Neil Gaiman on libraries, reading, and daydreaming

Neil Gaiman, 2007, CC-BY-SA 2.0

Neil Gaiman, 2007, CC-BY-SA 2.0

Neil Gaiman visited China in 2007 for the first ever, party-approved, Science Fiction and Fantasy Convention.  He asked a top official what had changed; in the past, these genres had been disparaged.  The official said his government had realized they were good at making other people’s inventions, but they didn’t invent or imagine new things themselves.

“So they sent a delegation to the US, to Apple, to Microsoft, to Google,” Gaiman explained, “and they asked the people there who were inventing the future about themselves. And they found that all of them had read science fiction when they were boys or girls.”

Gaiman told this story while giving the 2013 Reading Agency annual lecture on the future of reading and libraries.  The Reading Agency is a British charity that supports libraries and literacy programs, with the mission of giving everyone “an equal chance in life by helping people become confident and enthusiastic readers.”  Another story Gaiman told underscores the importance of the Agency’s efforts.  In New York, he once attended a talk on private prisons – one of America’s growth industries.  In trying to predict the need for future facilities, prison industry officials have developed a simple algorithm based on one key factor – the percentage of 10 and 11 year olds who can’t read.

Gaiman spoke at length of fostering not just the ability to read, but the love of reading.  There are no bad authors or bad books for children, he said.  Adults can destroy a child’s love for reading by giving them “worthy-but-dull books…the 21st-century equivalents of Victorian “improving” literature. You’ll wind up with a generation convinced that reading is uncool and worse, unpleasant.”  Everyone is different and will find their way to the stories they like and need.

Because written fiction, as opposed to television or movies, requires our imagination to turn the authors words into a vivid world, we return to our own world as a slightly different person, with an awareness of other points of view.  Reading fosters empathy, Gaiman said, and:

“Empathy is a tool for building people into groups, for allowing us to function as more than self-obsessed individuals…You’re also finding out something as you read vitally important for making your way in the world. And it’s this: the world doesn’t have to be like this. Things can be different.”

In his inspiring lecture, Gaiman talked at length of his love for libraries and how critical it was for his own development to have supportive librarians at the small library near his home while growing up – librarians who simply wanted books to be read and showed him how to use inter-library loan when he finished all the local books on vampires, ghosts, and witches.  When government officials close libraries as cost saving measures, “they are stealing from the future to pay for today.”

Gaiman expressed what he believes to be our responsibilities to children and to our future.  Reminding the audience that everything made by humans begins with imagination, we have a responsibility to use and foster our imagination of a better world than the one we found.

Gaiman ended with a quote from Albert Einstein.  When asked how to foster intelligence in children, the great scientist said, “If you want your children to be intelligent, read them fairy tales. If you want them to be more intelligent, read them more fairy tales.”

Stardust: a movie review

Stardust-3-NCGZF0OUJX-800x600

One day while Neil Gaiman was driving in England, he noticed a wall by the side of the road and imagined Faerie on the other side. He conceived the story of an American author visiting Britain who would discover the wall. Shortly after this, on the night he received a literary award, Gaiman saw a shooting star, and the idea for Stardust was born.

Stardust was first released as an illustrated series in 1997 and then as a novel in 1999, which won an award from the Mythopoetic Society.  A movie version in 2007 received favorable reviews.  After my recent review of Gaiman’s 2013 novel, The Ocean at the End of the Lane, I realized I’d never seen the Stardust movie.  It’s available for rent on iTunes, and I highly recommend it.

Stardust gives us the wall, a wonderful metaphor for much of human culture, erected to keep us out of Faerie, the realm of imagination, heightened emotion, wonders, terrors, true love, and our true selves.

Responsible citizens don't cross the wall.

Responsible citizens don’t cross the wall.

Tristan Thorn (Charlie Cox), a young man who lives in the town of Wall, is a classic dummling.  He’s a klutz who can’t keep a job and is infatuated with Victoria, a girl who won’t take him seriously and whose finance delights in tormenting him.  Yet Tristan’s father, who has been over the wall, says that might be a good thing – most people who find it easy to fit in “lead unremarkable lives.”  Then he tells Tristan the secret of his birth on the other side of the wall.

Tristan and Victoria see a shooting star fall into Faerie.  Still infatuated, Tristan vows to bring the star back to win her hand in marriage.  He forces his way through the wall to begin his search, but he is not the only one who saw the star.

The murderous sons of a dying king in the realm of Stormhold set off to find the star when their father vows that the one who finds it will be his heir.  And Lamia (Michelle Pfeiffer), senior member of a trio of witches joins the hunt – when stars fall to earth, the witches cut out their hearts and eat them, a little at a time, to preserve their youth and beauty.

Tristan reaches Yvaine the star (Claire Daines) first. Still intent on winning the hand of Victoria back in Wall, he uses a Faire chain to compel her to follow him.

Yvaine and Tristan

Yvaine and Tristan

At first they bicker constantly, but their time on the road and helping each other survive attempts on their lives creates a bond of friendship and finally love between them. Ever the dummling, Tristan is the last to realize this, but is helped when he finds a mentor.  Robert De Niro, in a virtuoso role as Captain Shakespeare, the gay captain of a flying steampunk pirate ship, teaches Tristan to fight, Yvaine to dance, and with a parting gift of  wisdom, whispers to Tristan, “She is your true love.”

Captain Shakespeare at the helm

Captain Shakespeare at the helm

As with any good dummling story, the ending of Stardust will leave you happy.  Though rooted in the sensibility of a modern coming of age tale, with elements of character development that the old traditional stories lack, Stardust fits Tolkien’s paradigm of the classic fairytale – the wonders and terrors we mortals encounter when we venture into other worlds.

Faerie whispers to us in sunlight, in starlight, and in our dreams.  Those intimations may be what make us most truly human.  No wonder we have an endless appetite for wonder tales, and Stardust is one that thoroughly satisfies.