Thinking of Woody Guthrie, and Listening too.

Woody was born 100 years ago today, on July 14, 1912. This may be his best known song, one that is cherished around the world.

And here’s something that’s not as well known, but great to listen to. Woody left behind thousands of complete lyrics to songs that were never set to music. After she heard him perform a tribute concert for her father, Nora Guthrie, hired British musician, Billy Bragg, and the American band, Wilco, to set the songs to music. In 1998 they released a first album called Mermaid Avenue, and a second in 2000.

Here’s one of my favorite cuts from the first Mermaid Avenue, called “California Stars.”

Notes on Imagination and James Hillman

Here’s my dilemma:  it’s impossible for me to write about imagination without mentioning James Hillman.  Yet every time I’ve started a post on Hillman, I’ve given it up because the scope of his thought and writing, over almost 50 years, is just too vast.  Hillman died last October at 85 and a two volume work on his life and thought is underway.  Two volumes might not be enough.  So what can a blog post accomplish?  We are about to find out.

James Hillman

Three days after Hillman’s funeral, his friend, Thomas Moore, wrote, “James’s many books and essays, in my view, represent the best and most original thought of our times. I expect that it will take many decades before he is truly discovered and appreciated.  He changed my life by being more than a mentor and a steady, caring friend. If I had to sum up his life, I would say that he lived in the lofty realm of thought and yet also like one of the animals he loved so much. He was always close to his passions and appetites and lived with a fullness of vitality I have never seen elsewhere. To me, he taught more in his lifestyle and in his conversation than in his writing, and yet his books and articles are the most precious objects I have around me.”

Hillman, who served as Director of Studies at the C.G. Jung Institute in Zurich, will be remembered with Freud and Jung as one of the most original psychological thinkers of the 20th century, yet his appeal may be greater outside that discipline than it is with traditionalists in it.  He never pulled his punches.  In 1992 he co-authored, We’ve Had a Hundred Years of Psychotherapy and the World is Getting Worse.  In an interview published a year earlier, he said:

“By removing the soul from the world and not recognizing that the soul is also in the world, psychotherapy can’t do its job anymore. The buildings are sick, the institutions are sick, the banking system’s sick, the schools, the streets – the sickness is out there. … The world has become toxic. … There is a decline in political sense. No sensitivity to the real issues. Why are the intelligent people – at least among the white middle class – so passive now? Why? Because the sensitive, intelligent people are in therapy! …Every time we try to deal with our outrage … by going to therapy with our rage and fear, we’re depriving the political world of something. And therapy, in its crazy way, by emphasizing the inner soul and ignoring the outer soul, supports the decline of the actual world.”

Let me say it again:  those statements were made in 1991.

During the late 80’s, Hillman joined Robert Bly and Michael Meade in presenting a series of conferences exploring the myths and archetypes of the male psyche.  Bly’s, Iron John came out of that work, as did Hillman’s and  Meade’s concern with the genius within, (see my previous post).  This was the subject of Hillman’s, The Soul’s Code, 1997, the first and only one of his books to become a bestseller.  In it, he suggested we come into the world with a calling or destiny, the way an acorn carries the pattern of a mature oak.  Our mission in life is to realize this deeper purpose.

***

An editor once rejected an articles of Hillman’s, saying it would set psychology back three-hundred years.  Hillman said that was exactly what he was trying to do.  Soul and soul-making were his constant concerns, but not as the words are used in modern terms.  He often quoted Keats who said, “Call the world if you please, ‘The vale of Soul-making.’  Then you will find out the use of the world…”  He also repeated a fragment of Heraclitus, “You could not discover the limits of the soul, even if you traveled every road to do so; such is the depth of it’s meaning.”

Hillman did more than offer poetic metaphor; his goal was nothing less than a return to an earlier, three part formulation  of the human person, embraced by the ancients but lost to modernity.  People in earlier times conceived of soul as an intermediate faculty that inhabits an imaginal realm between the physical world of body and the disembodied heights of pure spirit.  Imaginal not imaginary, a disparaging term which suggests that soul, vision, dream, and myth are not real.  In his key work, Revisioning Psychology, 1975, he said:

“First, ‘soul’ refers to the deepening of events into experiences; second, the significance soul makes possible, whether in love or in religious concern, derives from its special relation with death.  And third, by ‘soul’ I mean the imaginative possibility in our natures, the experiencing through reflective speculation, dream, image and fantasy – that mode which recognizes all realities as primarily symbolic or metaphorical.”    

Another key point Hillman makes is the primacy of image in the life of the psyche:  Speaking of Jung he says:

“He considered the fantasy images that run through our daydreams and night dreams, which are present unconsciously in all our consciousness, to be the primary data of the psyche.  Everything we know and feel and every statement we make are all fantasy-based, that is, they derive from psychic images….Every notion in our minds, each perception of the world and sensation in ourselves must go through a psychic organization in order to ‘happen’ at all.  Every single feeling or observation occurs as a psychic event by first forming a fantasy-image.” 

***

At the start of this post, I wondered what I could say in a brief article about a prolific and protean thinker like James Hillman.  Inspire someone to learn more, I hope.  A good place to begin is A Blue Fire, a collection of key writings, edited by his friend, Thomas Moore.

Here are some noteworthy links:

The New York Times obituary:  http://www.nytimes.com/2011/10/28/health/james-hillman-therapist-in-mens-movement-dies-at-85.html?_r=1

“On Soul, Character, and Calling” by Scott Landon, published in The Sun, July, 2012: http://www.scottlondon.com/interviews/hillman.html

A tribute by his friend, Michael Ventura, a journalist, who asks, “What do you say about an intellectual genius who learned to tap dance in his 60s?”   http://www.austinchronicle.com/columns/2012-01-13/letters-at-3am-james-hillman-1926-2011/

A remembrance by Thomas Moore: http://www.huffingtonpost.com/thomas-moore/james-hillman-death_b_1067046.html

I have more to say, but this is enough for now.  I’ll end with a message Hillman sent to his friends during the last few weeks of his life, when he finally became too ill to work:   

“I am dying, yet in fact, I could not be more engaged in living. One thing I’m learning is how impossible it is to lay out a border between so-called ‘living’ and ‘dying’.” 

I think Moore is right – it will take decades to fully appreciate the scope of Hillman’s life and work, but there’s no reason not to begin right now.

Michael Meade on Imagination and Being Ourselves

If you ask people to name the problems facing our country today, you get a fairly uniform set of answers:  economic stagnation and political stalemate are likely to head the list.  If you ask the cause of these challenges, agreement is likely to end.  Very few people will answer, as Michael Meade does, that we suffer from a poverty of imagination.  In a recent blog article on The Huffington Post, Meade says:

“Stagnation in the economy and “stalemation” in the political system stem from a collapse of imagination and increasing blindness about what a culture is supposed to cultivate and what a civil society is truly about…The problem is not simply a lack of work or a paucity of jobs. The problem is that genuine solutions to persistent problems require the kind of vision that transcends single-minded ideologies, rigid belief systems, and exaggerated self-interest.”  http://www.huffingtonpost.com/michael-meade-dhl/be-yourself_b_1640162.html

Meade reminds us that while any job may look good if we don’t have one, it’s not enough to satisfy the soul.  What we really want is to find our unique calling, in an atmosphere that now seems especially toxic to such a search.

This post is another in Meade’s ongoing series on the theme of our inner genius and how we might learn to listen and see what it wants.  He doesn’t offer simple or short term answers, but he does remind us of how much the quality of our lives depend on the quest:

“To become nobody but yourself, to struggle against the tide of sameness and the false security of simply fitting in — that is a fight worth having. To become oneself by finding a way to contribute one’s god-given talents and natural genius to this troubled world; that is the job to keep applying for. The real work in this life is not simply to succeed and “become somebody”; the real issue is to become one’s intended self.”

I encourage you to read this article and some of Meade’s other posts on becoming ourselves.

Bill Moyers on “The Cowardly Lions of Free Speech”

Here is Bill Moyers’ response to the recent Supreme Court decision not to revisit Citizen’s United.  Check out the full clip, which only runs 6 1/2 minutes.

Three things don’t go together: Money. Secrecy. Democracy. And that’s the nub of the matter. This is all a sham for invalidating democracy in the name of democracy. It’s the trick authoritarians always use to hide their real intention — in this case absolute power over our public life and institutions: the privatization of everything. The Supreme Court is pointing the way. Instead of mitigating the worst excesses of both the state and the private sector, the Court has taken sides. Saying to the massed wealth of the one percent: America is yours for the taking, for the buying.
http://billmoyers.com/

There really is nothing to add to something so shameful and tragic.

UFO Files, Part Deux

Okay, time for a mea culpa on the recs contained in my last post on the National Geographic Channel’s  Hunting UFOs series http://wp.me/pYql4-2b2. I grabbed the clicker after 20 minutes. The program was part Blair Witch and part reality TV, and I’m not fond of either.

And as for the tweets, I think we better hope the aliens don’t speak English.  On the other hand, if they do, it probably means they’ve been tuning in to our TV signals for years.  If they’ve been watching commercials and Fox news, this set of tweets won’t phase them.

For me, the most interesting item to emerge from all of this was a quote from Stephen Hawking that I pasted into a comment and will repeat here.  He warned that if more advanced alien life forms landed on earth, we could see a replay of the fate of Native American populations at the hands of European colonizers.

“We only have to look at ourselves to see how intelligent life might develop into something we wouldn’t want to meet.” – Stephen Hawking 

So life continues, as do our explorations, for as two researchers who are beyond reproach observed, “The truth is out there.”

Mulder and Scully of The X-Files

Paracosms in Writing and Music

When I turned to the editorial page of the local paper this morning, I learned a new word and a wonderful concept.  http://www.sacbee.com/2012/06/27/4591277/springsteens-global-attraction.html.

David Brooks, a writer for The New York Times, and several friends “threw financial sanity to the winds” to follow Bruce Springsteen on tour through France and Spain , because supposedly the crowds are even more intense than their American counterparts. 

Young European fans know every word of songs The Boss recorded twenty years before they were born.  Their enthusiasm “sometimes overshadows what’s happening onstage,” says Brooks.  The moment that spawned his article was seeing “56,000 enraptured Spaniards, pumping their fists in the air…and bellowing at the top of their lungs, ‘I was born in the USA.‘”  

How could this be, especially since in Springsteen’s music, USA often means New Jersey?

Brooks asked himself the same question and borrowed a term from child psychology to help understand it.  The word is paracosm, meaning a world in imagination, “sometimes complete with with imaginary beasts, heroes and laws that help us orient ourselves in reality.  They are structured mental communities that help us understand the wider world.”

Children do it, says Brooks, and as adults we continue the habit.  Then he adds the observation that is the point of this post:

“It’s a paradox that the artists who have the widest global purchase are also the ones who have created the most local and distinctive story landscapes.”

Springsteen’s New Jersey.  J.K. Rowling’s English boarding school.  Tony Hillerman’s Navajo country.  221B Baker Street.  Downton Abbey.  Tolkein’s Edwardian rural England, aka, The Shire.

Hob Lane, near where Tolkien lived as a boy

I often think of the books I hate to see end, the kind that inspire fans to continue the story on their own, as I described in a recent post on fan fiction http://wp.me/pYql4-298.  Character remains the essential ingredient – we want to follow Harry, Ron, and Hermione wherever they may lead us – but in his article David Brooks points out the critical nature of the world where they more and act and love and fight.  We wouldn’t really want to see the Hogwarts gang on Sunset Boulevard anymore than we’d want Sam Spade in St. Mary Meade, working a case with Miss Marple.

“If you build a passionate and highly localized moral landscape, people will come,” says Brooks, echoing Field of Dreams, a movie that largely took place in a cornfield.  “If your identity is formed by hard boundaries, if you come from a specific place…if your concerns are expressed through a specific paracosm, you are going to have more depth and definition than if you grew up in the far-flung networks of pluralism and eclecticism…sampling one style then the next, your identity formed by soft boundaries, or none at all.”

I think this is an important thing to consider – one you seldom read about in books on writing but which instantly resonates when called to mind in the context of our favorite fiction.

But let’s end with The Boss

One of Springsteen’s best known songs, “My Hometown,” moves me the way “Born in the USA” moved a stadium full of Spaniards.  Hometown for me is part of a paracosm, a special kind of imaginary landscape.  I’ve said elsewhere that when I was young, we moved around too often for me to have any sense of a hometown, yet the moment I say the word I can see it vividly, with eyes opened or closed.

We’ll let the master paint the picture, since someone (I forget who) once observed that only a troubadour of Springsteen’s calibre could make you nostalgic for New Jersey.

Enjoy the paracosm.

American Dreaming

This Norman Rockwell magazine cover, showing Thanksgiving on Walton’s Mountain, is a perfect illustration of The American dream.  The power of Rockwell’s vision of an American earthly paradise is so compelling that we long to believe it even though we know life was never like that and certainly isn’t now.  I started thinking about the power of the dream after reading an excellent article in Time Magazine:  “The American Dream:  A Biography” by Jon Meacham, in the July 2, 2012 issue).  Meacham’s conclusion supports what all of us know but wish we didn’t – the dream is in danger like never before.

The phrase, “American Dream,” first appeared in James Truslow Adams’s The Epic of America , an optimistic history published in 1931, as we neared the depths of the great depression.  Adams wrote of:  “that American Dream of a better, richer, and happier life of all our citizens of every rank which is the greatest contribution we have as yet made to the thought and welfare of the world.”

Even in 1931, there seemed to be cause for optimism:  the day Adams finished his manuscript, President Herbert Hoover turned on the lights of the Empire State Building.  Technical marvels coincided with the Time article as well, but they didn’t belong to us.  On Sunday, three Chinese astronauts manually docked a spacecraft to their orbiting space station, a key milestone in their quest to reach the moon.  On the same day, a Chinese deep sea craft set a national diving record, reaching a depth of 7000 meters in the Mariana Trench.

It took two centuries and a civil war before the right to “life, liberty, and the pursuit of happiness” was officially extended to everyone, and yet for a time, America offered a better chance to reinvent oneself, to start again, to rise above the limitations of birth than any other place in the world.  Abraham Lincoln called himself “a living witness” that any child could grow up to be president.  Somewhere along the line, things changed.

One interesting point that Meacham makes is that “there is a missing character in [the] popular version of the story of America’s rugged individualism:  the government, which helped make the rise of the individual possible.”  The Pacific Railroad and Homestead acts, signed by Lincoln, had much to do with knitting the country together and making allowing dreamers to “go west” or “light out for the Territory” like Huckleberry Finn as well as his creator.  It was government, under a southern president, that enforced the Civil Rights Act, and during the 60’s, launched the drive that put men on the moon and started us on the road to a micro-electronics revolution.

In the end, dreams do not depend on facts and figures, but more on a sense of hope and possibilities.  What was different in 1931 that allowed James Truslow Adams to write The Epic of America?  In it, he said, “If the American dream is to come true and abide with us, it will, at bottom, depend on the people themselves.”

If it did then, it does now.  What happened over the last eighty years?  There aren’t any easy answers, but there are many things we can and should be thinking about.

Michael Meade on Genius

We all know what genius means in the modern sense of the word:  people like Einstein, Shakespeare, Leonardo, and Beethoven.  As far as I know, the image of the solitary genius, often suffering and at odds with the culture, is an artifact of the romantic era.  The word and original concept came from Rome, where it meant something else.

“In ancient Roman religion, the genius was the individual instance of a general divine nature that is present in every individual person, place, or thing.  The rational powers and abilities of each and every human being were attributed to his soul, which was a genius.” Wikipedia.  

The Three Graces – Pompeii fresco

In his blog on the Huffington post, Michael Meade has started a series on genius that delves into this classical meaning. Meade says:

“Genius involves deeply subjective qualities and an inner pattern that marks each person as unique in some way and genius tries to leave that mark on the world. Since the genius in a person is ageless it can awaken at almost any age.”

He then adds,

“An old Greek word for happiness translates as having a satisfied genius. Recognizing and following the promptings of one’s inner-genius can be one of the most fulfilling experiences of life even if all else has been reduced to garbage and scraps.”

Michael Meade

In these terms, genius has little to do with most of our cultural assumptions about the word, like IQ, conventional success, or 15 minutes of fame.  It is more like what we mean when we speak of “marching to one’s own drummer.”

I invite everyone to read Meade’s post and watch for the next in his series which will focus on “the genius zone.”

http://www.huffingtonpost.com/michael-meade-dhl/genius-fame_b_1563235.html