Inside Inside Out, a review of sorts

In a culture that imagines a sharp mind-body split, it isn’t surprising to see images of a smart inner being controlling our physical “machinery.” Inside Out gives us a committee at the helm. Among feature length movies, it is unique in this respect, as far as I know.

Inside-Out-Meet-your-emotions-2

There are many points to ponder during the film’s 90 spectacular minutes of Pixar 3D animation, but given my background, I was especially caught by the movie’s alignment with a key post-Jungian view of the structure of the psyche.

Michael Ventura, a journalist who has written at length upon archetypal themes, and who co-authored We’ve Had 100 Years of Psychotherapy and the World is Getting Worse (1993) with James Hillman, said “There may be no more important project for our time than displacing the…fiction of monopersonality.” 

In Jung’s theory of archetypes, pre-eminent place goes to “The Self,” at once, the center of the psyche and it’s totality. The Self, for Jung, was the god image within us. The problem, according to both Ventura and Hillman, is that none of us ever experience ourselves this way. The idea of a unified, “monotheistic” Self is a longing rather than day to day reality, in Ventura’s words, “the longing of all the selves within the psyche that are starving because they are not recognized.”

Buddha came to a similar conclusion 2600 years ago, but Hillman, chose to rely on western models, and drew from Greek mythology to illustrate his conclusion that the psyche is “polytheistic,” with many archetypal centers.  A contemporary of Jung named these centers, “sub-personalities,” a term I have heard at least one Zen teacher use to illustrate the concept.

The Greek pantheon

The Greek pantheon

Thirty years ago, Michael Ventura wrote,  “It is crucial to every form of human effort that we forge a model of the psyche that is closer to our hour-to-hour experience, because, in the long run, as a society, we can share only what we can express.” (published in Shadow Dancing in the USA, 1985, now out of print but available used).

In the interim, nothing was actually forged – rather, a growing awareness of our “hour-to-hour” experience has emerged. How often do we say or hear others say, “Part of me wants to go left, but another part wants to go right?”

This awareness is now pervasive enough that it’s central to a summer blockbuster, aimed at a PG audience. Even if we don’t spend time studying differing models of the psyche, we understand Ventura perfectly when he says, “If you are alone in the room, it is still a crowded room.”

Remembering James Hillman

James Hillman died two years ago today.  As a culture, we have yet to appreciate the depth and range of his thought, but without any doubt, that will come.  I’m going to post a brief interview with him that I just discovered.

Toward the end of his life, Hillman wrote extensively on character, in The Soul’s Code, 1996, and The Force of Character, 1999.  In this 1999 interview on the Legacy of Aging, he said true character emerges most clearly in maturity.

When our culture attempts to mask the process, through plastic surgery and other means, we deprive ourselves, and especially the young, of the authenticity of elders, people who simply are what they are.  “As Hemingway said, ‘Life breaks everyone,’ and if we can’t see those breaks, we’re living in a false world.”

Hillman says the physical deterioration of age is real and can be difficult, but he believes it is purposeful, “no accident,” and growing old is not a disease to be cured or quarantined.  Using the metaphor of waking up more frequently at night, he speaks of “waking up to the night.”  As physical eyesight grows dim, the eyes of the soul open.

People who study Hillman’s work will also want to read this memorial piece that Thomas Moore wrote for the Huffington Post.  Moore, a friend who corresponded with Hillman for decades, offers a wonderful summary of one of the key themes of his work:

“I was taken by [Hillman’s] loyalty to Jung expressed through his original and fresh re-working of key ideas. He calmly removed unnecessary gender issues from Jung’s ideas of the anima and soul. He advocated a view of the person as made up of multiple, dynamic faces that should be kept in tension rather than “integrated” into some sentimental notion of wholeness.”

Hillman spent his long life defending such values as soul, authenticity, and imagination.  I could find any number of worthwhile posts about his life and work, but these are enough for now.  They’re enough to allow us to pause and remember the life and work of an exceptional man.