Paranoia stikes deep

My title comes from a phrase Stephen Stills used 46 years ago in the lyrics of, “For What it’s Worth,” a song The Buffalo Springfield released in January, 1967.

Paranoia strikes deep
Into your life it will creep
It starts when you’re always afraid
You step out of line, the man come and take you away

Those lyrics came to mind today around noon, when the dogs started barking. I found a UPS package on the doorstep, lightweight, about 10x8x8, from a local address I didn’t recognize.

“Expecting a package from a place called ‘Copperfield?'” I called to Mary, who was in the other room.

“No,” she yelled back. “Be careful opening it.”

“Honey, if it’s a bomb, being careful won’t help.”

“No,” she said. “I mean that poison.”

“OK,” I called. “I’ll start with the packing slip. That’s probably where they put the ricin.”

It turned out to be the can of black touch-up paint I’d ordered for our wood-burning stove. As you might have guessed, I wasn’t really scared of being blown up, but it was the first thing that came to mind. And why not? “They” consider my phone calls worth logging, and my internet hits, and my credit card use. Those of you with newer high-definition TV’s should realize there is a built-in feature that allows a 3d party to peer into your living room. That’s old news, as in posted at least a year ago, to a collective yawn.

There’s something happening here
What it is ain’t exactly clear

That’s the heart of our problem: what’s happening ain’t exactly or even a little clear, except maybe, “step out of line, the man come and take you away.”

One of the few people in Washington I admire, Sen. Bernie Sanders, Independent from Vermont, posted a survey on his website. Here are the four questions:

  1. Do you favor or oppose the National Security Agency’s program to monitor online communications in order to protect the nation from terrorist threats?
  2. Is it appropriate for the federal government to collect millions of phone records from American citizens, if doing so could potentially disrupt a terror plot?
  3. Do you think the president should or should not have the power to authorize the National Security Agency to monitor the electronic communications of American citizens without getting warrants?
  4. Do you favor or oppose changing the PATRIOT Act, which allows the government to collect the phone records of American citizens without a warrant?

I haven’t taken the survey yet, because I’m still “Unsure” on two of the questions. I find that upsetting, given that Sanders also posted the text of Amendment IV to the Constitution:

The right of the people to be secure in their persons, houses, papers, and effects, against unreasonable searches and seizures, shall not be violated, and no Warrants shall issue, but upon probable cause, supported by Oath or affirmation, and particularly describing the place to be searched, and the persons or things to be seized.

Decades ago, H.L. Mencken wrote, “The whole aim of practical politics is to keep the public alarmed (and hence clamorous to be led to safety) by menacing it with an endless series of hobgoblins, all of them imaginary.”

Right now, I think we are all numb. More precisely, I think this is what psychologists call “learned helplessness.” When a creature perceives that it’s powerless to prevent harmful events, it becomes listless and depressed. Or disgusted with politics. One of these days I expect that listlessness and disgust to erupt as outrage. When and if it does, I don’t think it’s going to be pretty or the stuff of songs – there is too much we have collectively stuffed, and for too long a time.

Lego Fairy Tales

Once again I’m pleased to feature a post by the amazing Lily Wight, who found some fairytale illustrations I doubt that you’ve seen before. I wonder what the career path is – Lego engineer has always seemed like a dream job!

Lily Wight's avatarLily Wight

     This month’s Lego fix features Little Red Riding Hood, Beauty & The Beast and a rather startled Little Mermaid.

     Just hover over the images for extra information…

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Hometowns

Do you have a hometown?  When someone asks where you’re from, are you able to tell them?  Or do you mumble something like, “I’ve lived in a lot of places?”  I do that.

According to the census bureau, less than 1/3 of the people in western states live where they were born.  My wife comes from Rochester, NY.  I was born in Poughkeepsie.  We met in San Francisco.  That seems to be the norm out here.  I had lived in five cities and gone to six schools by the time I finished high school, so I can answer,”Where are you from?” in a lot of ways.

Childhood memories are layered in ways that reminds me of geographical strata.  Each place, school, and time had its own feeling tone.  Recalling those times sometimes seems like gazing at ancient pictographs on differing layers of rock.

Near Tucson, Jan. 2008

Near Tucson, Jan. 2008

A visit to Mary’s family in Rochester last week was like visiting earlier layers.  The sense of place in western New York is much like where I grew up.  The feel of the air, the look of the sky, the wind through the trees, the trees themselves, are now foreign but deeply known at the same time.  Maybe the answer to my question is,”I am from all the places I’ve ever lived.”

Rochester postcard

Old factory towns like Rochester have a strong sense of communal past.  There is more “home” in some towns than in others.  In the local paper, I came upon the smiling face of a handsome young man in the obituary section.  Charles “Dutch” Lydon died on June 1st at the age of 89.  He won five bronze stars in combat in the Pacific in WWII, was an “avid” bowler and golfer, and “a proud Kodak employee for 30 years.”  He is survived by children, grandchildren, and great-grandchildren.  Tom Brokaw must have been thinking of people like Dutch when he coined the name, “greatest generation.”

I don’t think my parents generation was great just because they were superior beings.  I believe the times demanded and fostered their greatness.  Men like Dutch Lydon knew where they were from, knew what that meant, and believed in it.  Now there is no more Kodak to be proud of.  Silent factory chimneys stand like tombstones for that way of life.

Not that smoke and soot were good for you, or that Kodak didn’t screw up in the end and screw its workers.  Not that things were so good if you weren’t a white hetrosexual male.  Not that my generation didn’t rebel against all that.  It’s just that from our current perspective, we can see things of value we lost when this way of life came to an end.

A sense of belonging and community, for one thing.  Friends and family you can count on were cited as key factors in a recent survey that named the ten happiest countries in the world.  Do I even need to say that the United States failed to make the cut?

Sense of community is an impression, an imagining, a gut feeling, but it makes a profound difference.  Walking along the Lake Ontario shore, we stopped to admire a fine old brick building, a public bathhouse, with half a dozen tennis courts sheltered from the wind in an enclosed courtyard.  The bandstand in the park was under renovation, as was the carousel with its hand-painted animals.  This is a city that doesn’t just pay lip service to words like “community.”  A cop on patrol passed us with a smile and a “Good morning,” because, though the park was filled with people, he had nothing more pressing to do.

Many in my generation grew up on Easy Rider and On the Road, filled with wanderlust and a longing for the horizon.  Others married their high school sweethearts, anxious to settle down.  People I know played it both ways, with differing results.  There aren’t any rules of thumb.  From the time of the pioneers, California has attracted people looking to reinvent themselves.  This is where Norma Jean Mortenson became Marilyn Monroe.  Sometimes it works out and sometimes it doesn’t.

It has taken me longer than usual to write this post.  I kept putting off hitting the “Publish” button in hopes of reaching some kind of conclusion.  Doesn’t seem likely at this point.  Just a number of questions without any clear cut answers.

What does it mean to have a hometown, or maybe the question is really, how does a “town” become “home?”  What does it mean to have a home, to “feel at home?”  What does it mean to be from someplace?  “You can’t go home again,” Thomas Wolfe famously said.  Nobody asks the flip-side question, which is whether we ever really leave?

I’d love to hear any thoughts you have along these lines.

 

“I, state your name,”…

I always laugh at certain Mel Brooks jokes, and “I, state your name,” is one of them.  This factoid seems like a good intro to this post, which is based on today’s WordPress Daily Writing Prompt, “Say Your Name.”  Here is the full text of the writing challenge:

Write about your first name: Are you named after someone or something? Are there any stories or associations attached to it? If you had the choice, would you rename yourself? 

To answer the last question first:  when I was a kid, I longed to be Joe, or Billy, or Bob (I was a Yankee, so Billy Bob wasn’t an option).  Somewhere along the line, Morgan began to fit.  I think what really cemented it was my years in the hi-tech world.  Before I left, it was so diverse that if you include international teleconferences, in a given month or even week, I might interact with people from China, Japan, India, Pakistan, Italy, Israel, England, and Arizona.  I learned that there is no such thing as a “common” name.

I was named after my mother’s father, and this is where family history takes a turn toward the novels of Thomas Hardy – a single tragic event that rippled through many lives.

Grandfather Morgan and my mother, 1923

Grandfather Morgan and my mother, 1923

Grandfather Morgan was the son of a Dutch immagrant who became a paper tycoon. Not one to rest on family privilege, at the age of 17 he lied about his age to enlist in the war to end all wars.  Fortunately, WWI ended before he could get “over there.”

Back home, Morgan married my grandmother, June, a schoolteacher.  The couple moved to Richmond, Virginia to manage a paper mill.  My mother was born there in 1923.

In the 20’s, baseball fever was rampant, and Morgan pitched for the company team.  Sometime around 1928, a line drive caught him in the groin.  It hurts to even think about, and after a series of operations, he developed tuberculosis of the bone.  The family moved west, first to Tucson, then Prescott, Arizona, and finally to Albuquerque, where Morgan died in 1930.

My grandmother nursed him during that time and said that on his last night, he was joyous and smiling and said, “The worst is over now, I can feel it.”

My grandmother became quite the cowgirl.  Most of the roads were single lane, and the rattlesnakes could easily grow to six or seven feet long.  Coming upon them, Grandmother June would run over them with the model A – repeatedly – then climb out to cut off the rattles.  My mother had a snake phobia and was frightened even of rattles in the trunk.

Another time, when she was six, my mother climbed a rock spire in Prescott known as, “Top Rock.”  Once on top, she set up a wail, crying that she couldn’t get down.  Without a fire department to come to the rescue, June put on her boots, hiked up her skirt, and learned what she had to know about rock climbing on the fly.

In the end, the death of my grandfather, Morgan, affected everyone badly.  Grandmother June developed TB and spent several years in a sanatorium in Colorado.  Though she recovered, the disease affected her inner ear balance, so from her mid-30’s on, she had to use a cane.  She saw a psychiatrist for depression, something I never learned until she was gone, for at the time, it carried a stigma.

My grandmother believed there is only one true love in a person’s life.  Though men courted her well into middle age, she refused all offers, in order to “be true” to Morgan.  At the end of her life, when she lived with us, her depression returned.  She believed her life-long loneliness was a judgement from God.  This compassionate and adventurous woman died believing she must have sinned in some way that lay beyond atonement.

Understandably, my mother suffered from depression too.  Sometimes it manifested as a “sense of impending doom.”  If a picnic was planned, she’d be the one to look at the morning sky and say, “I hope it doesn’t rain.”  Both of these are tendencies I have to battle.

I never knew either grandfather.  Though there were uncles to teach me essentials like how to play poker, I know the lack of “wise old men” in the family contributed to what Robert Bly calls “Hunger for the father.”  Perhaps this helped nudge me toward the arts, where we learn that hunger can work like the grain of sand in the oyster that leads to the forming of pearls.

Sometimes I think about ancestor worship – not in the literal sense – yet some primitive part of me seems to believe that what we do now can affect those who came before.  That the effort to live well may carry some kind of redemption.  My grandfather Morgan’s story is filled with life unlived.  His name is a good one to carry – it reminds me that what I do matters.

The first time I went to a Zen sesshin, we ended each day of meditation by reciting this “Evening Caution:”

I beg to urge you, everyone:
each of us must be completely awake:
never neglectful, never indulgent;
life-and-death is a grave matter,
all things pass quickly away;

By the time I got there, I already knew that.  These truths lie embedded in family history.

Inferno by Dan Brown: a book review

Inferno

I am one of the millions who couldn’t put The Da Vinci Code down when it was published in 2003.  Dan Brown’s breakout thriller went on to become the second best selling book of all time, trailing only The Bible.  Yet after reading his next offering, The Lost Symbol (2009), I swore off the author for good.  Information overload and a two dimensional, comic strip villain made it a disappointing read.

Time weakened my resolution, and happily so.  With Inferno, published this month, the author has found his stride again.  Weaknesses remain, but Dan Brown can tell an enthralling story.

The code that Robert Langdon must decipher this time comes from Dante’s Divine Comedy, and especially the first book of that trilogy, The Inferno.  It’s safe to say that everyone in the western world, Christian or not, has been influenced by The Divine Comedy, which gave us our graphic geographies of hell, purgatory, and paradise.  Artists then painted Dante’s vision, shaping the devils and angels that still lurk in imagination.

One of those paintings, Botticelli’s “La Mappa dell’Inferno” or “Map of Hell,” is a key to the mystery Langdon must decipher in his race to stop the release of an engineered plague designed to “cull the human herd” and prevent over population from destroying us all.

La Mappa dell'Inferno by Botticelli

La Mappa dell’Inferno by Botticelli

There aren’t many thrillers with stakes higher than this, and all the elements of it are real.  The threat of ever more people struggling for fixed or diminishing resources can hardly be exaggerated.  The threat of bio-terrorism is here.  Will genetic engineering open the gates of heaven or hell?  Into this nail-biting mix, drawn from the headlines, Brown adds a pretty and brilliant sidekick for Langdon, an equally brilliant mad scientist, and black-uniformed spooks in pursuit.  We have all the elements of an engrossing thriller, but Dan Brown has ways of subverting himself.

His most obvious flaw is excessive information dumping.  Inferno has two primary speeds, fast-forward chase scenes and slow motion data uploads.  When the pacing is off, both can become tiresome.

In one scene, Langdon searches for a clue in the 25th canto of Dante’s Paradiso.  He borrows an iPhone from a tourist to google the relevant passage, but then, although all the police in Florence and a surveillance drone are on his tail, the action stops for a treatise on different translations of Dante.  Robert Langdon, aka Brown, should take a page from Sherlock Holmes and not crowd his head or ours with facts that do not bear on the case at hand.

I also had a problem with several late-in-the-story surprises.  In any good thriller, things and people are not what they seem.  Sometimes it takes a magician’s sleight-of-hand and clever misdirection to pull off major twists with characters whose thoughts we have shared all along.  Several of Inferno’s revelations were clunky in a “What the…?” kind of way.  

Even with these flaws, I can recommend the book.  It had been a long time since I’ve found myself carried away by a work of fiction; as I read, I put everything I could on hold to keep turning the pages.

Dan Brown, 2007, by Phillip Scalia, CC-By-SA-3.0

Dan Brown, 2007, by Phillip Scalia, CC-By-SA-3.0

Reading Dan Brown convinces me yet again of the absolute primacy of story.  I had the same reaction after a pilgrimage to the home of Jack London, a writer I loved when I was young.  George Orwell, among others, described London’s writing and use of language as “poor,” yet more than 50 movies have been made from his novels and stories.  Not bad for a writer whose life was over at 40.

Fortunately for everyone who enjoys a gripping tale, Dan Brown, like London before him, has every reason to continue following his own star and forget the whining of critics like me.  If he does, he will likely continue to bring us supremely engrossing fiction.

The original Ghostbusters: The English Society for the Extermination of Ghosts (1908)

Let’s say you’ve got a haunted castle or cottage in Edwardian England – who ya gonna call? The “English Society for the Extermination of Ghosts,” of course, led by the owner of a small sports bar (in modern terms), who found a new way to harness the energy of his patrons. Armed with stout oaken cudgels, they set out to rid the country of haunts – read all about it in this post from “Freaky Folk Tales.”

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The original ghostbusters

In Edwardian London, if you had something strange in your neighbourhood then you would most likely call on the services of one Charles Dove. The establishment of the English Society for the Extermination of Ghosts, was borne out of several gentlemen having far too much time on their hands and a desire to find something more purposeful for their redundant athletic qualities.

Dove placed several advertisements in local papers at the time and was most surprised to be inundated with applications to join his team. However, despite the immediate allure, Dove promised each man signing up to the ‘Death on Ghosts’ brigade nothing more than an oak cudgel to lay the unsuspecting phantoms. And, although all the ghost warriors professed their disbelief in ghosts, I am reliably informed that Dove decided it wise always to send two hunters to lay away the reported miscreant spectre.

The Times, April 18…

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