Must We Remain A Nation of Small Ideas?

Ursula K. Le Guin, 1929-2018

Ursula Le Guin died on January 23, at the age of 88. I first encountered her writing in the seventies. After multiple readings of The Lord of the Rings, I was hungry for more heroic-quest fantasy novels. There were plenty of them, but the only one I remember is Ursula Le Guin’s Earthsea Trilogy (1968-1972).

At a time when science fiction and fantasy were viewed as escapist genres, decades before YA become a lucrative fad, and before we knew about Jedi, Ursula Le Guin gave us the coming of age tale of Ged, who becomes a powerful wizard only after learning that his most powerful enemy is himself.

Many of this week’s online tributes and memorials have included excerpts from her acceptance speech at the 2014 National Book Awards Medal for Distinguished Contribution to American Letters. It is worth emphasizing this passage from her six minute address:

URSULA LE GUIN: I think hard times are coming, when we will be wanting the voices of writers who can see alternatives to how we live now, and can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine some real grounds for hope. We will need writers who can remember freedom: poets, visionaries—the realists of a larger reality. …

Le Guin’s call for creative artists, and by extension, all of us, to imagine more life affirming ways to live on this planet underlines the poverty of our current public discourse, which confines our national imagination to ever more narrow ruts. We suffer not from fake news but from trivial news.

The last three administrations have spent $5.6 trillion on warfare since 9/11. We’ve killed more than 200,000 civilians (as of 2015) and lost more than 5,000 of our own troops (as of 2016), but none of us feel any safer. Where is our national debate on what we hope to accomplish and the nature of our exit strategy? It is non-existent. Instead, we argue on Twitter about whether football players taking a knee is disrespectful to troops…

The day Ursula Le Guin died, Amazon opened the prototype of an automated grocery store that doesn’t require cashiers. Two days later I saw the picture of Norway’s prototype, zero emissions, automated container ship, that will be entirely crewless by 2020. Panera and McDonalds are trying out order kiosks that could eliminate cashiers and – the list goes on and on. Where is the national debate on strategies for the near term, when automation eliminates millions of jobs before new technologies open up ways to replace them? That, conversation too, is non-existent. It’s more politically expedient to blame foreign nations and foreign nationals for “stealing” our jobs…

We can think of many more essential debates that are not taking place because of the cowardice of our leaders. Le Guin, of course, would shake her head at the notion that today’s politicians or CEO’s are remotely capable of being “the realists of a larger reality.”

Her legacy is a lifetime of visioning other worlds and other ways of living in this one. It’s up to people who care to move that vision forward. Sadly, it seems increasingly certain that the world we would wish to live in is one more thing that will not be “Made in America…”

Those Who Wish Me Dead by Michael Koryta: a book review

those who wish me dead

If you could find that and hold it there within yourself, a candle of self-confidence against the darkness, you could accomplish great things. He knew this. He’d been through it.

Fourteen year old Jace Wilson witnesses a murder-for-hire near his home in Indiana. Witness protection will not help, for the system has been compromised. U.S. Marshals appear to be involved. At the suggestion of an executive bodyguard, Jace’s parents send him to the Wyoming-Montana border, to the wilderness survival school for troubled youth that Ethan Serbin, a retired military survival expert teaches. Once he is in the wilderness, away from computers and cell phones, Jace will be safe, right?

Of course not. Even as Jace, who has been fearful all his life, begins to learn about trusting himself, about building confidence as he learns to build a fire with flint and steel, the killers, Jack and Patrick Blackwell, relentless sociopathic brothers, are  close behind. To hide the murder of a local sherif, the Blackwells set a hillside on fire that burns out of control and into the mountains where Ethan and his young charges are camped.

Realizing they’ve found him, Jace slips away by himself. Killers and searchers, Ethan and his injured wife, Jace and Hannah, a guilt-ridden fire lookout whose lover died in a wildfire saving her, struggle to survive mountain thunder storms, each other, and a fire that grows to monster size as it races into the high country.

I’ve reviewed three of Koryta’s books, including So Cold the River (2010), perhaps my all time favorite thriller. This one is just as good; I devoured it in less than two days. In Those Who Wish Me Dead, the author serves up a near perfect blend of sympathetic protagonists, villains who are fascinating in their complexity, and tension that is finely tuned, neither too loose nor too tight. There really aren’t that many books that I literally cannot put down, but Those Who Wish Me Dead was one.

Michael Koryta

Michael Koryta

An unplanned television fast

CC BY-NC-ND 2.0

CC BY-NC-ND 2.0

We are a week into a major home reconstruction project that has about 2/3 of our living space sealed off against dust.  Bedroom, study, kitchen, and bath are available.  Internet too, since I carried the modem down to this end of the house.  A little cramped at times, but overall, just fine for a short period of time.

What surprises me is how little I miss TV.  More than that, it’s refreshing in many ways not to have it.  The sound was on at one of the TV’s at the gym and I found it so irritating I moved away.

It hasn’t been a completely video-less week.  One day we ventured out to the cineplex to watch Frozen.  Another evening we viewed an Agatha Christie mystery on youTube (the 13″ screen of my mac was ample).  On Friday, I watched a 20 minute Newshour segment on pbs.org.  And last night, we clambered through the dust curtains, out to the living room where the furniture is clumped, to watch the finale of Downton Abbey.

I’m not going to waste any time with polemics against television.  I enjoy several shows and of course, Turner Classic Movies.  I expect to watch those when the house is back to normal.  But a cautionary story came to mind as I looked for images for this post.

It’s possible some readers may not remember analog TV and the pre-404 no-signal pattern called “snow.”

Snow.  CC BY-NC-ND 2.0

Snow. CC BY-NC-ND 2.0

This always reminds me of Neal Stephenson’s visionary novel, Snow Crash.  Published in 1992, Stephenson envisioned a post-nation state world in which people lived as citizens of corporate territories.  The former United States still excelled at two things, computer micro-code and high speed pizza delivery, the latter because the mafia had taken over the business.

In 1992, the year I first got a windows computer, an 8K modem, and an AOL membership, Stephenson imagined virtual worlds where people created avatars to jack in and interact.  Then someone launched a virus that messed with people’s brains.  Anyone who opened this malware saw a pattern based on ancient glyphs that led to the Tower of Babel.  Viewing these symbols scrambled their neurons, in essence, turning their minds to snow.

What struck me this past week were the parallels to our current media world.  I can’t help thinking of all the ways that commercials, local news, political debates, and most of what passes for entertainment scramble our neurons, though much more slowly and in ways that leave us perfectly able to buy stuff.

I could say more, but this is enough – something to think about.

Getting rid of those pesky memories

In my previous post, I wrote of advances in the field of virtual reality, and posted a video clip that brought to mind the dystopian landscape of Aldous Huxley’s Brave New Word (1932).  Huxley imagined life in “The World State” in 2540, where children are born in “hatcheries.”  They are raised in “conditioning centers” and learn to be avid consumers and abhor the thought of solitude.

Happy face thumbs up

One of the World State’s tools for keeping people docile are “the feelies,” multi-sensory movies, most often centered on sex.  The connection to virtual reality should be obvious.  Another conditioning tool was “soma,” a side-effect free hallucinogenic drug that World State citizens used to go on “holidays.”  Soma relates to the subject of this post – a potential advance in the technology of feeling happy, happy.

In “Unwanted Memories Erased in Experiment,” an article in The Wall Street Journal (12/23/13, p. A1), Gautam Naik writes that scientists used electrical currents to erase memories they had implanted earlier.  Someday doctors may be able to zap painful memories and leave the rest in tact.  Assuming the technology becomes (relatively) safe, would this be a wise thing to do?

In a few cases it might be – the 39 patients who volunteered for the experiment were already undergoing electroshock therapy for severe clinical depression after all other treatments had failed.  But the article’s assertion that memory erasing might be useful to remove “associations linked to smoking, drug-taking, or emotional trauma” suggests the kind of social engineering Huxley wrote about.

Last year at a Buddhist teaching, I met an elderly woman who had spent her youth in a Soviet gulag.  As difficult as the hardship was, she had written a memoir for her family to read, “So they’ll know who I really am.”  Her core identity, as well as her later practice of Buddhism were direct results of those years of suffering.

In my late 20’s, I knew a woman who lost her closest male friends over a short period of time; they died of cancers related to Agent Orange exposure in Vietnam.  After surviving a deep depression, my friend enrolled for training to work in a hospice.  Without the pain of loss, she wouldn’t have found her calling.

The poet, Rilke, declined Jung’s offer of therapy work saying, “If you take away my devils, I fear my angels might flee.”  

The disowned parts of ourselves are especially important in scripture.  When Jesus offers living water (Jn 4:10-13), only those who know they are thirsty will hear him.  When Buddha teaches a path beyond suffering, we won’t listen if we’ve deadened ourselves with soma or reality TV.

A tour of America 80 years ago sparked Huxley’s vision of an economic and political culture at war with soul values.  Now that another “holiday season” has run its course, as the media waits for the next distraction, I am reminded once again of the cautionary words in this wonderful poem that William Stafford published in 1960:

A Ritual to Read to Each Other

If you don’t know the kind of person I am
and I don’t know the kind of person you are
a pattern that others made may prevail in the world
and following the wrong god home we may miss our star.

For there is many a small betrayal in the mind,
a shrug that lets the fragile sequence break
sending with shouts the horrible errors of childhood
storming out to play through the broken dyke.

And as elephants parade holding each elephant’s tail,
but if one wanders the circus won’t find the park,
I call it cruel and maybe the root of all cruelty
to know what occurs but not recognize the fact.

And so I appeal to a voice, to something shadowy,
a remote important region in all who talk:
though we could fool each other, we should consider–
lest the parade of our mutual life get lost in the dark.

For it is important that awake people be awake,
or a breaking line may discourage them back to sleep;
the signals we give–yes or no, or maybe–
should be clear: the darkness around us is deep.

The Eye of God by James Rollins: a book review

The eye of God

In a post in August, It’s mostly insubstantial, I discussed an interview with James Rollins that I read on Sciencethrillers.com.  The title for my post came from some mind-blowing conversations Rollins described with quantum physicists while researching his latest thriller, The Eye of God.  The gist of what Rollins learned involved the insubstantial nature of our apparently solid physical world.  “If you remove all the space within the atoms making up the human body, every person that’s ever lived would fit inside a baseball,” said physicist, Brian Greene.

I heard Rollins speak in September at a writer’s lunch where he gave a lively talk on the nuts and bolts of his process.  Afterwards, I hurried home with a copy of The Eye of God.  Sadly, I didn’t finish the book until this week.  It doesn’t speak well for a thriller when it takes me weeks to “get through” it.

The book opens with a compelling synchronicity between the discovery of an ancient prophecy and the last transmission of a NASA satellite nicknamed “The Eye of God,” launched to study a comet as it passes close to earth.  Before it crashes, the satellite transmits an image of the eastern United States as a ruin of smoking craters.

Astrophysicist, Dr. Jada Shaw, theorizes that dark matter associated with the comet is bending time as well as space in the atmosphere, and the image shows our world in four days time.  Simultaneously, a priest in the Vatican receives a package containing a copy of The Gospel of Thomas, bound in human skin, and a skull inscribed with prophecy of the end of the world in four days.

Soon Dr. Shaw, the priest and his niece, and members of the Sigma Force, a covert group of ex-special forces soldiers, converge on Mongolia, where the Eye of God went down.  An asteroid storm in Antarctica is a prelude to what is coming if the satellite can’t be recovered and if it offers no clue to reversing the space-time distortion that is opening earth’s atmosphere to deadly “near-earth objects.”  Integral to the effort is a legendary black cross, made from an earlier NEO that struck earth.  The cross belonged to St. Thomas the Apostle, who evangelized in Asia, according to the apocryphal “Acts of Thomas” and ancient Christian communities in southern India.

So what’s not to like about the story?

I enjoyed elements of The Eye of God, not the least, an appendix in which Rollins’ discussed what was fact and what was fiction in the book, including a real comet that will pass near the earth this winter.

If it doesn’t break up as it swings by the sun, Comet ISON, one of the brightest comets in history, will pass so close to the earth in November and December that it may be visible during the day.

Comet ISON, via NASA Hubble telescope, will make it's closest pass to the earth on Dec. 28.

Comet ISON, via NASA Hubble telescope, will make it’s closest pass to the earth on Dec. 28.

My biggest problem with The Eye of God is that I never truly felt the danger.  The threat was arcane and not clearly articulated until midway through the book.  The solution (which I won’t give away) remained rather abstract.  The constant reminders of danger and the way out that we find in other page-turners would have helped, as would the disaster film convention of showing a few ordinary people who don’t yet know they are doomed.

Rather than keeping us focused on the real threat, restating it until it was vivid, Rollins threw in distracting subplots which included six major gunfights with Chinese triads, North Korean soldiers, and Mongolian nationalists.  Obstacles while the clock is ticking is a proven way to ramp up tension, but the repetitive nature of these firefights – bad guys who can’t shoot versus outnumbered, crack-shot good guys – was the equivalent of digital special effects at the expense of story in the movies.

The Eye of God received good reviews, especially from established fans of James Rollins. That may be the difference.  This is the ninth Sigma Force novel, and those who read the others are probably bonded with the characters and care more than I if they get shot at.  Next time I read this author, I’ll start at the beginning, though I don’t think that will be any time soon.

Tilt A Whirl by Chris Grabenstein: a book review

tilt a whirl

A recent detective novel recommendation from Amazon sent me to Chris Grabenstein’s website.  What caught my attention was Grabenstein’s series of mysteries set on the Jersey Shore, in a town called Sea Haven, a thinly veiled reference to Beach Haven, where my family vacationed during three summers when I was a kid and we lived in upstate New York.  To this day, I have fond memories of those trips.

The second thing that attracted me was Grabenstein’s writing credits.  He won two Anthony and three Agatha awards in seven years, and wrote for The Muppet Show, a truly impressive credential in my estimation.

I decided to start with the first book in the series, Tilt A Whirl, 2006, both because I loved the seedy amusement park in Beach Haven as a kid, and because the kindle edition cost $0.99.

John Ceepak and Danny Boyle, two Sea Haven cops, are breakfasting at the Pancake Palace, discussing a tricycle theft – the usual sort of summer crime in town – when a 12 year old girl runs up the street in a bloody dress screaming that someone killed her father, Reginald Hart.  Someone emptied a 9mm clip into Hart as he sat beside his daughter on a tilt a whirl car in the Sunnyside Playland before it was open.  Hart was a billionaire real estate tycoon though many called him a slumlord.

Ashley Hart describes the shooter as a local vagrant and drug user known as Squeegee because he sometimes works for tips at Cap’n Scrubby’s Car Wash.  But that night, when Ashley is kidnapped from her mother’s gated mansion, Ceepak and Boyle realize there is a military precision to the crimes far beyond the capacity of an aging hippie who is missing too many brain cells.  The puzzle twists and turns and had me guessing right up to the epilogue.

Puzzling mysteries alone are not that rare.  The best detective stories also have settings that fascinate and sleuths we love to hang out with:  221B Baker Street with Holmes and Watson; the Navajo reservation with Chee and Leaphorn;  St. Mary Mead with Miss Marple or the Orient Express with Hercule Poirot.

I enjoy Grabenstein’s Sea Haven, for I share his love of Americana – of ice cream shops called “Do Me A Flavor,” or the “Scoop Sloop,” in a town “best pictured on one of those perky placemat maps dotted with squiggly cartoons of buildings like The Shore Store, Santa’s Sea Shanty, and King Putt Golf.”

Chris Grabenstein and Fred

Chris Grabenstein and Fred

His detectives are a study in contrasts and yet a complimentary pair.  Danny Boyle, the narrator, grew up in Sea Haven.  He’s a part time summer cop, in large measure because it gives him an edge with vacationing college girls in the pubs on Saturday night.  John Ceepak is new in town, fresh from a 12 year stint as an MP in the army that ended after a tour of Iraq.  The son of an abusive alcoholic father, Ceepak lives by “a Code” that his partner, Boyle admires but doesn’t fully understand:  serve and protect; never lie, cheat, or steal – ever.

The two men are bound together by a growing mutual admiration and a love of Bruce Springsteen.  By the end of the Hart affair, Danny Boyle decides to apply for full time duty.

Tilt A Whirl reminded me of a couple of chick-lit detective novels I’ve read.  I think that’s due to the humor and irony of Boyle’s first person narration.  His upbeat, “lemme tell you what happened” tone makes you want to buy him a beer at The Sand Bar and hear all about his latest case.  A lot of Danny’s humor is couched in food references, as when he describes a witness as “a few fries short of a Happy Meal,” or when, after a break in the case, he says, “I’m feeling kind of jazzed, like you do after chugging two cans of Red Bull and snarfing down some Hostess Ding-Dongs.”  I think that’s what the male equivalent of chick-lit would sound like.

The author researching beach food at Beach Haven, NJ

The author researching beach food at Beach Haven, NJ

Danny Boyle has a thoughtful edge as pronounced as his irreverence.  In a key thematic passage, he quotes a math teacher who once explained Chaos Theory in terms of a tilt a whirl:  “if the operator keeps the whole thing going at the proper speed of 6.5 revolutions per minute, it’s practically impossible to predict what will happen next…The teacher called it ‘mind-jangling unpredictability.’ Chaos Theory in action,’  for two tickets a ride.” 

Tilt A Whirl was a page-turning mystery that was also a lot of fun.  I downloaded the next book in the series, Mad Mouse, also published in 2006.  Stay tuned for an update on that.

The English Girl by Daniel Silva: an audiobook review

I’ve mentioned before that I’m a big fan of audio books. When recently faced with several commutes to the bay area, I wanted a story to listen to.  I picked a contemporary spy novel, The English Girl, by Daniel Silva, rated as one of Amazon’s “Best Books for July,” last month when it was published.

This was my first encounter with Silva’s work but the 13th in his spy thriller series featuring Gabriel Allon, an art restorer and master spy for the Israeli Secret Service.  Few audio books are exciting enough to make me regret arriving at my destination, but this was one.

A beautiful woman, with a promising career in the British government, is kidnapped during a holiday on the island of Corsica.  A month later, a message arrives at 10 Downing Street with a ransom demand and a recording of the girl confessing to an affair with the Prime Minister.  “You have seven days,” the message says, “or the girl dies and the video goes public.”

British Intelligence contacts Gabriel Allon, the best man they know for the job.  Hours later, Allon and a British ex-patriot assassin are plowing through the Corsican and French underworlds, trying to find the girl while there’s still time.

The affair goes horribly wrong, but not everything is as it seems.  Allon discovers that North Sea oil drilling rights lie behind the kidnapping, along with trechery at the highest levels of British Government.

“If you go to the City of Heretics (Moscow), you will die,” an elderly Corsican sooth-sayer tells Allon, but that is his next destination, with a strike team out for revenge and the truth.  The truth they discover is more than even Allon expected, one that will shake the highest levels of British government – if his team can make it out of Russia alive.

Some reviewers call Daniel Silva the greatest spy novelist of his generation.  I don’t know the genre well enough to be sure, but based on The English Girl, it’s a claim that could be true.

Daniel Silva

Daniel Silva

The Alchemist by Paulo Coelho: a book review

I started reading The Alchemist soon after its publication in 1988, but I didn’t finish it then, for reasons I don’t clearly remember. I picked it up again after author and writing friend, Amy Rogers, recommended the book for its affinity with the folk and fairytales I’ve recently spent so much time writing about.

She was right.  This time the story drew me in with its “Once upon a time” feeling.  It is not a fairytale by any measure; it’s far too sophisticated, yet it’s filled with folklorish magic.  The hero, Santiago, is named just once, when we meet him.  Through the rest of the tale, he is simply “the boy.”  Ironically, this generic quality, so typical of fairytales, allows us to identify with his journey, project our own yearnings into his far more closely than a modern, “three dimensional” characterization would have allowed.  In addition, the plot twist that ends The Alchemist is drawn directly from a folktale that appears around the world.

The Alchemist is a tale of spiritual self-realization.  From the start, Santiago tries to follow his “personal legend,” a term taken from alchemy.  At first, it is an instinct.  His search becomes explicit after a gypsy tells him his treasure lies near the pyramids.  A “chance” meeting with Melchizedek , the mysterious priest and king mentioned in Genesis, sets him on the path after he witnesses the unrequited longing of those who abandon the quest for their legends for the sake of expediency.  In order to follow his personal legend, Santiago learns to listen to the Soul of the World in his heart.  The world soul, or Anima Mundi is one of the key principles in the alchemical manuscripts that survive.

Anima Mundi, or Soul of the World, in alchemy

Anima Mundi, or Soul of the World, in alchemy

Paulo Coelho was born in 1947 in Rio de Janeiro.  When he was a teenager and told his mother he wanted to be a writer, she praised the steadiness of his father, an engineer, and asked if he knew what it meant to be a writer.  After research, Coelho concluded that a writer, “always wears glasses and never combs his hair” and “has a duty and an obligation never to be understood by his own generation.”

At age 16, because of his introversion and refusal to follow a traditional career path, his parents had him committed to a mental institution from which he escaped three times before his release at age 20.  He agreed to attend law school but dropped out to become a hippie and travel through South America, Mexico, North Africa, and Europe.  Upon his return to Brazil, he worked as a song writer, an actor, journalist, and theatre director.

In 1986, he walked the 500 mile pilgrimage road of Santiago de Compostela to the cathedral where St. James the apostle’s remains are believed to be buried.  Since the middle ages, it has been one of three major Christian pilgrimage destinations, along with Rome and Jerusalem.  On the way, Coelho had a spiritual awakening, which he described in his autobiographical novel, The Pilgrimage, 1987.  He published The Alchemist the following year, with a small Brazilian publisher that ran 900 copies and decided against a reprint.  Sales now total 65 million.

Paulo Coelho, 2012, by Sylvia Feudor.  Copyright free.

Paulo Coelho, 2012, by Sylvia Feudor. Copyright free.

I do not clearly remember why I disliked The Alchemist when I first read it more than 20 years ago.  I suspect, to put it in Santiago’s language, that at the time, I feared I’d lost hold of my own personal legend.  I’m glad I picked up The Alchemist again.  Our world is darker, harder, and more cynical now, and more than ever I think we need Coelho’s gentle parable.  However difficult it may be, it’s good to try to remember this conversation between King Melchizedek and Santiago:

“What’s the world’s greatest lie?” the boy asked, completely surprised.

“It’s this:  that at a certain point in our lives, we lose control of what’s happening to us, and our lives become controlled by fate.  That’s the world’s greatest lie.”