Thor: The Dark World

Thor-The-Dark-World-Poster

Sometimes the movies surprise you. On Friday, I saw The Muppets Most Wanted and wished I had waited for the DVD. Sunday I watched Thor: The Dark World on DVD, and was sorry I hadn’t caught it on the big screen.

As “the Convergence” approaches, a once every 5000 year alignment of the nine realms of the universe, portals between the worlds start to open at random.  Exploring one near London, Dr. Jane Foster, Thor’s mortal honey, is infected with the Aether, an ancient, indestructible weapon of evil that the gods of Asgard had hidden away.  The Dark Elf, Malekith, hopes to use the Aether to plunge the universe into darkness when the worlds align.

At the critical moment, Thor and his half-brother, Loki, the usual suspect in all things nefarious, team up to save the world and avenge the death of Frigga, their mother. Loki’s trickery fools Malekith into withdrawing the Aether from Jane and saving her life.  The movie has lots of explosions, and moments that echo both Lord of the Rings and Star Wars (though admittedly without the depth).  The forbidden love of immortal Thor and mortal Jane also parallels Superman and Lois, but for me, the character of Loki made the movie.

As I wrote in an earlier post, Loki the Trickster, has fascinated me since I read a book of Norse mythology as a kid.  Sometimes an ally and sometimes a nemesis of the gods, in the old stories, Loki was finally imprisoned under the earth for killing Baldr, the golden boy of Asgard, where he will remain until the final battle when this world will be destroyed.

Loki, from 18th c. Icelandic manuscript. Public domain.

Loki, from 18th c. Icelandic manuscript. Public domain.

The movie Loki is far more nuanced; he and Thor compliment each other.  Thor is ready to charge ahead, swinging his hammer against an invincible foe, while Loki embodies consummate strategy.

Loki and Thor plot their next move

Loki and Thor plot their next move

Loki, rejected by the Father of the gods and always subordinate to Thor, though he is older and smarter, is more the existential Outsider than any other movie superhero. Peter Parker may pine for Mary Jane, in a malt shop kind of way, and Clark gets tongue-tied near Lois, but Loki portrays the adult experience of not fitting in.

If you know what that’s like (and if not, why are you writing and reading blogs), you’ll enjoy this portrayal of Loki. The next time you’re in the mood for heroes, aided by Natalie Portman, saving the world, with help from a professor who runs around naked at Stonehenge, grab some popcorn and consider renting Thor.  It’s a fun ride.