Yule ~ The Beginner’s Guide To The Wheel Of The Year

Just in time for the solstice, here is another of Lily Wight’s wonderful “Wheel of the Year” posts, with beautiful illustrations and commentary on the Celtic and Nordic stories surrounding this ancient holiday. Enjoy her post and enjoy the return of light!

Lily Wight

Updated 18/12/2014

     There are four Solar Quarter Days (two equinoxes and two solstices) on The Wheel of The Year calendar.  Yule or The Winter Solstice is celebrated during a twelve day period from December into January.

     Yule commemorates the demise and rebirth of the sun’s powers because The Wheel continues to turn and daylight hours begin to lengthen again beyond The Shortest Day.

     The name “Yule” is thought to derive from the Old Norse ” jólnar”  – a collective term for the gods or “Yule Ones”.   Jólfaðr (Yule Father – interchangeable with All-Father) is one of many names attributed to Odin.  In Old Norse poetry names and terms for Odin are frequently synonymous with celebration and feasting.  Odin The Gift-Giver is undoubtedly the origin of our Santa Claus.

     The Midwinter period between the last harvest (Samhain)…

View original post 390 more words

Queen Bothildur: an Icelandic Christmas folktale

I found this story in a beautifully illustrated book of Icelandic folktales for children, Tales of the Elves, that I brought back from that country after a visit in 2012.

Tales of the Elves 400

One Christmas Eve, a richly dressed woman knocked at the door of a farm house in Hrutafjord and asked for shelter. The sheriff lived there and said she could stay.  When people asked her name, she said it was Bothildur, but she would not say anything else about herself.

She stayed home while everyone else went to midnight mass, and when they returned, they had never seen the house so clean and beautifully arranged.  The sheriff invited her to stay on as housekeeper, and she excelled at her work.  The following Christmas Eve, she stayed home again, but this time, when the household returned, they found Bothildur’s eyes red from weeping.

On the third Christmas Eve, Gudmundur, the sheriff’s shepherd boy, vowed to discover her secret.  As everyone walked to church, he feigned illness and turned back.  Gudmundur possessed a magic stone that made him invisible.  Holding it in his hand, he slipped into the farmhouse, where he saw Bothildur dressed in the finest clothing he’d ever seen.  She took a green cloth from a chest and set off into the night, with Gudmundur following closely behind.  They came to a lake where Bothildur spread the cloth on the water and stepped onto it.  The shepherd boy just had time to step onto a corner before the cloth began to sink.

Bothildur

It seemed like they were passing through smoke as they sank deeper, but at last they came to a grassy plain in front of a fair city.  Bothildur entered the city where everyone cheered.  A man who wore a crown embraced her and then everyone entered the church for Christmas mass.  Bothildur’s three children ran around the pews playing with three golden rings, until the youngest dropped his and couldn’t find it because the invisible Gudmundur had slipped it into his pocket.

When the service was over and it was time for Bothildur to leave, everyone was sad.  She walked alone with her husband onto the plain before the city.  Both were in tears and Gudmundur heard them say this was the last time they would ever meet.  They parted with great sorrow as Bothildur stepped onto the green cloth with Gudmundur behind her.

Bothildur returned home and was cleaning when the sheriff and the rest of the household returned.  Gudmundur came home later.  When asked where he had been, he told the entire tale of his trip to the land below the waters.  When Bothildur asked if he had proof, Gudmundur withdrew her son’s golden ring.  At that she was joyous.  She explained that she’d been a queen in Elf Land until a witch cursed her.  She could only return home on Christmas eve, and only a human brave enough to follow her to the world below could break the spell.  “Now you have released me and you shall be richly rewarded,” she said.

After saying goodbye to the household, Bothildur vanished.  That night, Gudmundur dreamed she came to him and gave him coins and jewels which he found beside his pillow when he awoke.  Later, he used that money to buy a farm of his own and get married.  In time, he became known far and wide as the luckiest man alive.

***

In Iceland, winter solstice celebrations were huge events – understandably, for by mid-December, the southern part of the country gets only four hours of light each day, and the northern regions, above the arctic circle, get only three.  Icelanders embraced Christianity in 1000 AD, but to this day, Christmas is a dual holiday, celebrating both the birth of Christ and the return of the sun.

Charming as it is that the doorway to the Other World should open on Christmas Eve, it’s a safe guess that Christmas is peripheral to the tale.  Stories of release from enchantment are found in every culture and predate Christianity.  Sometimes love and compassion break the spell, as in “Beauty and the Beast.”  Sometimes it’s bravery and cleverness, and sometimes even violence – in the first version of “The Frog King” published by the Brothers Grimm, the frog is disenchanted not by a kiss, but when the princess becomes so annoyed with him that she hurls him against a wall.

Aside from its simple charm, what fascinates me about Queen Bothildur’s tale is that Gudmundur, the young disenchanter, brings his own magical implement for the task.  Where do shepherd boys pick up magical stones of invisibility?  Jung believed that stones are frequently symbols of the Self, his term for the fully integrated personality.

Babylonian stone seal, ca 1595-1155 BC.  Creative Commons

Babylonian stone seal, ca 1595-1155 BC. Creative Commons

 Normally, such psycho-spiritual integration is the task of a lifetime, but in stories, legend, and scripture, young heroes as diverse as King David, St. Patrick, and Krishna worked as shepherds or cow herders when they were young.  However simple this folktale may be, it reflects what can be done by a person with a noble cause who is not at war with himself.

Belief in the Huldufólk, or Hidden People, the Elves, is common to this day in Iceland; in a 2007 survey, 57% of the population said they “do not disbelieve” in Elves.  In 2004, Alcoa had to pay a government expert to survey their proposed site for an aluminum smelter to make sure it was Huldufólk free.  Last year, we travelled a highway that had been diverted around an Elven dwelling.  We saw many small houses built on remote hillsides as homes for the Hidden People, and some Icelanders build them churches, in hopes they will convert to Christianity.

That may be an iffy proposition.  “The Icelandic word for Christmas, Jól, contains no reference to Christ or to the church. It is a Norse word that also existed in Old English as Yule.” (1)

Even so, as we read and tell their stories, I suspect the Elves are wishing us a Gleðileg jól go farsælt komandi ár – a Merry Christmas and a Happy New Year.

.

Samhain ~ The Beginner’s Guide To The Wheel Of The Year

Here is another of Lily Wight’s fine articles on the Celtic Wheel of the Year. This one discusses Samhain, a time of ending and beginning, when the veil between the worlds was especially thin. This is key information for those who love Celtic mythology as well as providing fun background for those who love Halloween.

Lily Wight

     Updated 23/10/2014

     Samhain – pronounced “sow – inn” and known presently as Halloween – is celebrated from sunset to sunset on 31st October to 1st November.  It is the most important Fire Festival or Sabbat on the ancient Wheel of The Year calendar.

     “Samhain” has been variously translated as “first frost” or “Summer’s end”:  opposing suggestions with the same meaning.  It is the name for November in ancient and modern Gaelic.

     Samhain lies between The Autumn Equinox and The Winter Solstice.  It marks the death of the year and the end of the annual agricultural cycle.  Many ancient cultures throughout The Western Hemisphere regarded Samhain as their New Year’s Eve.

     Samhain is the third and final harvest on The Wheel of The Year calendar.  After Lughnasadh (grain and cereals) and Modron (fruit and vegetables) herding…

View original post 428 more words

The churchyard horror

Tis the season for chills up the spine, and this is great tale for a windy October night – another wonderful story from Freaky Folktales.

freaky folk tales

vampire

I have studied all manner of ghost and demon in my quest to better understand this realm betwixt Heaven and Hell but there is little in this study that has proved more intriguing — and downright flesh-creeping — than that of the Croglin vampire. On a dark autumnal day such as this, having struggled against sheets of rain and the swirl of stray leaves in the lonely path across the cemetery, my mind creeps towards that of a real churchyard horror, set upon the Lancashire moorlands.

It happened in the last century. Croglin Low Hall was a low, one-storeyed house on a slope looking down its gardens and cross a small park to the churchyard two hundred yards away. Along the front of the house ran a wooden verandah, like an African stoep. Two brothers and a sister took the house for the summer. I will not give their names…

View original post 739 more words

Dreaming with animals

Bobcat, Folsom City Zoo Sanctuary - M.Mussell

Bobcat, Folsom City Zoo Sanctuary – M. Mussell

“What is the single greatest predictor of a hero’s success in folktales around the world?”

A professor who had studied the subject at length once posed that question in a psychology class. The answer, he said, was finding an animal helper. More than any other human or supernatural guide, an animal ally can lead the hero or heroine through trials and dangers to the end of their quest.

The professor was a friend and colleague of James Hillman (1926-2011) who loved animals and began collecting animal dreams in 1956.  Toward the end of his life, Hillman helped compile and update five decades of essays and lecture transcripts for a ten volume collection of his work.  Five volumes have been published to date, including Animal Presences, 2012, which I am currently reading.

Vixen the fox, Folsom City Zoo Sanctuary - M. Mussell

Vixen the fox, Folsom City Zoo Sanctuary – M. Mussell

After serving in the US Navy, Hillman studied at the Sorbonne, at Trinity College, Dublin, and in Zurich, where he received a PhD from the University of Zurich and an analyst’s diploma from the C.G. Jung Institute where he served as Director of Studies until 1969.  Versed in Jungian psychology, he charted his own path which he named “Archetypal Psychology.”  His first major work, Revisioning Psychology, 1975, was nominated for a Pulitzer Prize.

With 18 volumes in Jung’s Collected Works, and 10 in Hillman’s, it is clearly beyond the scope of a blog post to compare and contrast these two complex approaches to the depth psychology.  That said, several broad generalizations are possible:

Jung’s psychology can be characterized as “monotheistic,” aiming at a realization of the “Self,” as the supreme archetypal principle.  Jung understood the Self as “the God image within.”  Hillman, by contrast, called the psyche “polytheistic,” and considered the Self as simply one of many psychic centers within us.  Our nature, as we experience it moment by moment, is more like a pantheon of many gods than the kingdom of single inner supreme being.

As a corollary to these differing models of the psyche, development for Jung was often imagined as an ascent, a kind of upward climb toward spiritual clarity.  For Hillman, growth was often a descent, leading to contact with the “Soul,” which for him was more like the “soul” of a blues musician or an artist than the “immortal soul” of organized religion.

Hillman was also concerned with anima mundi, the soul of the world.  How can people be healthy when the world is ailing?  Hillman had little patience with ego psychologies that pretend human health is possible when our cities are blighted and we work in sterile, windowless offices bathed in florescent light?  As a result, his method of approaching dream and fantasy was unique.  He shunned methodologies that seek to aggrandize ego by asking what the figures of dream mean.  He insisted we treat the beings who visit us nightly with the same courtesy we would show to a guest in the waking world.

“the animals are right here. You have to be careful you don’t say something stupid because the animals are listening. You can’t interpret them; you can’t symbolize them; you can’t do something that is only human about them.”

Sage the wolf, Folsom City Zoo Sanctuary - M. Mussell

Sage the wolf, Folsom City Zoo Sanctuary – M. Mussell

“the image is the teacher. We have to endure a laboriously slow method of dreamwork…A dream brings with it a terrible urge for understanding. We want dreams decoded for their meanings. But the dream, like the animal in it, is a living phenomenon. It goes on displaying itself, pointing beyond itself to ever further interiority if we can hold back the hermeneutical desire so that the image can elaborate itself.”

“I am suggesting that the dream animal can be amplified as much by a visit to the zoo as by a symbol dictionary.”

Something within us mourns the animals missing from our lives.  We wear their pictures on t-shirts and sometimes collect little animal figurines.  We cherish domestic pets in ways that might seem bizarre to earlier generations who weren’t as estranged from the natural world.  We thrill at the sight of Coyote or Deer moving through twilight woods at the edge of the housing tract, and we mourn them dead on the road as we drive to work.

Sly the Fox, Folsom City Zoo Sanctuary - M. Mussell

Sly the Fox, Folsom City Zoo Sanctuary – M. Mussell

We are energized when animals visit our dreams – sometimes.  We’d rather they weren’t fierce, threatening, or slimy.  We prefer majestic and noble: an eagle, a dolphin, or wolf will do nicely. We’re not so fond of ants or mice, pigs or slugs, skunks or rats.

With the natural world in tatters, however, anima mundi is not dreaming of Disney creatures and love and light.  That’s all right.  Black Elk said the Lakota people knew every being has it’s place in the medicine wheel.  And if we don’t know what’s broken in ourselves and in the world, said Hillman, we don’t have the slightest idea of who and what and where we are.

Aiko the bobcat, Folsom City Zoo Sanctuary - M. Mussell

Aiko the bobcat, Folsom City Zoo Sanctuary – M. Mussell

What animals have recently come to your dreams?  What did they seem to want? Don’t remember any animal dreams? Just ask. If you mean it, if you are truly interested and repeat the suggestion until it brings results; if you prime the pump by leaving a notebook and pen you your bed stand, the creatures will visit.

They want to be heard and are looking for those who will listen.

Stardust: a movie review

Stardust-3-NCGZF0OUJX-800x600

One day while Neil Gaiman was driving in England, he noticed a wall by the side of the road and imagined Faerie on the other side. He conceived the story of an American author visiting Britain who would discover the wall. Shortly after this, on the night he received a literary award, Gaiman saw a shooting star, and the idea for Stardust was born.

Stardust was first released as an illustrated series in 1997 and then as a novel in 1999, which won an award from the Mythopoetic Society.  A movie version in 2007 received favorable reviews.  After my recent review of Gaiman’s 2013 novel, The Ocean at the End of the Lane, I realized I’d never seen the Stardust movie.  It’s available for rent on iTunes, and I highly recommend it.

Stardust gives us the wall, a wonderful metaphor for much of human culture, erected to keep us out of Faerie, the realm of imagination, heightened emotion, wonders, terrors, true love, and our true selves.

Responsible citizens don't cross the wall.

Responsible citizens don’t cross the wall.

Tristan Thorn (Charlie Cox), a young man who lives in the town of Wall, is a classic dummling.  He’s a klutz who can’t keep a job and is infatuated with Victoria, a girl who won’t take him seriously and whose finance delights in tormenting him.  Yet Tristan’s father, who has been over the wall, says that might be a good thing – most people who find it easy to fit in “lead unremarkable lives.”  Then he tells Tristan the secret of his birth on the other side of the wall.

Tristan and Victoria see a shooting star fall into Faerie.  Still infatuated, Tristan vows to bring the star back to win her hand in marriage.  He forces his way through the wall to begin his search, but he is not the only one who saw the star.

The murderous sons of a dying king in the realm of Stormhold set off to find the star when their father vows that the one who finds it will be his heir.  And Lamia (Michelle Pfeiffer), senior member of a trio of witches joins the hunt – when stars fall to earth, the witches cut out their hearts and eat them, a little at a time, to preserve their youth and beauty.

Tristan reaches Yvaine the star (Claire Daines) first. Still intent on winning the hand of Victoria back in Wall, he uses a Faire chain to compel her to follow him.

Yvaine and Tristan

Yvaine and Tristan

At first they bicker constantly, but their time on the road and helping each other survive attempts on their lives creates a bond of friendship and finally love between them. Ever the dummling, Tristan is the last to realize this, but is helped when he finds a mentor.  Robert De Niro, in a virtuoso role as Captain Shakespeare, the gay captain of a flying steampunk pirate ship, teaches Tristan to fight, Yvaine to dance, and with a parting gift of  wisdom, whispers to Tristan, “She is your true love.”

Captain Shakespeare at the helm

Captain Shakespeare at the helm

As with any good dummling story, the ending of Stardust will leave you happy.  Though rooted in the sensibility of a modern coming of age tale, with elements of character development that the old traditional stories lack, Stardust fits Tolkien’s paradigm of the classic fairytale – the wonders and terrors we mortals encounter when we venture into other worlds.

Faerie whispers to us in sunlight, in starlight, and in our dreams.  Those intimations may be what make us most truly human.  No wonder we have an endless appetite for wonder tales, and Stardust is one that thoroughly satisfies.

The North Wind’s Gift: a trickster tale from Italy

If you haven’t already done so, I suggest you read the preceding post, Notes on Trickster stories, which provides a background and context for this article.  Both posts were inspired by “The North Wind’s Gift,” a tale from Italo Calvino’s Italian Folktales, 1956.  The story came to my attention in Allan Chinen’s discussion of tricksters and appealed because of its relative simplicity and relevance to our own times.

Italian Folktales

Here’s a synopsis of the story:

Once there was a farmer named Geppone who toiled in his fields every day of the year but could barely feed his wife and three children.  The North Wind blew at harvest time and ruined his crops.  Finally Geppone had enough and set out to find the North Wind and demand justice.  He reached the North Wind’s castle.  “Every year you ruin my crops,” he said.  “Because of you, my family is starving to death.”

“What can I do?” the North Wind asked.

“I leave that up to you,” Geppone replied.

The North Wind’s heart went out to the little farmer.  He brought out a box.  “This is a magical box which will give you food when you open it, but tell no one else about the magic or you’ll lose it.”

Geppone thanked the Wind and set out for home.  On the way, he opened the box.  Instantly a table appeared, piled with food.  When he got home, Geppone opened the box again and treated his family to a feast.  He told his wife not to tell anyone, and especially to say nothing to the priest, who was their landlord and a greedy man.

The next day, the priest spoke to Geppone’s wife and wrung the story out of her.  He summoned Geppone and  demanded the box on pain of eviction, offering seeds in return, which proved to be worthless.  As bad off as he was before, the farmer returned to the North Wind’s castle to ask for another boon.

At first, the North Wind refused, saying, “You ignored my warning.  Why should I help you again?”  Geppone pleaded, and reminded the Wind that he was still the cause of the family’s ruin.

“Very well,” said the North Wind at last.  He gave Geppone a magnificent gold box, but said, “Open this only when you are starving.”

On his way home, Geppone stopped and opened the new box.  This time a ruffian with a club jumped out and began to beat the farmer, who struggled to close the lid.  When he did, the ruffian vanished.  Geppone limped home, sore and bruised.  When his wife and children clamored to try the golden box, Geppone left the room.  This time two ruffians jumped out and began to beat the family.  Geppone slipped back into the room, closed the box, and the assailants vanished.

“This is what you must do,” he said to his wife.  “Tell the priest I brought home an even finer box, but say nothing else.”

Geppone’s wife understood and did as her husband instructed.  When the priest called the farmer and demanded the golden box, Geppone feigned reluctance, but at last agreed to trade it for the original box.  The priest rubbed his hands.  The bishop was due to join him for Mass the next day; a feast would be just the thing to win the approval of his superior.

The next day, after Mass, the priest, the bishop, and their retinue gathered for supper.  When the priest opened the box, six ruffians jumped out and beat the clerics.  Geppone, who was waiting at the window, took his time in closing the box to save them.

No one objected when he carried this second box home.  The priest never bothered Geppone again.  The farmer was careful to guard the North Wind’s gifts, and his family lived in ease and comfort for the rest of their days.

You can read the story as it appears in Italian Folktales here:  The North Wind’s Gift

***

It’s clear at the start of the story that we’re in a post-heroic fairytale world.  Geppone is not out to slay a dragon, rescue a princess, or win a kingdom – he just wants to survive.

Allan Chinen speaks of the different life stages that different fairytales address.  While the majority center on young people venturing into the world,  “middle-tales” like this have older protagonists with different kinds of problems.  From a Jungian perspective, Chinen notes that tricksters usually don’t show up in our dreams when we’re 18 and planning to take the world by storm – they visit us when we’re 40, with a mortgage, a couple of kids, and a car that needs an engine overhaul.

Geppone works from dawn until dark but can barely make ends meet.  His wife doesn’t listen to him, and the landlord threatens eviction.  This setup makes his story seem contemporary – if we’re not in this situation ourselves, one of our neighbors probably is.

We get the feeling Geppone has been down on his luck and taking it on the chin for a while.  Something finally awakens within him and spurs him to action.  As a result, he meets the North Wind, a wild spirit who will become his guardian and mentor and teach him the wiles of the trickster.

The North Wind is invoked in the Song of Solomon, in Aesop, and in Greek and Norwegian folklore.  He shows up in George McDonald’s novel, On the Back of the North Wind, in the stories of Hans Christian Anderson, and in Pokemon.  The North Wind is also associated with thunder gods like Zeus and Odin.  It’s not surprising that he is a shadowy trickster in Italy, where invaders and winter both arrive from the north.

Almost every successful fairytale character wins the help of a guiding spirit, and the North Wind’s help is just what Geppone needs.  It prompts him first to stand up for himself and ask for what he needs and then to learn enough strategy to overcome his oppressive priest and landlord.  To Jungians, fairytale allies like helpful animals, fairy godmothers, and nature spirits represent parts of the unconscious mind that are older and wiser than ego, which gets us into trouble in the first place.

What this means in practical terms is a vast subject, beyond the scope of a few blog posts.  Jung would suggest to patients who were comfortable in a religious tradition to return to it for guidance.  Much of Jung’s work aimed at helping people estranged from existing traditions who still needed to tap inner sources of wisdom.

In the “Power of Myth,” Bill Moyers asked Joseph Campbell where ordinary (i.e., busy) people might look to experience the wisdom of myth.  Campbell suggested we take 30 minutes or an hour a day in a quiet place where we can read what inspires us and perhaps keep a journal.

Just like this story, the psyche is home to ruffians and riches, and the old stories are not to be taken literally.  James Hillman, a prominent Jungian thinker, always insisted that literalism is the greatest enemy of inner wisdom.  So how does trickster wisdom manifest  in our world right now?  I don’t think we have to look very far.

A world that’s increasingly dysfunctional serves as a magnet for trickster energy, for good as well as for ill.  A Facebook friend mentioned that he once loaned out a book on trickster mythology and never got it back.  That fits the myths of trickster gods like Hermes who are also patrons of thieves.  Hermes may be the supreme image of the trickster.  As fluid as the metal which bears his Roman name, Mercury, he was the messenger between gods and humans who also conducted souls to the afterlife.  Patron of travelers, herdsmen, poets, orators, athletes, and inventors, his herald’s staff, the caduceus, is the symbol of healing to this day.

I find myself watching for positive manifestations of trickster energy, which usually turn up under the radar of corporate and government organizations which carry a vested interest in the status quo.  When you look, quite a few individuals and groups are trying out new solutions.  I’ll post at least one example in the near future.

In the meantime I would love to hear where you find trickster energy in yourself and in those around you.