The North Wind’s Gift: a trickster tale from Italy

If you haven’t already done so, I suggest you read the preceding post, Notes on Trickster stories, which provides a background and context for this article.  Both posts were inspired by “The North Wind’s Gift,” a tale from Italo Calvino’s Italian Folktales, 1956.  The story came to my attention in Allan Chinen’s discussion of tricksters and appealed because of its relative simplicity and relevance to our own times.

Italian Folktales

Here’s a synopsis of the story:

Once there was a farmer named Geppone who toiled in his fields every day of the year but could barely feed his wife and three children.  The North Wind blew at harvest time and ruined his crops.  Finally Geppone had enough and set out to find the North Wind and demand justice.  He reached the North Wind’s castle.  “Every year you ruin my crops,” he said.  “Because of you, my family is starving to death.”

“What can I do?” the North Wind asked.

“I leave that up to you,” Geppone replied.

The North Wind’s heart went out to the little farmer.  He brought out a box.  “This is a magical box which will give you food when you open it, but tell no one else about the magic or you’ll lose it.”

Geppone thanked the Wind and set out for home.  On the way, he opened the box.  Instantly a table appeared, piled with food.  When he got home, Geppone opened the box again and treated his family to a feast.  He told his wife not to tell anyone, and especially to say nothing to the priest, who was their landlord and a greedy man.

The next day, the priest spoke to Geppone’s wife and wrung the story out of her.  He summoned Geppone and  demanded the box on pain of eviction, offering seeds in return, which proved to be worthless.  As bad off as he was before, the farmer returned to the North Wind’s castle to ask for another boon.

At first, the North Wind refused, saying, “You ignored my warning.  Why should I help you again?”  Geppone pleaded, and reminded the Wind that he was still the cause of the family’s ruin.

“Very well,” said the North Wind at last.  He gave Geppone a magnificent gold box, but said, “Open this only when you are starving.”

On his way home, Geppone stopped and opened the new box.  This time a ruffian with a club jumped out and began to beat the farmer, who struggled to close the lid.  When he did, the ruffian vanished.  Geppone limped home, sore and bruised.  When his wife and children clamored to try the golden box, Geppone left the room.  This time two ruffians jumped out and began to beat the family.  Geppone slipped back into the room, closed the box, and the assailants vanished.

“This is what you must do,” he said to his wife.  “Tell the priest I brought home an even finer box, but say nothing else.”

Geppone’s wife understood and did as her husband instructed.  When the priest called the farmer and demanded the golden box, Geppone feigned reluctance, but at last agreed to trade it for the original box.  The priest rubbed his hands.  The bishop was due to join him for Mass the next day; a feast would be just the thing to win the approval of his superior.

The next day, after Mass, the priest, the bishop, and their retinue gathered for supper.  When the priest opened the box, six ruffians jumped out and beat the clerics.  Geppone, who was waiting at the window, took his time in closing the box to save them.

No one objected when he carried this second box home.  The priest never bothered Geppone again.  The farmer was careful to guard the North Wind’s gifts, and his family lived in ease and comfort for the rest of their days.

You can read the story as it appears in Italian Folktales here:  The North Wind’s Gift

***

It’s clear at the start of the story that we’re in a post-heroic fairytale world.  Geppone is not out to slay a dragon, rescue a princess, or win a kingdom – he just wants to survive.

Allan Chinen speaks of the different life stages that different fairytales address.  While the majority center on young people venturing into the world,  “middle-tales” like this have older protagonists with different kinds of problems.  From a Jungian perspective, Chinen notes that tricksters usually don’t show up in our dreams when we’re 18 and planning to take the world by storm – they visit us when we’re 40, with a mortgage, a couple of kids, and a car that needs an engine overhaul.

Geppone works from dawn until dark but can barely make ends meet.  His wife doesn’t listen to him, and the landlord threatens eviction.  This setup makes his story seem contemporary – if we’re not in this situation ourselves, one of our neighbors probably is.

We get the feeling Geppone has been down on his luck and taking it on the chin for a while.  Something finally awakens within him and spurs him to action.  As a result, he meets the North Wind, a wild spirit who will become his guardian and mentor and teach him the wiles of the trickster.

The North Wind is invoked in the Song of Solomon, in Aesop, and in Greek and Norwegian folklore.  He shows up in George McDonald’s novel, On the Back of the North Wind, in the stories of Hans Christian Anderson, and in Pokemon.  The North Wind is also associated with thunder gods like Zeus and Odin.  It’s not surprising that he is a shadowy trickster in Italy, where invaders and winter both arrive from the north.

Almost every successful fairytale character wins the help of a guiding spirit, and the North Wind’s help is just what Geppone needs.  It prompts him first to stand up for himself and ask for what he needs and then to learn enough strategy to overcome his oppressive priest and landlord.  To Jungians, fairytale allies like helpful animals, fairy godmothers, and nature spirits represent parts of the unconscious mind that are older and wiser than ego, which gets us into trouble in the first place.

What this means in practical terms is a vast subject, beyond the scope of a few blog posts.  Jung would suggest to patients who were comfortable in a religious tradition to return to it for guidance.  Much of Jung’s work aimed at helping people estranged from existing traditions who still needed to tap inner sources of wisdom.

In the “Power of Myth,” Bill Moyers asked Joseph Campbell where ordinary (i.e., busy) people might look to experience the wisdom of myth.  Campbell suggested we take 30 minutes or an hour a day in a quiet place where we can read what inspires us and perhaps keep a journal.

Just like this story, the psyche is home to ruffians and riches, and the old stories are not to be taken literally.  James Hillman, a prominent Jungian thinker, always insisted that literalism is the greatest enemy of inner wisdom.  So how does trickster wisdom manifest  in our world right now?  I don’t think we have to look very far.

A world that’s increasingly dysfunctional serves as a magnet for trickster energy, for good as well as for ill.  A Facebook friend mentioned that he once loaned out a book on trickster mythology and never got it back.  That fits the myths of trickster gods like Hermes who are also patrons of thieves.  Hermes may be the supreme image of the trickster.  As fluid as the metal which bears his Roman name, Mercury, he was the messenger between gods and humans who also conducted souls to the afterlife.  Patron of travelers, herdsmen, poets, orators, athletes, and inventors, his herald’s staff, the caduceus, is the symbol of healing to this day.

I find myself watching for positive manifestations of trickster energy, which usually turn up under the radar of corporate and government organizations which carry a vested interest in the status quo.  When you look, quite a few individuals and groups are trying out new solutions.  I’ll post at least one example in the near future.

In the meantime I would love to hear where you find trickster energy in yourself and in those around you.

Notes on Trickster stories

Many of you will have heard the old Chinese curse, “May you live in interesting times.”  We do, beyond any question.  With a longstanding interest in folklore, I often find myself wondering which, if any, of the old tales can speak to us now and illumine our situation?  I always come back to the trickster stories.

Br’er Rabbit, an Americanized African trickster, from an 1881 book cover by Frederick S. Church. Public domain

Trickster tales are told around the world and may be among our earliest stories; in some traditions, tricksters create the world and bring fire to humans.  Sometimes benefactors and sometimes criminals, tricksters are contrarians, rule breakers, restless beings who disrupt and disturb, who keep creation moving, dealing out life and death in turn.

Groucho Marx, Loki, all of Shakespeare’s fools, and many animals, from Coyote, to Spider, to Br’er Rabbit are tricksters.  We named our first rescue dog Kit, short for Kitsune, which is Japanese for “Fox,” another famous trickster.  The reason should be obvious in this picture:

Kit

Kit

We have to lock the windows when driving with Kit because she knows how to hit the window button with her paw to roll it down so she can hang her head out, bark at other dogs, and catch the breeze. If Kit had thumbs, we’d be in serious trouble!

Establishments have little use for tricksters, and it’s easy to see why.  We may like them in the movies, but no one wants the Three Stooges to work on their plumbing. Schools are ruthless in their suppression of tricksters.  And yet, in times when the norms break down and the culture looses its rudder, trickster energy may be what we need.  Free of cultural norms and concern for what is polite or even legal, tricksters focus on what will work in the here and now.

After interviews with twin tower survivors, researchers discovered that people waited an average of ten minutes before deciding to exit the buildings.  “Do you think we should leave?”  “Will we have to use vacation time if we go?”  “What about the report I have to finish?”  Once they decided to exit, survivors spent several more precious minutes logging out of their systems and locking their desks and file cabinets.

Researchers concluded from this and other studies, that the human brain is often dangerously slow in reacting to radically different events or disasters.  These are the times when we need trickster energy.  Unbound by convention, the trickster jumps on a desk and yells, “The sky is falling – get the f**k out!”

Allan Chinen, M.D., a psychiatrist and professor of psychiatry, wrote about tricksters from the Jungian perspective.  In 2012, I discussed his Once Upon a Midlife, an analysis of folklore aimed at that stage of life.  In 1993, Chinen published Beyond the Hero:  Classic Stories of Men in Search of Soul.

beyond the hero

Chinen argues that despite popular concepts and movies like Man of Steel, The Hero is not the core masculine archetype – the Shaman/Trickster is an older, wiser, and more primal energy.

Like most Jungian’s I have read, Chinen regards tricksters as primarily masculine archetypes.  I’m not sure how opinion stands in currently folklore studies; much work has been done with women’s tales in the last 20 years.  It is Gretel, after all, who uses trickery to kill the witch and save her brother.  Only by wiles can Bluebeard be defeated or brothers saved from various enchantments.

I suspect the difference is that full-time tricksters like Coyote are usually male.  You see it in children at play too, and sadly, it is overwhelmingly boys who get dosed with ritalin when they’re not docile enough for the modern classroom.  As Jung and Hillman both observed, what a culture defines as pathology may say more about the culture than the people it labels as defective.

Guardians of the status quo are wary of tricksters and with good reason.  They are almost always subversive – the Stooges only throw pies in the homes of the 1%, and Charlie Chaplin was no friend of the captains of industry.

Charlie Chaplin in "Modern Times."  CC-by-SA-2.0

Charlie Chaplin in “Modern Times.” CC-by-SA-2.0

To personify self-preservation; to point out the shadow of a dominant culture; to keep the flame of hope and spirit alive; to demonstrate the power to wit to those who are disenfranchised.  Scholars now believe the Br’er Rabbit tales performed such functions for slaves as the Coyote stories did for Native Americans on the reservations.  In all likelihood, these are the gifts tricksters have given for untold millennia.

Next time I’ll look at a classic trickster story that Allan Chinen told, with an eye to it’s relevance for the 21st century.

Sleepless in Hollywood by Lynda Obst

Have you been to the movies lately?  Like what you see?  Wonder if it’s a trend?

Today’s edition of Marketplace clued me in on the answer to question three via an interview with Hollywood insider Lynda Obst, producer of The Fisher King and Sleepless in Seattle.  Obst realized something had changed when her son said, “Mom, trying to get movies made because they’re good is so 2003.”  The interview concerned her new book, Sleepless in Hollywood:  Tales from the New Abnormal in the Movie Business.  

sleepless in hollywood

Obst says the “old abnormal” was when she could get movies made because they were good.  DVD sales financed half of studio profits and allowed production of the “smaller” movies she loves, like romantic comedies.  Then domestic DVD sales tanked at the same time as foreign viewership rose, particularly in China and Russia, where there’s an endless demand for our blockbusters and special effects.  You can make “small movies” anywhere in the world, she says, but so far, you can only make blockbusters here.

Which may explain why I’ve been to so few movies this year – when the trailers assault my senses with digitized special effects, I tend to give them a miss, with the exception of movies like Star Trek, because…well, it’s Star Trek.

Sleepless in Hollywood is now in my book queue, in part because Obst’s final chapter is called, “Does the future have a future?” and I want to know her answer to the question.

And a final note on 2013 movies to date – they’ve finally pushed us into the 21st century, with a subscription to Netflix, so there is at least one happy outcome.

Paranoia stikes deep

My title comes from a phrase Stephen Stills used 46 years ago in the lyrics of, “For What it’s Worth,” a song The Buffalo Springfield released in January, 1967.

Paranoia strikes deep
Into your life it will creep
It starts when you’re always afraid
You step out of line, the man come and take you away

Those lyrics came to mind today around noon, when the dogs started barking. I found a UPS package on the doorstep, lightweight, about 10x8x8, from a local address I didn’t recognize.

“Expecting a package from a place called ‘Copperfield?'” I called to Mary, who was in the other room.

“No,” she yelled back. “Be careful opening it.”

“Honey, if it’s a bomb, being careful won’t help.”

“No,” she said. “I mean that poison.”

“OK,” I called. “I’ll start with the packing slip. That’s probably where they put the ricin.”

It turned out to be the can of black touch-up paint I’d ordered for our wood-burning stove. As you might have guessed, I wasn’t really scared of being blown up, but it was the first thing that came to mind. And why not? “They” consider my phone calls worth logging, and my internet hits, and my credit card use. Those of you with newer high-definition TV’s should realize there is a built-in feature that allows a 3d party to peer into your living room. That’s old news, as in posted at least a year ago, to a collective yawn.

There’s something happening here
What it is ain’t exactly clear

That’s the heart of our problem: what’s happening ain’t exactly or even a little clear, except maybe, “step out of line, the man come and take you away.”

One of the few people in Washington I admire, Sen. Bernie Sanders, Independent from Vermont, posted a survey on his website. Here are the four questions:

  1. Do you favor or oppose the National Security Agency’s program to monitor online communications in order to protect the nation from terrorist threats?
  2. Is it appropriate for the federal government to collect millions of phone records from American citizens, if doing so could potentially disrupt a terror plot?
  3. Do you think the president should or should not have the power to authorize the National Security Agency to monitor the electronic communications of American citizens without getting warrants?
  4. Do you favor or oppose changing the PATRIOT Act, which allows the government to collect the phone records of American citizens without a warrant?

I haven’t taken the survey yet, because I’m still “Unsure” on two of the questions. I find that upsetting, given that Sanders also posted the text of Amendment IV to the Constitution:

The right of the people to be secure in their persons, houses, papers, and effects, against unreasonable searches and seizures, shall not be violated, and no Warrants shall issue, but upon probable cause, supported by Oath or affirmation, and particularly describing the place to be searched, and the persons or things to be seized.

Decades ago, H.L. Mencken wrote, “The whole aim of practical politics is to keep the public alarmed (and hence clamorous to be led to safety) by menacing it with an endless series of hobgoblins, all of them imaginary.”

Right now, I think we are all numb. More precisely, I think this is what psychologists call “learned helplessness.” When a creature perceives that it’s powerless to prevent harmful events, it becomes listless and depressed. Or disgusted with politics. One of these days I expect that listlessness and disgust to erupt as outrage. When and if it does, I don’t think it’s going to be pretty or the stuff of songs – there is too much we have collectively stuffed, and for too long a time.

Lego Fairy Tales

Once again I’m pleased to feature a post by the amazing Lily Wight, who found some fairytale illustrations I doubt that you’ve seen before. I wonder what the career path is – Lego engineer has always seemed like a dream job!

Lily Wight's avatarLily Wight

     This month’s Lego fix features Little Red Riding Hood, Beauty & The Beast and a rather startled Little Mermaid.

     Just hover over the images for extra information…

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Hometowns

Do you have a hometown?  When someone asks where you’re from, are you able to tell them?  Or do you mumble something like, “I’ve lived in a lot of places?”  I do that.

According to the census bureau, less than 1/3 of the people in western states live where they were born.  My wife comes from Rochester, NY.  I was born in Poughkeepsie.  We met in San Francisco.  That seems to be the norm out here.  I had lived in five cities and gone to six schools by the time I finished high school, so I can answer,”Where are you from?” in a lot of ways.

Childhood memories are layered in ways that reminds me of geographical strata.  Each place, school, and time had its own feeling tone.  Recalling those times sometimes seems like gazing at ancient pictographs on differing layers of rock.

Near Tucson, Jan. 2008

Near Tucson, Jan. 2008

A visit to Mary’s family in Rochester last week was like visiting earlier layers.  The sense of place in western New York is much like where I grew up.  The feel of the air, the look of the sky, the wind through the trees, the trees themselves, are now foreign but deeply known at the same time.  Maybe the answer to my question is,”I am from all the places I’ve ever lived.”

Rochester postcard

Old factory towns like Rochester have a strong sense of communal past.  There is more “home” in some towns than in others.  In the local paper, I came upon the smiling face of a handsome young man in the obituary section.  Charles “Dutch” Lydon died on June 1st at the age of 89.  He won five bronze stars in combat in the Pacific in WWII, was an “avid” bowler and golfer, and “a proud Kodak employee for 30 years.”  He is survived by children, grandchildren, and great-grandchildren.  Tom Brokaw must have been thinking of people like Dutch when he coined the name, “greatest generation.”

I don’t think my parents generation was great just because they were superior beings.  I believe the times demanded and fostered their greatness.  Men like Dutch Lydon knew where they were from, knew what that meant, and believed in it.  Now there is no more Kodak to be proud of.  Silent factory chimneys stand like tombstones for that way of life.

Not that smoke and soot were good for you, or that Kodak didn’t screw up in the end and screw its workers.  Not that things were so good if you weren’t a white hetrosexual male.  Not that my generation didn’t rebel against all that.  It’s just that from our current perspective, we can see things of value we lost when this way of life came to an end.

A sense of belonging and community, for one thing.  Friends and family you can count on were cited as key factors in a recent survey that named the ten happiest countries in the world.  Do I even need to say that the United States failed to make the cut?

Sense of community is an impression, an imagining, a gut feeling, but it makes a profound difference.  Walking along the Lake Ontario shore, we stopped to admire a fine old brick building, a public bathhouse, with half a dozen tennis courts sheltered from the wind in an enclosed courtyard.  The bandstand in the park was under renovation, as was the carousel with its hand-painted animals.  This is a city that doesn’t just pay lip service to words like “community.”  A cop on patrol passed us with a smile and a “Good morning,” because, though the park was filled with people, he had nothing more pressing to do.

Many in my generation grew up on Easy Rider and On the Road, filled with wanderlust and a longing for the horizon.  Others married their high school sweethearts, anxious to settle down.  People I know played it both ways, with differing results.  There aren’t any rules of thumb.  From the time of the pioneers, California has attracted people looking to reinvent themselves.  This is where Norma Jean Mortenson became Marilyn Monroe.  Sometimes it works out and sometimes it doesn’t.

It has taken me longer than usual to write this post.  I kept putting off hitting the “Publish” button in hopes of reaching some kind of conclusion.  Doesn’t seem likely at this point.  Just a number of questions without any clear cut answers.

What does it mean to have a hometown, or maybe the question is really, how does a “town” become “home?”  What does it mean to have a home, to “feel at home?”  What does it mean to be from someplace?  “You can’t go home again,” Thomas Wolfe famously said.  Nobody asks the flip-side question, which is whether we ever really leave?

I’d love to hear any thoughts you have along these lines.

 

“I, state your name,”…

I always laugh at certain Mel Brooks jokes, and “I, state your name,” is one of them.  This factoid seems like a good intro to this post, which is based on today’s WordPress Daily Writing Prompt, “Say Your Name.”  Here is the full text of the writing challenge:

Write about your first name: Are you named after someone or something? Are there any stories or associations attached to it? If you had the choice, would you rename yourself? 

To answer the last question first:  when I was a kid, I longed to be Joe, or Billy, or Bob (I was a Yankee, so Billy Bob wasn’t an option).  Somewhere along the line, Morgan began to fit.  I think what really cemented it was my years in the hi-tech world.  Before I left, it was so diverse that if you include international teleconferences, in a given month or even week, I might interact with people from China, Japan, India, Pakistan, Italy, Israel, England, and Arizona.  I learned that there is no such thing as a “common” name.

I was named after my mother’s father, and this is where family history takes a turn toward the novels of Thomas Hardy – a single tragic event that rippled through many lives.

Grandfather Morgan and my mother, 1923

Grandfather Morgan and my mother, 1923

Grandfather Morgan was the son of a Dutch immagrant who became a paper tycoon. Not one to rest on family privilege, at the age of 17 he lied about his age to enlist in the war to end all wars.  Fortunately, WWI ended before he could get “over there.”

Back home, Morgan married my grandmother, June, a schoolteacher.  The couple moved to Richmond, Virginia to manage a paper mill.  My mother was born there in 1923.

In the 20’s, baseball fever was rampant, and Morgan pitched for the company team.  Sometime around 1928, a line drive caught him in the groin.  It hurts to even think about, and after a series of operations, he developed tuberculosis of the bone.  The family moved west, first to Tucson, then Prescott, Arizona, and finally to Albuquerque, where Morgan died in 1930.

My grandmother nursed him during that time and said that on his last night, he was joyous and smiling and said, “The worst is over now, I can feel it.”

My grandmother became quite the cowgirl.  Most of the roads were single lane, and the rattlesnakes could easily grow to six or seven feet long.  Coming upon them, Grandmother June would run over them with the model A – repeatedly – then climb out to cut off the rattles.  My mother had a snake phobia and was frightened even of rattles in the trunk.

Another time, when she was six, my mother climbed a rock spire in Prescott known as, “Top Rock.”  Once on top, she set up a wail, crying that she couldn’t get down.  Without a fire department to come to the rescue, June put on her boots, hiked up her skirt, and learned what she had to know about rock climbing on the fly.

In the end, the death of my grandfather, Morgan, affected everyone badly.  Grandmother June developed TB and spent several years in a sanatorium in Colorado.  Though she recovered, the disease affected her inner ear balance, so from her mid-30’s on, she had to use a cane.  She saw a psychiatrist for depression, something I never learned until she was gone, for at the time, it carried a stigma.

My grandmother believed there is only one true love in a person’s life.  Though men courted her well into middle age, she refused all offers, in order to “be true” to Morgan.  At the end of her life, when she lived with us, her depression returned.  She believed her life-long loneliness was a judgement from God.  This compassionate and adventurous woman died believing she must have sinned in some way that lay beyond atonement.

Understandably, my mother suffered from depression too.  Sometimes it manifested as a “sense of impending doom.”  If a picnic was planned, she’d be the one to look at the morning sky and say, “I hope it doesn’t rain.”  Both of these are tendencies I have to battle.

I never knew either grandfather.  Though there were uncles to teach me essentials like how to play poker, I know the lack of “wise old men” in the family contributed to what Robert Bly calls “Hunger for the father.”  Perhaps this helped nudge me toward the arts, where we learn that hunger can work like the grain of sand in the oyster that leads to the forming of pearls.

Sometimes I think about ancestor worship – not in the literal sense – yet some primitive part of me seems to believe that what we do now can affect those who came before.  That the effort to live well may carry some kind of redemption.  My grandfather Morgan’s story is filled with life unlived.  His name is a good one to carry – it reminds me that what I do matters.

The first time I went to a Zen sesshin, we ended each day of meditation by reciting this “Evening Caution:”

I beg to urge you, everyone:
each of us must be completely awake:
never neglectful, never indulgent;
life-and-death is a grave matter,
all things pass quickly away;

By the time I got there, I already knew that.  These truths lie embedded in family history.