Monthly Archives: May 2011

Memorial Day, 2011

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I had a friend at work who was rather vocal about his support for liberal social issues and his disdain for the political landscape during the Bush administration.  In 2007 or 2008, he spent three weeks in Shanghai on business.  On the last morning he was there, the television showed a stadium full of people who had gathered to witness an execution.  Three young men were shot by a firing squad for first time possession of marijuana; no appeals, no clemency.  My work friend said he wanted to kiss the ground when his plane touched down again on American soil.

Memorial Day always pulls me up short like that.  We have 364 other days each year to debate our past and present military engagements.  This is a day when people’s  thoughts turn to the courage and sacrifice of men and women in uniform who have done their best to defend a culture that gives us trial by jury, a constitution that says the punishment must fit the crime, and countless other benefits it is easy to take for granted until they are threatened.

This is a day when I think of my grandfather, Morgan.  At 17, he lied about his age so he could enlist for the war to end all wars.  To his great disappointment, it was over before he made it “over there.”

I think of my father, Howard, who served as a radar technician in WWII.  His old navy manuals fueled my own interest in ham radio, and ultimately led me down my career path.  As a non-combatant, my father avoided the worst physical and emotional scars, and yet even though he looked so young at 23, he and most of his generation always seemed older than their years.

My father in uniform, ca. 1943

Time paints the conflicts of the past with the sepia tones of memory.  The poppies grow in Flanders field, and the last World War I veteran died on May 5 of this year.  At 14 he lied about his age to join the Royal Navy and then lived to be 110.  This is the stuff of historical novels.  Present realities are never as tidy.  Yet this is a day to be thankful for all those who find the courage to serve, even if for the “wrong” reason – like a friend of mine who enlisted for Viet Nam in an alcoholic blackout.

Not long ago, while walking the dogs one Saturday morning, we passed a military honor guard waiting outside a local church.  I thought of the solemn dignity of the honor guard that folded the flag and handed it to me at my father’s memorial service.  Such rituals are very important.  By whatever means we have, these are things we have to remember.

Kung Fu Panda 2: A Movie Review

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Figuring that the return of Captain Jack Sparrow was an excuse to venture out to the movies again, I suggested to Mary that we see the latest Pirates of the Caribbean, but she had other ideas.  She showed me the 4-star review of Kung Fu Panda 2.  Ever since Up, 2009 I have been ready to see any animated movie with that kind of review, so off we went.

Here’s my summary:  if you trust any book or movie review I have posted here; if you think there is any chance my opinions align with your own, see this wonderful film.  Take the entire family.  This is an absolute gem.

Po the Panda seems like an unlikely Dragon Warrior – think of Jack Black, who does his voice – but likely or not, there he is with his allies, the Formidable Five, defending the Valley of Peace.  That peace is shattered by Shen, the evil peacock, who has a terrible weapon and the ambition to conquer all of China.

Po has other concerns as well.  His kung fu master tells him he must find inner peace to have any hope of success.  “Inner piece of what?” Po asks.  Memories from his past arise too, drawing Po into the question of who he is and where all the other Pandas have gone.

I didn’t see the first Kung Fu Panda (I plan to now), so I cannot comment on the comparisons between the two movies other bloggers make, but I can say this story was flawlessly paced, the visuals were spectacular, and the 3D did not bother me as it has in the past.  In addition to being marvelous entertainment, I was delighted to see a “family film” pose some very serious spiritual questions and values in a completely non-preachy way:

  • Upon a foundation of inner peace, you can accomplish what needs to be done.
  • “Who am I, really?” is perhaps the most important question we all have to ask.
  • Courage matters, as does loyalty to your friends and a worthy cause.
As I left the theater, I thought of one of my heroes.  Recently I said on this blog that I didn’t have any heroes, but that was not correct – Jim Henson (1936-1990) has always been a hero of mine, and I thought of his breakthrough animated movie, Dark Crystal.  Anyone who harbors a lingering notion that animation is somehow “less than” other sorts of films should check out this pioneering effort, made in 1982.  I like to think how much Henson, who died tragically at 53, would have loved the newest developments in animated filmmaking, and how much he would have enjoyed this offering.

Barbara Allen – Mysteries in a Ballad

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When I was six years old, my mother’s cousin, Junie, got married.  The two had been lifelong friends, and for the service, I was chosen to be the ring-bearer, and my sister, the flower girl.  That summer we drove from our home in upstate New York, to Kalamazoo, where Junie lived.  I’m happy to say that recently, Mary and I travelled to Oregon to celebrate Junie’s 50th anniversary.

Junie’s father, the uncle who later taught me to play poker, was a renowned surgeon and they had a beautiful house with a separate guest cottage on a bluff above Lake Michigan.  There were lots of adventures along the shore of the lake, like capturing a snapping turtle I recognized as such from my Pocket Guide to Reptiles and Amphibians, but one that stayed with me to the present day involved discovering a treasure trove of ballads.

The guest cottage had a box of old 78 recordings, and a book of lyrics and sheet music for a collection of American ballads.  There were two I listened to again and again because they haunted me with questions I didn’t understand then, and still can’t answer now.  The two were, “The Ballad of Barbara Allen,” and “The Ballad of Jessie James.”

Barbara Allen, which exists in as many as 92 versions, was first mentioned as “a little Scottish song” in 1666.  It came to our shores with the first settlers and was almost certainly popular well before the first printed versions appeared in England in 1750 and in America in 1836.  Barbara Allen is classified as Child Ballad 84.

In most versions, Sweet William lies on his death bed and sends his servant to fetch Barbara Allen, who reluctantly comes and says, “Young man, I think you’re dying.”  He says he is dying of love for her, but she will not have him, often because he bought a round of drinks for all the girls at the tavern a week before but not for her.  Sweet William dies of love for Barbara, and she dies the next day of sorrow.  Out of William’s heart there grows a rose and out of Barbara’s, a briar.  They grow and grow and finally form a lover’s knot above the graves.

The first thing you notice about this ballad is the lovely melody.  Then the haunting and tragic lyrics.  And then you realize it makes no sense.

Why is Barbara so cruel, I wondered as a kid and I wonder now.  Over a drink in the tavern?  Really?  I mean, really?  Even if, in that day and age, these kids were 14 or 15, and Barbara was a high school prima-donna, I’m not fully satisfied, and I bet you aren’t either.

And then you wonder, if William liked her so much, why did he buy drinks for all the girls except Barbara?  As in, “Dude, isn’t that playing a little too hard-to-get?”

There is also the mystery of Barbara’s change of heart and her subsequent death of sorrow.  I also wonder what real event or pair of star-crossed lovers might have inspired the song.

The supreme question, of course – and I chewed on this when I first heard the song at age six, is whether people really die of love?  Could it happen in the past, in simpler times, before eHarmony?   Especially for those like the Celts, who possess a genius for melancholy?

As a kid, I thought no.  Later, as a morose teenager, (I used to read Thomas Hardy for “fun”), I would have said yes, pining away is not that hard to believe.  As an adult, my response would have been, “Come on, William, get a grip.”  Now, from the Buddhist perspective of the ultimate power of mind, I would say, if you really believe you can’t live without a particular person, sooner or later it will come to pass.

This or that answer is not the point – the point is the questions.  I’ve recently been mulling over stories I have loved all my life, and so far I think they possess one of two qualities (or both) – one is characters I love so much they seem like a part of me, like Ratty and Mole.  The other is mysteries or questions I cannot solve.

Not surprisingly, I have collected quite a few versions of “Barbara Allen,” and this, by Emmy Lou Harris, I think is the best:

A Job From Hell by Jayde Scott: A Book Review

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Several weeks ago, a young author from London, Jayde Scott, emailed and asked me to review her ebook, A Job From Hell.  She sent the link to her Smashwords page, which can serve as a model of how to present an ebook; the cover, description, and the montage of images and music in the trailer are very professional and lend a clear sense of what the book is about.  Have a look:  http://www.smashwords.com/books/view/56864

A Job From Hell is a paranormal romance featuring vampires, but what separates it from similar stories is the tongue in cheek tone set by the protagonist, seventeen-year-old, Amber, who takes a summer housekeeping job on a  remote estate in Scotland where the cab driver will not take her after dark – not a promising omen, but Amber needs the money for college.  Amber is a teenage Bridget Jones and a refreshing change from so many breathlessly serious YA heroines who are princess material and/or destined to save the world.

Amber stumbles all over herself when she meets her new boss, the hunky Aidan, who never appears by day, but before she can puzzle out what that means, she accidentally wins a competition for otherworld creatures, held only once every five-hundred years.  The prize, five hundred years of second sight and the ability to see the dead, is nothing she wants but also proves to be nothing she can give back, even when legions of other supernatural creatures take an unwanted interest in her.  It is shocking enough when Aidan, leader of the local vampire clan, informs Amber that she is destined to be his mate for eternity, and only gets worse when the Shadows, sworn enemies of vampires, spirit Amber away to their hidden lair and tell her she will have to stay there.

More than the various thrills and chills, it was the cast of characters who kept me turning the pages.  In addition to Amber, we have Kieran, who is Aidan’s snarky brother and drives his SUV like a maniac.  There is Angel, a lonely Shadow who wants to be Ambers BFF, and my favorite, the delightfully irreverent  Cassandra, who is Lucifer’s daughter and notorious for her hellishly bad fashion sense.

The one major character who didn’t quite fit the Buffy-like tone of the story was Aidan.  Although he was “turned” into a vampire at 18, he’s had five hundred years of living experience, and I found myself wanting a bit more reserve or wisdom from him, something to set him a little apart from “the gang.”  Even so, it was the gang that made A Job From Hell appealing, and now that I’m done, I find I miss them.  No fear on that score, however, as this is just the first title in Ms. Scott’s Ancient Legends, series.  A Smashwords reviewer says the next book is due out June 1, and at a cost of $0.99, you can hardly go wrong.

Bill Moyers Journal: The Conversation Continues

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“Democracy cannot survive without disinterested people to speak truth to power.”  –  Bill Moyers on NPR, May 23, 1011

I interrupt my previous thought train (unforgettable stories) to suggest that everyone listen to an unforgettable journalist who I happened to catch on “Talk of the Nation” on NPR yesterday:  http://www.npr.org/2011/05/23/136583949/bill-moyers-shares-favorite-journal-interviews.  This was a compelling conversation with a man of high ideals, who isn’t afraid to speak uncomfortable truths.

We like to think of ourselves as democracy, Moyers said, but the word “oligarchy” better describes our government – rule by a few people of wealth and power, who do things like deregulate banking and finance, which guarantees that events like our recent financial disaster will happen again, since nothing structural has changed.  Few significant differences remain between Republicans and Democrats, Moyers added, and neither party really cares for he interests of working people.  Yet Moyers’ voice was animated and full of joy and hope.  As well as current events, Moyers talked of his love for poetry and the inspiration he and millions of PBS viewers found in his conversations with Joseph Campbell.

This interview celebrated the publication of Moyers collection of 47 interview with “independent thinkers,” taken from his PBS probram, “Bill Moyers Journal,” that ran from 2007-2010.  This isn’t the sort of book I usually read, but Moyers is one of those rare talents, like Ken Burns, who I will listen to no matter where he chooses to go.  I downloaded the book to my kindle, and after listening to the radio interview, you may just do the same.

A Childhood Story I Have Never Forgotten: The Death of Balder

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“Like many children, I read to be scared witless, to be less lonely, to believe in other possibilities.” – Amy Tan

When I was young, I spent hours devouring a ten volume set of stories and poems called, Journeys Through Bookland:  A New and Original Plan for Reading Applied to the World’s Best Literature for Children , 1939.  

The illustrations alone could transport you to other worlds, and the world I most liked to visit was that of the Norse gods.  Interesting choice for a kid, since this was a world that was destined to end badly.  At Rangarok, the last battle, the forces of chaos and darkness would win the day.  No doubt this mythic cycle influenced Tolkien’s Silmarillion, and just like our mortal lives or a fleeting sunset, the certainty of an ending lends these northern stories a haunting beauty.  Within that canon, there is one story that fascinated me more than others and pops into mind whenever I think of the root stories of my life.

The Death of Balder:

Balder, the god of light and summer, was the second son of Odin and Frigg and beloved of mortals and gods alike.  Because he was associated with truth, his mother worried when he was plagued with nightmares of his own death.  Frigg travelled the nine worlds, extracting vows from humans, immortals, plants, and metals not to hurt her son.  Because Balder was popular, every creature agreed – except the mistletoe, which Frigg considered too insignificant to ask. ( Oops!!!!! )

Now Loki was the trickster and the most fascinating and multi-faceted character of the lot.  He wasn’t one of the ruling family of gods, though sometimes humans prayed to him and he helped.  As a sower of chaos, he kept things in motion.  Coyote did the same for Native Americans, but Loki was much darker and proved deadly to Balder.

Loki and Rhinemaidens, by Arthur Rackham, 1910

Balder was asking for trouble the day he stood before the gods and challenged them to throw their spears and weapons at him.  “Gimme your best shot!”  In a color plate in Journey’s Through Bookland, there he was, the curly-haired golden boy, strutting his stuff like a star quarter back.  Ten years later, reading the Illiad in college, I would learn the word, hubris, but even without the vocabulary, I knew he was asking for trouble.  I knew I was supposed to like him, but I honestly thought him a moron.  You wanted to slap Balder – and Loki did worse that that.

Balder’s blind brother, Hodr wanted to join the fun, so Loki, in the shape of Thokk, a giantess, offered to help.  Did I mention Loki was a shapeshifter?  Loki/Thokk handed Hodr a dart made of mistletoe and guided his throw so it pierced Balder’s heart.  Thokk also refused to weep at Balder’s funeral, thus preventing him from returning from Hel.

The gods caught Loki and his punishment was terrible:  he was chained beneath the earth with a serpent above him dripping searing venom on his face and there he will stay until the bones of the earth are shattered at Ragnarok.  Sometimes the pain is so fierce, Loki writhes in agony and the earth shakes.  Without the god of light, the final battle draws near, and Fenris the Wolf, strains against the chains he will break at the start of Ragnarok.

Odin battles Fenris at Ragnarok

So why did the story fascinate me so?  When I was younger and imagined myself to be wiser, I might have tried to concoct some plausible explanation, but now I agree with Heraclitus (as quoted by James Hillman) who observed that one can never plumb the depths of the soul or be certain of its shifting landscapes and cast of characters.  But I am certain that one thing that keeps this story alive for me in imagination is mystery:  all the questions I cannot answer.

  • Why was Balder such a jerk?  Well over the years I sort of got a handle on this with the understanding that mythological gods are do not have well-rounded personalities.  It is a function of the god of summer to die – though most often in annual cycles.
  • Why, in spite of my best efforts, did I secretly identify with Loki even as I feared and loathed him?  I have no clear idea, except now I suspect that is a common reaction.  Somehow it is necessary, and we know it in our bones.
  • Why such a cruel and unusual punishment for Loki?  Isn’t it out of proportion to the crime?  I remember I thought so as a kid.
  • Why did I enjoy a story and illustrations that frightened me out of my wits?  That too, I think, is necessary.  That’s why we like Stephen King and Mary Shelley and why I’m betting Bram Stoker will outlive Twilight.  I believe well meaning people who would clean up fairy tales for children have it all wrong – life itself will sometimes be more scary than any story, and the old tales are like inoculations.
Ultimately, “The Death of Balder” just leaves me wondering – wondering about all kinds of things.  About the kind of people who would tell such a story.  About how they found their courage in a cosmology in which their gods were doomed to go down in defeat in the end.  Wondering if they really believed that or if, like the classical Greeks, they told these as beautiful wisdom tales without thinking they were literally true?

My wondering about a story like this could go on forever, which is probably why it still lives and breathes for me all these decades later.

NEXT:  Two ballads that keep me wondering.

Notes on Stories by Amy Tan

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In my previous post, I spoke of Stephen King’s editorial intro to the 2007 edition of Best American Short Stories.  Today, while excavating (cleaning is too mild a word) the junk in the back room, I found three volumes I had picked up last fall from the used bookstore up the street.  These were Best American Short Stories from 1999 and 2005 as well as Best Mystery Stories of 2002.  I flipped through the three, looked at the intros, titles of stories, and a a few first pages, and then sat down with a cup of coffee and the 1999 stories, which were edited by Amy Tan.  She truly seems like someone you’d like to have coffee with.

Tan’s introduction reveals the depth of her love of stories, and she gets very personal about early events that made them as important to her as air.  She had lots of things to worry about as a child, events like seeing a playmate in a coffin and hearing her mother say that is what happens to children who disregard their mothers.  Small wonder that Tan was attracted to fairy tales and Bible stories, which she found very similar:  both had “gory images, gut-clenching danger, magical places, and a sense that things are never as they first appear.”   Straw-into-gold sounded very much like turning three  loaves into a thousand, she says.  Amy Tan gives us these personal memories after saying she always wants to know personal details about people who presume to act as critics or decide which stories are good and which are bad:

“What are their tastes based on?  What are their biases?…What movies would they watch twice?  Do they make clever and snide remarks , mostly about people who are doing better than they?…What are their most frequent complaints in life?  What do they tend to exaggerate?…Do they think little dogs are adorable or appetizers for big dogs?…In other words, if you ran into this person at a party, would you even like him or her?”

I had been feeling like taking a break or simply doing a post or two here just for fun, and Amy Tan’s comments gave me an excuse; they sent me daydreaming about some of the stories that fascinated me as a kid, ones I still think about now.  I never felt quite as shell-shocked during my first decade as Amy Tan, though we moved a lot too, and one of my childhood playmates died.  The stories and ballads that captured my attention as a young reader were like koans, or life itself – you could chew on them for decades and still not understand all that is going on.

This will be the subject for my next post – stories and ballads I have never forgotten.  It will have to be another post, since one of the stories is from Wales and I need to go dig up the spellings.  Stay tuned!

Some Notes on Short Stories by Stephen King

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Last Sunday, as I walked into the Borders where my SCBWI critique group meets, I spotted a winner in the discount racks near the entrance:  The Best American Short Stories of 2007 was marked down to $3.99.  This was a no brainer with the added bonus of featuring Stephen King as editor.

I bought the book without even checking the contents, so I was delighted when I got home and found a story by John Barth called, “Toga Party,” about a group of sixty and seventy-year-olds in a posh retirement neighborhood who all receive invitations to one of those parties, “like that crazy Animal House movie from whenever.”  The story begins humorously but doesn’t end that way.  In a similar vein, Stephen King’s comments on the state of the American short story begin humorously but don’t end that way.

King wrote about going into a large bookstore in Florida in search of that month’s stories to read.  The first thing he saw was a table upfront with titles by James Patterson, Danielle Steel, and himself.  Disposable stuff, but it pays the rent he says, “because money talks and bullshit walks.”   He continues:  “Bullshit- in this case that would be me – walks past the bestsellers, past trade paperbacks with titles like ‘Who Stole My Chicken?,’ ‘The Get-Rich Secret,’ and’Be a Big Cheese Now,’ past the mysteries, past the auto repair manuals, past the remaindered coffee-table books.”   He finds the magazine wall, next to the children’s reading area.

King says he found The New Yorker and Harper’s without much effort, but had to search the floor-level racks to find the stash of magazines, like the Kenyon Review, that feature short stories:

“So think of me crawling along the floor of this big chain store’s magazine section with my ass in the air and my nose to the carpet in order to secure that month’s budget of short stories, and then ask yourself what’s wrong with this picture.  A better question – if you’re someone who cares about fiction, that is – what could possibly be right with it?”

With an ever dwindling audience, some writers who still care about short stories keep on working, but too often, King notes, their audience is simply other writers who read,“not to be entertained but to get an idea of what sells…and this kind of reading isn’t real reading, the kind where you just can’t wait to find out what happens next…There’s something yucky about it.”

King then says he read “scores of stories that felt…airless, somehow, and self-referring…show-offy rather than entertaining, self-important rather than interesting, guarded and self conscious rather than gloriously open, and – worst of all – written for editors and teachers rather than for readers (emphasis added).

There we have in a nutshell what I have been trying to put my finger on lately.  The last time I went to a large bookstore to browse for books, I went to the mystery section and found the number of rows had been cut in half.  Tough luck for those who like to read and write mysteries – the marketing department, which is after all, just trying to survive – has decided you are not cost effective.

No need for me to belabor the point anymore, it is what it is, but reading King’s editorial notes made me glance at all I have posted here about ebooks.  I certainly never set out to be their champion, in fact I started out somewhat skeptical.  My ideas have changed 180 degrees.  When half the mysteries and most short stories can disappear for reasons that have nothing to do with quality, who can argue with writers who look at a new way to get their books read?

Last week a writer in London asked me to review her ebook after reading this blog and noting that YA fantasy is “my thing.”  Now that I have finished my blog-break, it’s time for me to get back to her work, and with renewed appreciation for her and all the other authors willing to take a chance with a new way to do what storytellers have always done – tell their stories.