Another note on tricksters

Groucho

I want to argue a paradox…that the origins, liveliness, and durability of cultures require that there be space for figures whose function is to uncover and disrupt the very things that cultures are based on. – Lewis Hyde

It has always made sense to me that the 1920s, 30s and 40s, when times were hard for so many, gave birth to our great movie tricksters: Charlie Chaplin, Laurel and Hardy, The Marx Brothers, and The Three Stooges. Their send ups of the 1%, among other things, are still hilarious. Where are their equivalents today?

My self-imposed moratorium on negative blog themes has passed. As I caught up on news I had kept at arms length, I found myself thinking often of trickster stories. In part because they are funny, and most of the news is not. And partly because the folly of tricksters has a sacred dimension while the folly of our headline makers is often just foolish.  If you invite the Three Stooges to lunch and serve pie, the outcome is fairly certain. I read that the Georgia legislature voted to allow patrons to carry guns into bars; the result is likely to be just as predictable, but without the catharsis of laughter.

stooges pies

In his introduction to Trickster Makes This World (1998), Lewis Hyde emphasized several key points:

1) Tricksters both make and violate boundaries and live in relationship to them. Where there are no boundaries, trickster creates them, as in several Native American creation myths where Coyote makes the land and separates it from the sea. Where there are cultural boundaries, tricksters blur or invert the distinctions: right and wrong, friend or foe, male or female, living or dead.

2) Tricksters are usually on the road, and this makes them outsiders.
Through most of human history, solitary travelers have been rare. Until the last century, most people lived and died close to the area where they were born. Nomadic people travelled as tribes or clans, but Hyde says trickster is “the spirit of the doorway leading out, and of the crossroad at the edge of town. He is the spirit of the road of dusk,” who may pass through city and town but only to “enliven it with his mischief.”

charlie chaplin and dog

Hyde points out that although there is an abundance of clever women who know how to be deceptive in world mythology, they are seldom full-time tricksters. Once the evil is vanquished, the curse lifted, they tend to settle down. Coyote and Loki do not domesticate, and the older cultures who gave us these stories would have had trouble imagining a woman who opted for a solo life on the road.

3) Tricksters are liars and thieves, but they are not petty criminals.
Tricksters steal things like fire and cattle, and according to Hyde, are often honored as creators of civilization. “They are imagined not only to have stolen certain essential goods from heaven and given them to the race but to have gone on and helped shape this world so as to make it a hospitable place for human life.”

We cannot be too doctrinaire about these things, for there is a distinction between “large” stories, like creation myths, and “small” folktales, where trickster sometimes steals cattle for himself. When he does so, however, in tales like “The Little Peasant” from Grimm, it is usually a case of swindling a swindler, or people who are dishonest and greedy to start with.

For obvious reasons, trickster isn’t welcome in corporate boardrooms. Like Robin Hood, he is into redistribution of wealth. He’s the patron of whistle blowers everywhere, and will gladly gum up the machine when it is no longer serving the greater good.

Perhaps that is why we need him now more than ever. We don’t even have to do anything. Hermes travels as fast as thought. For good and for ill, trickster is already here.

Chaplin modern times

Words cannot express… A very… I don’t know what image of an Easter in Hollywood. Large rabbit with Jean Parker and Mary Carlisle

Just in case you’ve had too much of cutesy bunnies this season, Ms Vickie Lester, who blogs at Beguiling Hollywood, can fix that. Stop by to learn why Monty Python didn’t really know the first thing about scary rabbits. When I was a kid, I was terrified of lambs. My parents thought it was weird, but Vickie shows that there’s more going on than we think with these seemingly “harmless” creatures.

Vickie Lester's avatarBEGUILING HOLLYWOOD

jean-parker-mary-carlisle-easter

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A spring break medley

medley (med-lē) n., 1 a mixture of things not usually placed together; heterogeneous collection; hodgepodge.

A quiet week, with many ideas wandering through my mind without quite attaining blog post velocity. Sitting here, with a cup of coffee and the windows open to a fine spring morning, I decided to scoop up some of these notions, not necessarily in order of importance, and present them to you as a medley, or hodgepodge as the case may be.

On Mickey Rooney: I wish I had known that last Sunday, all day, Turner Classic Movies was  hosting a day of Mickey Rooney movies. I tuned in late, but did get to see Boy’s Town (1938) and The Human Comedy (1943), both notable for their idealistic and almost too sentimental presentation of American life. Boys Town tells the story of Father Edward Flanagan (Spencer Tracy), who founded a home for abused and delinquent boys in Nebraska. Rooney plays Henry Hull, the tough kid who tests Flanagan’s belief that there is “no such thing as a bad boy.”

Tracy and Rooney in "Boys Town," 1938

Tracy and Rooney in “Boys Town,” 1938

In addition to the real life humanity of Flanagan, whose Boys Town still exists in the Midwest, the film reflects 1930s progressive ideals, as well as an older, deeper, American romanticism, the belief that by nature, we are noble beings, corrupted only by cultural dysfunction. Watching Boys Town, I thought of the next great eruption of that ideal in the ’60s and remembered a line from Crosby, Stills & Nash that almost stands as an epitaph for that era: “It’s been a long time coming / it’s gonna be a long time gone.” The album came out in 1969, the year Charles Manson called optimism like Father Flanagan’s into serious question.   

Mother Nature on the run: Now that I’m thinking of Crosby, Stills & Nash, that phrase popped to mind as title for this subsection, though it’s really about animals on the run. An editorial in yesterday morning’s paper, The case for banning wildlife-killing contests by Camillia H. Fox, outlines the common practice of for profit, recreational predator hunting contests.

Exercising Vixen the fox while a volunteer at the Folsom City Zoo, ca. 1996. She was a sweetheart, though a bit of a drama queen. Is this the enemy?

Exercising Vixen the fox while a volunteer at the Folsom City Zoo, ca. 1996. She was a sweetheart, though a bit of a drama queen. Is this the enemy?

“The greatness of a nation and its moral progress can be judged by the way its animals are treated,” said Mahatma Gandhi. It is heartening to learn that pushback is growing, both from citizens and state Fish and Game Commissions. In California, commission president, Michael Sutton said:

“I’ve been concerned about these killing contests for some time. They seem inconsistent both with ethical standards of hunting and our current understanding of the important role predators play in ecosystems.”

The way we treat the animals seems increasingly to be like the way we treat each other. Witness the case cited in the article, of the organizer of one of these killing contests, who (allegedly) pushed a 73 year old man to the ground for trying to photograph the event. We have to say, “allegedly” because, although the older man’s spine was fractured, the perpetrator has yet to be charged. This is not what our founding fathers meant when they spoke of a “well ordered militia.”

Of Jungians and Tibetans: I’ve recently started, with keen interest, The Psychology of Buddhist Tantra (2012) by Rob Preece, an in depth practitioner of both Jungian psychology and Tibetan Buddhism. Tibetan iconography is striking and vivid, almost begging for Jungian analysis, but most western commentators, including Jung himself, have written about it as outsiders looking in.

Not Preece, who studied with Lama Thubten Yeshe, one of the greatest 20th century Tibetan teachers to come to America. Lama Yeshe understood Jung and understood that Buddhist practice has always undergone change when crossing geographic and cultural boundaries.

Preece writes of Col. Francis Younghusband, who visited Tibet in 1904. Seeing pictures of wrathful deities, Younghusband concluded that this was a culture that worshiped demons. Jungians may pounce on the concept of shadow, but that too, will often be wide of the mark. Although Tibetans and Jungians both understand such imagery as depicting internal qualities, in this case, it is wrathful energy in the service of compassion. It’s the energy of, “This shit’s gotta stop!” The energy that led Camilla Fox to start a foundation to stop the slaughter of animals.

Two large gatherings: Over the last two weekends, I took part in two separate events which drew hundreds of people. Both were immensely satisfying days of harmonious groups, drawn together by shared interest, working cooperatively and having a lot of fun doing so. It’s almost enough to make you believe in no such thing as a bad boy or girl, in Mickey Rooney’s America.

That fundamental goodness is precisely what the Tibetans and Buddhists in general believe, even with their finely honed awareness of both relative truth, here in the trenches, and ultimate truth. Our ultimate nature, they say, the ground of our being is pure, unstained by any event, the way the sky is unstained by pollution. The bad news is, it can take eons for us to figure this out; a weekend at Woodstock is clearly not enough.

Still, I always feel energized after such gatherings, even as that wrathful energy rises at the thought of all the artificial barriers that divide us in our day to day lives. That’s something everyone has to work out for themselves. Meanwhile, I felt like listening again to Crosby, Stills & Nash. I hope they’re right in this song: that it’s always darkest before the dawn.

https://www.youtube.com/watch?v=2DUqplxIcNk

The Dark Crystal: a movie review

Dark_Crystal_Film_Poster

“Another world, another time. In the age of wonder.”

So begins The Dark Crystal (1982), a movie that pushed the limits of what was possible in animation when it was released 32 years ago. That was the year the Commodore 64 hit the market, becoming the best selling personal computer. Ms Pac-man was the hot new item in digital animation. Pixar, as we know it, was more than a decade away. Jim Henson, who wrote, produced, and co-directed the movie with Frank Oz, used models, puppets, and costumes for human actors to make this extraordinary film, which has largely been forgotten now that we’ve come to take sophisticated animation for granted.

Dark Crystal is a hero’s quest. A thousand earlier, when the three suns of the planet, Thra, came into alignment, the Dark Crystal shattered. At that moment two new races appeared, the evil skeksis and gentle mystics. Jen is the last of the gelflings (or so he thinks), a race wiped out by the skeksis for fear of a prophesy that one of them would be their undoing. As the thousand year alignment nears, Jen’s master, a dying mystic gives him a quest – find the missing shard and heal the crystal before the suns line up, or the skeksis will rule forever.

Dark Crystal: Jen's master gives him a quest

Dark Crystal: Jen’s master gives him a quest

Jen reacts like any fledgling hero at the start of a quest – “But master, I am only a gelfling “ he says. “I am not ready to go alone.” But go alone he does, aided by the ancient seeress, Aughra, who helps him find the shard, and Kira, last of the female gelflings, who joins his quest. In a moment of despair, Jen flings the crystal shard away. Unable to sleep, he mutters, “Master, nothing is simple anymore.” Kira helps him find the shard at “The House of the Old Ones,” where they are confronted by a treacherous skeksis.

The Dark Crystal: Jen and Kira confront a Skeksis at The House of the Old Ones

The Dark Crystal: Jen and Kira confront a Skeksis at The House of the Old Ones

They flee, but the treacherous one surprises them at the Dark Castle where the crystal is housed. He captures Kira and the skeksis begin to drain her life essence, which will prolong their own lives and leave Kira in the state of their other slaves, a mindless automaton. Jen and Aughra help Kira to save herself, the mystics arrive at the castle, the three suns’ come into alignment, and the final confrontation begins.

Prior to Dark Crystal, animation involved full length cartoons, claymation shorts, and The Muppet Show, which ran on TV from 1976-1981. I’m not aware of another full length feature involving such detailed world-building animation before this movie. It feels a little dated now, but then so do movies like Casablanca which stand as classics in their genre. That’s how I think of Dark Crystal. I think it’s required viewing for lovers of animation and fantasy in the movies.

Thor: The Dark World

Thor-The-Dark-World-Poster

Sometimes the movies surprise you. On Friday, I saw The Muppets Most Wanted and wished I had waited for the DVD. Sunday I watched Thor: The Dark World on DVD, and was sorry I hadn’t caught it on the big screen.

As “the Convergence” approaches, a once every 5000 year alignment of the nine realms of the universe, portals between the worlds start to open at random.  Exploring one near London, Dr. Jane Foster, Thor’s mortal honey, is infected with the Aether, an ancient, indestructible weapon of evil that the gods of Asgard had hidden away.  The Dark Elf, Malekith, hopes to use the Aether to plunge the universe into darkness when the worlds align.

At the critical moment, Thor and his half-brother, Loki, the usual suspect in all things nefarious, team up to save the world and avenge the death of Frigga, their mother. Loki’s trickery fools Malekith into withdrawing the Aether from Jane and saving her life.  The movie has lots of explosions, and moments that echo both Lord of the Rings and Star Wars (though admittedly without the depth).  The forbidden love of immortal Thor and mortal Jane also parallels Superman and Lois, but for me, the character of Loki made the movie.

As I wrote in an earlier post, Loki the Trickster, has fascinated me since I read a book of Norse mythology as a kid.  Sometimes an ally and sometimes a nemesis of the gods, in the old stories, Loki was finally imprisoned under the earth for killing Baldr, the golden boy of Asgard, where he will remain until the final battle when this world will be destroyed.

Loki, from 18th c. Icelandic manuscript. Public domain.

Loki, from 18th c. Icelandic manuscript. Public domain.

The movie Loki is far more nuanced; he and Thor compliment each other.  Thor is ready to charge ahead, swinging his hammer against an invincible foe, while Loki embodies consummate strategy.

Loki and Thor plot their next move

Loki and Thor plot their next move

Loki, rejected by the Father of the gods and always subordinate to Thor, though he is older and smarter, is more the existential Outsider than any other movie superhero. Peter Parker may pine for Mary Jane, in a malt shop kind of way, and Clark gets tongue-tied near Lois, but Loki portrays the adult experience of not fitting in.

If you know what that’s like (and if not, why are you writing and reading blogs), you’ll enjoy this portrayal of Loki. The next time you’re in the mood for heroes, aided by Natalie Portman, saving the world, with help from a professor who runs around naked at Stonehenge, grab some popcorn and consider renting Thor.  It’s a fun ride.

The American Monomyth

In my so far disappointing effort to make sense of Tumblr, I have at least found several intriguing posts, including this one from josephcampbellwasright.tumblr.com called “The American Monomyth.”

The Monomyth is a world-wide mythic pattern that Joseph Campbell described in The Hero With a Thousand Faces, 1949:  “A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.”

The Tumblr post references a lesser known book by Robert Jewett, The American Monomyth, 1977, that describes an interesting variant:

“In the American monomyth, the hero is an outsider who comes into a once-perfect community in peril (the “violated Eden”) to confront the evils that have caused trouble. The hero eschews such things as joining the community, standing apart from them in order to better keep them safe, in a manner that could best be described as vigilantism. Once the evil has been vanquished, the hero either allows himself to absorb into the community (through such means as moving in, marrying, etc.), or he moves on to the next violated Eden.”

The post lists several movies as examples, but doesn’t mention several key genres that raised the “Heroic Outsider” to the mythic status of true American Hero.  What of superheroes like Batman and Superman or crime fighters like The Untouchables?  What of the genre I grew up on, the western?

Clint Eastwood and Sidney Penny in Pale Rider, 1985, my favorite "Heroic Outsider" western

Clint Eastwood and Sidney Penny in Pale Rider, 1985, my favorite “Heroic Outsider” western

While Googling for westerns with the classic, “clean up the town” theme, I came upon an interesting syllabus for a course at Dominican University, The Western:  America’s Mythology – books it would be fun to add to my geometrically expanding list of things I would like to read!

Meanwhile, I suspect that everyone has personal favorite books and movies in this “swoops in and saves the day” genre.  What are some of yours?

The Monuments Men: a movie review

George Clooney;Matt Damon;John Goodman;Bob Balaban

The Monuments Men, based on a 2009 book of the same name by Robert Edsel, tells of a small group of mostly middle aged men who risked their lives to recover thousands of looted works of art from the retreating Nazis in the final days of WWII.

George Clooney co-wrote, directed, and starred in the film.  A Washington Post review suggests why the project mattered to Clooney, saying the movie “continues his long-standing — even heroic — effort to preserve a certain kind of movie in the American filmmaking canon…the classical, even old-fashioned kind of film that, we’re so often depressingly reminded, Hollywood doesn’t make anymore.”

If you’re like me, that means movies that center on story and even dare to depict personal heroism.  Explosions and digital effects, if present, are subordinate elements.

The Monuments Men has not fared well with reviewers.  In an obvious comparison to Saving Private Ryan, another quest/buddy movie set in WWII, The Monument Men lacks tension at many points.  The Post review gives a plausible analysis of the structural cause of a lack of focus in the central part of the movie, that resolves in the ending sequence where the team races to save several key artistic treasures from destruction by the Nazis and capture by the advancing Russian army.

Whatever its flaws, I enjoyed The Monuments Men and recommend it as a good story that poses key questions on the way a people’s art and history is central to their identity, something Hitler knew very well when he tried to erase it from the lands he conquered.

Phil sees his shadow!

Photo by Eddie~S, CC BY 2.0

Photo by Eddie~S, CC BY 2.0

In the key news event of the day, I’m sad to report that it was sunny in Punxsutawney, PA, spooking the groundhog and plunging us into another 6 weeks of winter.

This has not been a winter anyone wants to linger.  A mini-ice age threatens the east, while 11 western states are morphing into Death Valley.  And to add insult to injury, here in northern California, where legions of disgruntled football fans are settling in to watch those other teams play – all the while muttering that at least spring training starts soon – spring may be on hold!

So as the blues settle in like the overcast on this chilly, cloudy, but rainless day, only three suggestions come to mind:  (1)  book a flight to Hawaii, (2) drink some more caffeine, (3) watch a funny movie.

It just so happens that I have an idea for number 3:

"Don't drive angry!"

“Don’t drive angry!”

PostScript: For readers outside our borders, who may not get all my topical references, here is a brief glossary:

  1. February 2 is “Groundhog Day.”  When the groundhog emerges (most famously, Punxsutawney Phil, in Pennsylvania), if he sees his shadow, it will spook him and he’ll return to his burrow for another 6 weeks of winter.
  2. Here in the western US, where we have no groundhogs, it’s sometimes called Prairie Dog Day, but that hasn’t gained much traction in the media yet.
  3. Local sports fans are disgruntled because our beloved 49’ers were knocked out of the playoffs by the devil-spawned Seattle Seahawks.  No real rancor, although we hates them forever, my precious.

Let me know if I can be of any further assistance explaining my rant.