involved. At the suggestion of an executive bodyguard, Jace’s parents send him to the Wyoming-Montana border, to the wilderness survival school for troubled youth that Ethan Serbin, a retired military survival expert teaches. Once he is in the wilderness, away from computers and cell phones, Jace will be safe, right?

Of course not. Even as Jace, who has been fearful all his life, begins to learn about trusting himself, about building confidence as he learns to build a fire with flint and steel, the killers, Jack and Patrick Blackwell, relentless sociopathic brothers, are  close behind. To hide the murder of a local sherif, the Blackwells set a hillside on fire that burns out of control and into the mountains where Ethan and his young charges are camped.

Realizing they’ve found him, Jace slips away by himself. Killers and searchers, Ethan and his injured wife, Jace and Hannah, a guilt-ridden fire lookout whose lover died in a wildfire saving her, struggle to survive mountain thunder storms, each other, and a fire that grows to monster size as it races into the high country.

I’ve reviewed three of Koryta’s books, including So Cold the River (2010), perhaps my all time favorite thriller. This one is just as good; I devoured it in less than two days. In Those Who Wish Me Dead, the author serves up a near perfect blend of sympathetic protagonists, villains who are fascinating in their complexity, and tension that is finely tuned, neither too loose nor too tight. There really aren’t that many books that I literally cannot put down, but Those Who Wish Me Dead was one.

Michael Koryta

Michael Koryta

It’s In His Kiss by Vickie Lester: a book review

IIHKCover5x8final291p copy

Death is a sidewinder. It strikes from a place concealed and unthinkable, triggering a reality completely unexpected. – Vickie Lester

Anne Brown, a New York teacher and author of literary novels is on her way to Palm Springs in the middle of winter. Movie studio bigwigs are flying her out to renew the option on her first novel, a decade out of print. Why do the rich and beautiful people welcome her with open arms? Is it because she’s the out of wedlock daughter of a retired movie mogul?

No, it’s a bit more sinister than that, Cliff, the most beautiful person there, tells Anne. An acting agent, he fills her in and offers to help her navigate the proverbial shark infested waters. And draws her into a whirlwind affair that is hardly the norm for Anne, a confirmed bachelorette, who thinks of herself as the girl that guys just want to be friends with.

It seems too good to be true, but it is, until the following morning, when Cliff is found dead by the side of the road in his Ferrari. It looks like a tragic heart attack until the coroner finds he overdosed on the kind of drug cocktail used to enhance pleasure at the gay sex club up the road. Cliff hardly seemed gay to Anne, and everyone who knew him swears he was straight in every sense of the word.

Filled with grief, anger, and curiosity, Anne begins to ask questions. It soon becomes apparent that everyone at the Palm Springs house that weekend was hiding something. “Was there not one single normal person in all of L.A.?” she wonders. And then a black Escalade tries to chase her down on the freeway…

Vickie Lester, who blogs at Beguiling Hollywood, used to write screenplays, “Horrid, arty, little things,” she says, “that were…optioned again and again, but never made into movies. Perhaps, because they were neither commercial or cinematic?”

Now she has turned her considerable talent and insider’s knowledge of Hollywood into a gripping mystery, with an ending I never saw coming.  It’s In His Kiss is funny and smart and offers an insider’s view of a world of illusion that still fascinates.

The City of Angels was named for beings most often seen by children, visionaries, and the insane. The best novels out of LA are woven with a noir tone – all that sun and all those palm trees have to cast a shadow. Anne Brown and Phillip Marlowe are very different characters, and yet I imagine the spirit of Raymond Chandler is pleased. As a fan of both authors, I know I was!

Vickie Lester at Joshua Tree

Vickie Lester at Joshua Tree

The Diamond Age: Or a Young Lady’s Illustrated Primer by Neal Stephenson

Diamond Age cover

I have written on several occasions of Snow Crash, the visionary science fiction novel that Neal Stephenson published in 1992. The book envisioned a future where nation-states had diminished importance. Most people lived as citizens of corporate enclaves and spent their free time jacked into virtual worlds. Snow Crash was written a year before the release of Mosaic, the first popular internet browser, and eleven years before the inception of Second Life, the best known virtual world.

Stephenson’s next book, The Diamond Age (1995), gives us a world transformed by nanotechnology, the manipulation of matter at the molecular level. In Stephenson’s 21st century, the integration of molecular biology and semiconductor physics has transformed everything. In the first scene, we meet Bud, a would-be enforcer for the lucrative “alternate pharmaceutical” industry, who has bulked up his muscles with intelligent, micro-robotic implants and wears what we now know as Google glasses to precision aim his “skull gun,” an implant as nasty as it sounds. In passing, Stephenson shows Bud in a waiting room, where people read articles on smart paper, essentially tablet computers, that have replaced magazines. Remember: The Diamond Age was published 15 years before the iPad and 17 years before the first Google Glass prototype.

In the diamond age, so named because synthetic diamond is cheaper than glass, objects made by hand are expensive and revered, since everything else is produced by matter compilers (a generation beyond 3d printers)? Just as in Snow Crash, nation states are obsolete. The upper classes live as members of cultural enclaves known as phyles or tribes, whose settlements are often above ground level, while the lower class “thetes” or people without a tribe, live below.

John Perceval Hackworth is a nano tech engineer for the Neo-Victorian, “New Atlantis” tribe. New Atlantis sits on an artificial mountain a mile above the polluted streets of Shanghai.  The clave is ruled as a corporate oligarchy by “Equity Lords” who style their culture after 19th century English royalty.

Hackworth is commissioned by Lord Finkle-McGraw to program an artificially intelligent book, A Young Lady’s Illustrated Primer, a subversive text, which will help his daughter Elizabeth lead a life beyond the boundaries of the status quo. Hackworth makes an illegal copy for his own daughter, Fiona, but this is stolen when Hackworth is mugged. It falls into the hands of Nell, Bud’s daughter, a thete who lives in a ground level slum. Hackworth, Fiona, Nell,her brother Harv, an actress named Miranda, and a Chinese black market engineer named Dr. X are all involved with the Primer for reasons of their own; at its deepest level, the Primer holds the key to decoding and reprogramming humankind’s future.

The Diamond Age, which won Hugo and Locus awards in 1996, is classified by genre wonks as “post-cyberpunk,” whatever that means. As he was in technology and socio-economics, so was Stephenson decades ahead of his time in speculative fiction. We call this kind of book “dystopian” now.  I can think of at least two recent movies that play upon themes explicit in The Diamond Age. I won’t name them because I have no evidence that their creators read the book. Still, it is hard to imagine any serious writer of dystopian fiction who hasn’t marveled at Neal Stephenson’s vision.