Remembering James Hillman

James Hillman died two years ago today.  As a culture, we have yet to appreciate the depth and range of his thought, but without any doubt, that will come.  I’m going to post a brief interview with him that I just discovered.

Toward the end of his life, Hillman wrote extensively on character, in The Soul’s Code, 1996, and The Force of Character, 1999.  In this 1999 interview on the Legacy of Aging, he said true character emerges most clearly in maturity.

When our culture attempts to mask the process, through plastic surgery and other means, we deprive ourselves, and especially the young, of the authenticity of elders, people who simply are what they are.  “As Hemingway said, ‘Life breaks everyone,’ and if we can’t see those breaks, we’re living in a false world.”

Hillman says the physical deterioration of age is real and can be difficult, but he believes it is purposeful, “no accident,” and growing old is not a disease to be cured or quarantined.  Using the metaphor of waking up more frequently at night, he speaks of “waking up to the night.”  As physical eyesight grows dim, the eyes of the soul open.

People who study Hillman’s work will also want to read this memorial piece that Thomas Moore wrote for the Huffington Post.  Moore, a friend who corresponded with Hillman for decades, offers a wonderful summary of one of the key themes of his work:

“I was taken by [Hillman’s] loyalty to Jung expressed through his original and fresh re-working of key ideas. He calmly removed unnecessary gender issues from Jung’s ideas of the anima and soul. He advocated a view of the person as made up of multiple, dynamic faces that should be kept in tension rather than “integrated” into some sentimental notion of wholeness.”

Hillman spent his long life defending such values as soul, authenticity, and imagination.  I could find any number of worthwhile posts about his life and work, but these are enough for now.  They’re enough to allow us to pause and remember the life and work of an exceptional man.

James Hillman on world change and political polarization

James Hillman, 1926-2011

James Hillman, 1926-2011

For decades, James Hillman brought us unique observations on modern life from the perspective of a depth psychology that embraced soul as its highest value.  Recently, I’ve wished I could hear his take on our current climate of political divisiveness, but Hillman, who died two years ago at the age of 85, wasn’t here to watch our most recent shenanigans.  Happily, I recently stumbled upon a pair of interviews in which Hillman discussed this very subject and set it in a context of massive cultural change.

Author and journalist Pythia Peay published the first interview on The Huffington Post in February, 2011 (Jungian Analyst Explains the Psychology of Political Polarization).  The occasion for their talk was the mass shooting in Tucson, which had happened a month earlier.  The most prominent victim was Representative Gabrielle Giffords.

Tragically, memory of that event, just two and a half years ago, has been lost in the wake of more recent carnage, including the Nevada school shooting earlier this week.  Though Hillman’s comments focused on the role of political divisiveness in the attempt to kill a congresswoman, his additional statements now seem eerily relevant to the 12 year old in Sparks who was so alienated that he ended his life with murder and suicide.

Hillman began with a general discussion of polarized thinking.  “Polarity,” he reminds us, is an electrical engineering term.  Batteries have poles; the psyche is far more nuanced than that, dwelling in shades of gray rather than black or white.  Ideological extremes subvert our ability to judge individual issues on their merit.

When asked if violently polarized politics caused the shootings, Hillman changed the focus to another kind of cultural rigidity and its effect on the Tucson shooter:

“I think that this kid was made a loner by an American educational system in which there is no room for the weird or the odd…We need to have an educational system that’s able to embrace all sorts of minds, and where a student doesn’t have to fit into a certain mold of learning. Our educational system has become so narrowed to a certain formula, that if you go through a weird phase, you’re dropped out — often at the age of schizophrenia, 19-23 — and that’s the danger.”

Arguments in the wake of gun violence bog down in specifics, like background checks and how many bullets a magazine should hold – we don’t ask why and how we’re producing more and more people prone to mass violence.  In the end, says Hillman, for a culture that pays so much lip service to “the individual,” we are terrified of real individuality, and attempt to stamp it out.

In the second interview, America and the Shift in Ages, Hillman suggests that much of that rigidity has to do with futile attempts to shore up outmoded systems and institutions during a period of massive change.  Not just one but “three or four” myths that are central to our culture are collapsing.

Everything we fear has already happened said Hillman:  “The fragility of capitalism, which we don’t want to admit; the loss of the empire of the United States; and American exceptionalism. In fact, American exceptionalism is that we are exceptionally backward in about fifteen different categories, from education to infrastructure. But we’re in a stage of denial.”  Other beliefs and structures are crumbling as well, he said.  White supremacy, male supremacy, the influence of monotheistic religions, and the belief that we are “the good people.”

If such institutions do not appear to be in decay, it’s because they are so staunchly defended, and that, Hillman says, is a sign of their lack of vitality — “If they were vital they wouldn’t need to be defended. And the fanaticism we’re witnessing goes along with the deterioration of the vitality of these myths.”

Many of our fundamental beliefs are under scrutiny and need to be.  Hillman mentions the meaning of “freedom.”  For many, freedom means, “I can do any goddamn thing I want on my property; that I am my own boss and don’t want government interference; that I don’t want anybody telling me what I can and can’t do.”  This, he says, is the freedom of an adolescent boy.  What of the different kinds of freedom, such as “freedom from the compulsions to have and to own and to be someone?”  What of the freedom Nelson Mandela found in prison?

Hillman cites economic assumptions that need to be questioned as well.  Falling demand needs to be stimulated, according to current assumptions, but from an ecological point of view, that’s exactly what the world needs at this time.  Sustainability models, which may be our hope for the future, terrify those in positions of power.

Many of our current fears, says Hillman – from fear of immigrants crossing our borders, to fear of failing education, to fear of cancer, to economic insecurity, terrorists, and of course fear of “the other” political party, results from the lack of a wider framework in which to understand the massive shifts that are already underway.

There is no going back, but as obsolete structures crumble, we can glimpse, if we look, new forms emerging.  Hillman gave the example of a “Bioneers” conference he attended where Paul Hawken showed a film that was simply the names of individuals and organizations involved in trying to innovate ways of building communities, economic systems, and ways of dealing with the natural world.  Hawken said there were thousands of names, and the film could roll for weeks.

Hillman said it’s important not to try to fit emerging structures into the patterns of the past.  For our peace of mind, a new kind of faith is required:   “I think it’s a matter of being free-wheeling, and trusting that the emerging cosmos will come out on its own, and shape itself as it comes. That means living in a certain open space — and that’s freedom.”

Dawn over Oostende, Belgium, 2007.  Photo by Hans Hillewaert, CC-BY-SA-3.0

Dawn over Oostende, Belgium, 2007. Photo by Hans Hillewaert, CC-BY-SA-3.0

Such words are a fitting conclusion to the lifework of a man who lived in defense of Anima Mundi, the World Soul and who taught that animals, trees, and rivers are intelligent and alive, and that at some deep level of the psyche, we can hear their voices.  In Hillman’s life work, observation of the modern psyche led to conclusions that mesh with the myths of the ancestors.

A thousand years from now, people will read of our times and shudder, as we do in contemplating the rigors of life in the middle ages.  A few visionaries stood out from the rest, those like Saint Francis, Dante, and Leonardo, who pointed toward a more benevolent and expansive future.

We cannot write our own history, but we can wonder how it will look to those in the future.  I am convinced that James Hillman will be remembered when most of what passes for news on TV is blessedly forgotten.

Stories that make the world

Photo by Manel, 2011, CC BY-ND 2.0

Photo by Manel, 2011, CC BY-ND 2.0

 On saturday, an acquaintance and I met at a local park to discuss some things of mutual interest.  It was a stunning fall day, with temperature in the low 80’s, so we sat for several hours at a picnic bench surrounded by tall oaks.

I met this man just a few months ago, and during the conversation, it became clear that his political views and mine are polar opposites.  We mentioned them but didn’t argue, for we had other things to discuss.  Besides, by then some people nearby had a birthday barbecue going, and we were both distracted from politics by the smells.  When someone said, “Anyone else want a burger?” I was sorely tempted to raise my hand.

Later though, I reflected on how the two of us could hold such different narratives of the same recent events.  The poet, Muriel Rukeyser’s phrase, “The universe is made of stories” came to mind, as it often does, for it summarizes a key observation of two disciplines that have deeply shaped my world view, eastern philosophy and depth psychology:

  • “The Buddhist does not inquire into the essence of matter, but only into the essence of the sense perceptions and experiences which create in us the idea of matter.” – Lama Angarika Govinda, 1969.
  • “Every notion in our minds, each perception of the world and sensation in ourselves must go through a psychic organization in order to “happen” at all.” – James Hillman, 1975. 

Such statements may seem too lofty for a number of common experiences, especially things like physical pain, even the sliver I have in a finger from hauling firewood onto the back porch.  Not long ago, however, I came upon a concrete example of how the mind creates reality.

A contemporary Tibetan lama spoke of an experience we all went through in learning to read.  One day when we were young, a teacher drew three marks on the board (or our parents did, or we saw it on Sesame Street).  That teacher then said something that changed our world forever:  “This is the letter A.”

a-elmo-alphabet 200

From that moment on, the letter “A” existed for us, and it always appears to exist “out there,” in the world, when in fact, all that’s “out there” are three lines in a specific pattern.  “A” exists only in the minds of those who have learned certain alphabets – a person who doesn’t read or only reads Chinese would not be able to find it.

This small story about the letter “A” parallels the complex stories we create, borrow, and use to make the sense of the world.  Sometimes, like this past saturday, when it seems like the person you’re talking to comes from an alternate universe, it’s because they do – not a universe we could travel to with  warp drive, but one that is simply constructed of very different stories.

Dreaming with animals

Bobcat, Folsom City Zoo Sanctuary - M.Mussell

Bobcat, Folsom City Zoo Sanctuary – M. Mussell

“What is the single greatest predictor of a hero’s success in folktales around the world?”

A professor who had studied the subject at length once posed that question in a psychology class. The answer, he said, was finding an animal helper. More than any other human or supernatural guide, an animal ally can lead the hero or heroine through trials and dangers to the end of their quest.

The professor was a friend and colleague of James Hillman (1926-2011) who loved animals and began collecting animal dreams in 1956.  Toward the end of his life, Hillman helped compile and update five decades of essays and lecture transcripts for a ten volume collection of his work.  Five volumes have been published to date, including Animal Presences, 2012, which I am currently reading.

Vixen the fox, Folsom City Zoo Sanctuary - M. Mussell

Vixen the fox, Folsom City Zoo Sanctuary – M. Mussell

After serving in the US Navy, Hillman studied at the Sorbonne, at Trinity College, Dublin, and in Zurich, where he received a PhD from the University of Zurich and an analyst’s diploma from the C.G. Jung Institute where he served as Director of Studies until 1969.  Versed in Jungian psychology, he charted his own path which he named “Archetypal Psychology.”  His first major work, Revisioning Psychology, 1975, was nominated for a Pulitzer Prize.

With 18 volumes in Jung’s Collected Works, and 10 in Hillman’s, it is clearly beyond the scope of a blog post to compare and contrast these two complex approaches to the depth psychology.  That said, several broad generalizations are possible:

Jung’s psychology can be characterized as “monotheistic,” aiming at a realization of the “Self,” as the supreme archetypal principle.  Jung understood the Self as “the God image within.”  Hillman, by contrast, called the psyche “polytheistic,” and considered the Self as simply one of many psychic centers within us.  Our nature, as we experience it moment by moment, is more like a pantheon of many gods than the kingdom of single inner supreme being.

As a corollary to these differing models of the psyche, development for Jung was often imagined as an ascent, a kind of upward climb toward spiritual clarity.  For Hillman, growth was often a descent, leading to contact with the “Soul,” which for him was more like the “soul” of a blues musician or an artist than the “immortal soul” of organized religion.

Hillman was also concerned with anima mundi, the soul of the world.  How can people be healthy when the world is ailing?  Hillman had little patience with ego psychologies that pretend human health is possible when our cities are blighted and we work in sterile, windowless offices bathed in florescent light?  As a result, his method of approaching dream and fantasy was unique.  He shunned methodologies that seek to aggrandize ego by asking what the figures of dream mean.  He insisted we treat the beings who visit us nightly with the same courtesy we would show to a guest in the waking world.

“the animals are right here. You have to be careful you don’t say something stupid because the animals are listening. You can’t interpret them; you can’t symbolize them; you can’t do something that is only human about them.”

Sage the wolf, Folsom City Zoo Sanctuary - M. Mussell

Sage the wolf, Folsom City Zoo Sanctuary – M. Mussell

“the image is the teacher. We have to endure a laboriously slow method of dreamwork…A dream brings with it a terrible urge for understanding. We want dreams decoded for their meanings. But the dream, like the animal in it, is a living phenomenon. It goes on displaying itself, pointing beyond itself to ever further interiority if we can hold back the hermeneutical desire so that the image can elaborate itself.”

“I am suggesting that the dream animal can be amplified as much by a visit to the zoo as by a symbol dictionary.”

Something within us mourns the animals missing from our lives.  We wear their pictures on t-shirts and sometimes collect little animal figurines.  We cherish domestic pets in ways that might seem bizarre to earlier generations who weren’t as estranged from the natural world.  We thrill at the sight of Coyote or Deer moving through twilight woods at the edge of the housing tract, and we mourn them dead on the road as we drive to work.

Sly the Fox, Folsom City Zoo Sanctuary - M. Mussell

Sly the Fox, Folsom City Zoo Sanctuary – M. Mussell

We are energized when animals visit our dreams – sometimes.  We’d rather they weren’t fierce, threatening, or slimy.  We prefer majestic and noble: an eagle, a dolphin, or wolf will do nicely. We’re not so fond of ants or mice, pigs or slugs, skunks or rats.

With the natural world in tatters, however, anima mundi is not dreaming of Disney creatures and love and light.  That’s all right.  Black Elk said the Lakota people knew every being has it’s place in the medicine wheel.  And if we don’t know what’s broken in ourselves and in the world, said Hillman, we don’t have the slightest idea of who and what and where we are.

Aiko the bobcat, Folsom City Zoo Sanctuary - M. Mussell

Aiko the bobcat, Folsom City Zoo Sanctuary – M. Mussell

What animals have recently come to your dreams?  What did they seem to want? Don’t remember any animal dreams? Just ask. If you mean it, if you are truly interested and repeat the suggestion until it brings results; if you prime the pump by leaving a notebook and pen you your bed stand, the creatures will visit.

They want to be heard and are looking for those who will listen.

Two views of the hero myth

In a recent post, I discussed heroes and anti-heroes in spy movies and westerns.  This is the followup post I promised, but I’m going to leave the realm of popular heroes – those of fiction, entertainment, sports, and all who wear masks and tights.  I’m going to discuss the heroes of myth, especially the “monomyth” as Joseph Campbell summarized it in The Hero With a Thousand Faces:

“A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.”

Here is a graphic that makes the elements of this type of story clearer:

Heroesjourney

I can’t think of heroes without remembering James Hillman, (1926-2011), the father of archetypal psychology and one of the most creative thinkers of our time.  The two differing views of the mythic hero announced in the title of this post are Hillman’s own.  He never shied away from ambiguity; “I don’t have answers, I have questions,” he said.

James Hillman

James Hillman

Hillman often railed at the negative effects he saw flowing from the hero archetype, which he saw as ego enshrined as narrow self-interest, both individually and collectively.  For Hillman, the “heroic ego” was often a source of evil and mischief.  Noting that heroes slay dragons, and earlier generations of Jungians wrote of dragons as “the mother,” Hillman claimed that heroes like Hercules in Greek mythology were emblematic of the modern world’s subjugation of women, “the feminine,” and “mother nature.”  On another occasion he said, “Killing the dragon in the hero myth is nothing less than killing the imagination.”

Yet a recently published collection of Hillman’s work (Mythic Figures, 2012) includes a chapter on Joseph Campbell, compiled from talks he gave in 2004 in which he spoke at length of the positive hero.  He put his earlier negative comments in context:

“A mistake in my attacks on the hero has been to locate this archetypal figure within our secular history after the gods had all been banished.  When the gods have fled or were declared dead, the hero serves only the secular ego.  The force that prompts action, kills dragons, and leads progress becomes the Western ‘strong ego’ – capitalist entrepreneur, colonial ruler, property developer, a tough guy with heroic ambitions on the road to success.”

When Hillman used terms like “soul” and “the gods,” his concern was religious, but not in the way of the literal truths of most organized religions.  For Hillman, such literalism was the enemy of soul.  He spoke only and always of the truth of the psyche because it precedes every other kind of truth:  “Every notion in our minds, each perception of the world and sensation in ourselves must go through a psychic organization in order to ‘happen’ at all.” (Revisioning Psychology, 1977).

This understanding of the true hero in service to a Power greater ego prompted Hillman to revise his understanding of the “Father/Dragon/Ogre/King” the hero slays:

“A civilization requires the Ogre to be slain.  Who is the Ogre?  The reactionary aspect of the senex who promotes fear, poverty, and imprisonment; who tempts the young and devours them to increase his own importance.  The Ogre is the paranoid King who must have an enemy.  He is the deceitful, suspicious, illegitimate King whose Nobles of the Court [have] committed themselves to the enclosed asylum of security where they nourish their world-devouring megalomania.”

St. George and the Dragon by Paolo Uccello, ca. 1458

St. George and the Dragon by Paolo Uccello, ca. 1458

I think we know what he meant in 2004 by speaking of “paranoid kings” whose nobles live in “the enclosed asylum of security.”  It has only gotten worse. How desperate the Ogre is to quash any budding heroes was revealed in a piece on August 19 on Time.com, “School Has Become too Hostile to Boys,” by Christina Hoff Summers.  Three seven year old boys, in Virginia, Maryland, and Colorado, were recently suspended from school for the following acts:

  1. Using a pencil to “shoot” a “bad guy.”
  2. Nibbling a pop-tart into the shape of a gun.
  3. Throwing an imaginary hand grenade at “bad guys” in order to “save the world.”

The rationale for these suspensions were “zero tolerance for firearms” policies.  Punishing pop-tart weapons in a culture that went on a gun buying binge in the wake of the Sandy Hook shootings seems too ludicrous to believe unless you see it from Hillman’s perspective – another step in the dragon’s war on imagination, in this case, the male imagination, the perspective from which most of our current hero myths derive.  Along with banning snack food guns, such schools have renamed “tug of war” games as “tug of peace,” and halted dodge ball as too violent.

Fortunately, as Christina Hoff notes, such efforts to “re-engineer imagination” are doomed to fail – all they will do is “send a clear and unmistakable message to millions of schoolboys: You are not welcome in school.”

In We’ve Had a Hundred Years of Psychotherapy and the World is Getting Worse, 1993, Hillman made clear his belief that pathology lies in cultures as well as individuals, and we deprive the world of something when we take our rage and our grief exclusively to the therapist.  Hillman never shied away from critiques of the world at large.  Depression is “an appropriate response” to the world we live in, he said.

Yet stronger than the Ogre, said Hillman, is the myth of the Hero – not this or that particular hero, but the heroic pattern itself that Joseph Campbell restored for our times, which renews culture “by revivifying the archetypal imagination displayed by peoples the world over…The panoply of materials that Campbell catalogued shows that the hero wears a thousand faces and cannot be reduced to the modern ego.  Especially important in recognizing him is recognizing the heroic liberating function of myth – that it speaks truth to power, even the Ogre’s power.”

We know from history and the nightly news how much suffering the decay of empires involve as paranoid kings strive desperately to hold on to power.  We also have the examples of James Hillman and Joseph Campbell, who spent their lives pointing toward soul, psyche, and the language of myth and imagination.  That is where we must look to find the larger truth – the hero brings the gift of renewal as surely as spring returns after the darkest time of the year.

Informed Citizen Disorder

Words can sometimes illuminate.  Bill Moyers’ recent interview with Marty Kaplan, Professor of Entertainment, Media, and Society at USC, gave me a phrase that crystalizes the sense of despair that increasingly follows attending to current events.  “Our spirits have been sickened by the toxins baked into our political system,” Kaplan says.  That’s one definition of what he calls, “Informed Citizen Disorder.”

Marty Kaplan by adamrog, CC-by-SA-3.0

Marty Kaplan by adamrog, CC-by-SA-3.0

Kaplan has an impressive and varied resume; a degree in Microbiology from Harvard; a Ph.D in Modern Thought and Literature from Stanford; twelve years as a Vice President at Walt Disney Studios.  Kaplan wrote speeches for Walter Mondale and co-authored the screenplay for The Distinguished Gentleman (1992) starring Eddie Murphy.  He was the founding Director of the Norman Lear Center at USC, which studies “the social, political, economic and cultural impact of entertainment on the world.”

In the interview with Moyers, called Weapons of Mass Distraction, Kaplan spoke of the weeks he recently spent in Brazil, watching the widespread protests against “political corruption, economic injustice, poor health care, inadequate schools, lousy mass transit, [and] a crumbling infrastructure” while the government spends billions to host the 2014 World Cup and the 2016 Summer Olympics.

One of the obvious questions Kaplan asks is where are the protests in our country?  With ills so blatant and parallel to Brazil, where is our outrage?

“Sickened spirits,” is one of his answers.  Another is misdirection; what passes for journalism often has us asking the wrong questions as it feeds us “the infotainment narrative of life in America.”  Learned helplessness is another factor that Kaplan often cites.

Learned helplessness entered the language of psychology in a now-famous experiment conducted by Martin Seligman in 1967.  Dogs were subjected to electro-shocks with no means to avoid them.  Eventually, they stopped looking for an escape and entered a passive and “hopeless” mode.  In the experiment’s final phase, when means of avoidance were introduced, the dogs did not discover them, because the helplessness had been so thoroughly learned they no longer even tried.  Researchers had to retrain them to manipulate their surroundings again.

The analogies to our situation are obvious.  Citing incidents like the lack of change after Sandy Hook, Kaplan wonders how many times can we stand to have our hearts broken?  Answering a question from Moyers on “Informed Citizen Disorder,” he adds:  

“Ever since I was in junior high school, I was taught that to be a good citizen meant you needed to know what was going on in your country and in your world. You should read the paper, you should pay attention to the news, that’s part of your responsibility of being an American.

And the problem, especially in recent years, is the more informed I am, the more despondent I am, because day after day, there is news which drives me crazy and I want to see the public rise up in outrage and say, no, you can’t do that, banks. You can’t do that, corporations. You can’t do that polluters, you have to stop and pay attention to the laws, or we’re going to change the laws.

…every time that doesn’t happen…something bad happened and nothing was done about it…the sadder one is when you consume all that news…all the incentives are perverse. The way to be happy, to avoid this despondency is to be oblivious to it all, to live in Aldous Huxley’s ‘Brave New World.'”

Despite everything, Kaplan remains an optimist.  “I have kids,” he says, “I have to be.  The world has kids, we have to be.”  The alternative to optimism, Kaplan warns, is to “medicate yourself with the latest blockbuster and some sugar, salt, and fat that’s being marketed to you.  The only responsible thing that you can do is say that individuals can make a difference and I will try…”

Not the happy-happy answer we’d get from the “infotainment” world, but though Kaplan is an optimist, he’s not going to feed us bullshit.  I urge everyone to listen to the interview or read the transcript.  A key finding with learned helplessness that researchers discovered and Kaplan cites, is that since it is based on perception rather than fact, it can be quickly reversed.  We’re not there yet, he thinks, but maybe as people become more and more unhappy with the state of affairs around them, a critical mass is building that will lead ordinary citizens to demand change as we have done in the past.

The North Wind’s Gift: a trickster tale from Italy

If you haven’t already done so, I suggest you read the preceding post, Notes on Trickster stories, which provides a background and context for this article.  Both posts were inspired by “The North Wind’s Gift,” a tale from Italo Calvino’s Italian Folktales, 1956.  The story came to my attention in Allan Chinen’s discussion of tricksters and appealed because of its relative simplicity and relevance to our own times.

Italian Folktales

Here’s a synopsis of the story:

Once there was a farmer named Geppone who toiled in his fields every day of the year but could barely feed his wife and three children.  The North Wind blew at harvest time and ruined his crops.  Finally Geppone had enough and set out to find the North Wind and demand justice.  He reached the North Wind’s castle.  “Every year you ruin my crops,” he said.  “Because of you, my family is starving to death.”

“What can I do?” the North Wind asked.

“I leave that up to you,” Geppone replied.

The North Wind’s heart went out to the little farmer.  He brought out a box.  “This is a magical box which will give you food when you open it, but tell no one else about the magic or you’ll lose it.”

Geppone thanked the Wind and set out for home.  On the way, he opened the box.  Instantly a table appeared, piled with food.  When he got home, Geppone opened the box again and treated his family to a feast.  He told his wife not to tell anyone, and especially to say nothing to the priest, who was their landlord and a greedy man.

The next day, the priest spoke to Geppone’s wife and wrung the story out of her.  He summoned Geppone and  demanded the box on pain of eviction, offering seeds in return, which proved to be worthless.  As bad off as he was before, the farmer returned to the North Wind’s castle to ask for another boon.

At first, the North Wind refused, saying, “You ignored my warning.  Why should I help you again?”  Geppone pleaded, and reminded the Wind that he was still the cause of the family’s ruin.

“Very well,” said the North Wind at last.  He gave Geppone a magnificent gold box, but said, “Open this only when you are starving.”

On his way home, Geppone stopped and opened the new box.  This time a ruffian with a club jumped out and began to beat the farmer, who struggled to close the lid.  When he did, the ruffian vanished.  Geppone limped home, sore and bruised.  When his wife and children clamored to try the golden box, Geppone left the room.  This time two ruffians jumped out and began to beat the family.  Geppone slipped back into the room, closed the box, and the assailants vanished.

“This is what you must do,” he said to his wife.  “Tell the priest I brought home an even finer box, but say nothing else.”

Geppone’s wife understood and did as her husband instructed.  When the priest called the farmer and demanded the golden box, Geppone feigned reluctance, but at last agreed to trade it for the original box.  The priest rubbed his hands.  The bishop was due to join him for Mass the next day; a feast would be just the thing to win the approval of his superior.

The next day, after Mass, the priest, the bishop, and their retinue gathered for supper.  When the priest opened the box, six ruffians jumped out and beat the clerics.  Geppone, who was waiting at the window, took his time in closing the box to save them.

No one objected when he carried this second box home.  The priest never bothered Geppone again.  The farmer was careful to guard the North Wind’s gifts, and his family lived in ease and comfort for the rest of their days.

You can read the story as it appears in Italian Folktales here:  The North Wind’s Gift

***

It’s clear at the start of the story that we’re in a post-heroic fairytale world.  Geppone is not out to slay a dragon, rescue a princess, or win a kingdom – he just wants to survive.

Allan Chinen speaks of the different life stages that different fairytales address.  While the majority center on young people venturing into the world,  “middle-tales” like this have older protagonists with different kinds of problems.  From a Jungian perspective, Chinen notes that tricksters usually don’t show up in our dreams when we’re 18 and planning to take the world by storm – they visit us when we’re 40, with a mortgage, a couple of kids, and a car that needs an engine overhaul.

Geppone works from dawn until dark but can barely make ends meet.  His wife doesn’t listen to him, and the landlord threatens eviction.  This setup makes his story seem contemporary – if we’re not in this situation ourselves, one of our neighbors probably is.

We get the feeling Geppone has been down on his luck and taking it on the chin for a while.  Something finally awakens within him and spurs him to action.  As a result, he meets the North Wind, a wild spirit who will become his guardian and mentor and teach him the wiles of the trickster.

The North Wind is invoked in the Song of Solomon, in Aesop, and in Greek and Norwegian folklore.  He shows up in George McDonald’s novel, On the Back of the North Wind, in the stories of Hans Christian Anderson, and in Pokemon.  The North Wind is also associated with thunder gods like Zeus and Odin.  It’s not surprising that he is a shadowy trickster in Italy, where invaders and winter both arrive from the north.

Almost every successful fairytale character wins the help of a guiding spirit, and the North Wind’s help is just what Geppone needs.  It prompts him first to stand up for himself and ask for what he needs and then to learn enough strategy to overcome his oppressive priest and landlord.  To Jungians, fairytale allies like helpful animals, fairy godmothers, and nature spirits represent parts of the unconscious mind that are older and wiser than ego, which gets us into trouble in the first place.

What this means in practical terms is a vast subject, beyond the scope of a few blog posts.  Jung would suggest to patients who were comfortable in a religious tradition to return to it for guidance.  Much of Jung’s work aimed at helping people estranged from existing traditions who still needed to tap inner sources of wisdom.

In the “Power of Myth,” Bill Moyers asked Joseph Campbell where ordinary (i.e., busy) people might look to experience the wisdom of myth.  Campbell suggested we take 30 minutes or an hour a day in a quiet place where we can read what inspires us and perhaps keep a journal.

Just like this story, the psyche is home to ruffians and riches, and the old stories are not to be taken literally.  James Hillman, a prominent Jungian thinker, always insisted that literalism is the greatest enemy of inner wisdom.  So how does trickster wisdom manifest  in our world right now?  I don’t think we have to look very far.

A world that’s increasingly dysfunctional serves as a magnet for trickster energy, for good as well as for ill.  A Facebook friend mentioned that he once loaned out a book on trickster mythology and never got it back.  That fits the myths of trickster gods like Hermes who are also patrons of thieves.  Hermes may be the supreme image of the trickster.  As fluid as the metal which bears his Roman name, Mercury, he was the messenger between gods and humans who also conducted souls to the afterlife.  Patron of travelers, herdsmen, poets, orators, athletes, and inventors, his herald’s staff, the caduceus, is the symbol of healing to this day.

I find myself watching for positive manifestations of trickster energy, which usually turn up under the radar of corporate and government organizations which carry a vested interest in the status quo.  When you look, quite a few individuals and groups are trying out new solutions.  I’ll post at least one example in the near future.

In the meantime I would love to hear where you find trickster energy in yourself and in those around you.

Notes on Trickster stories

Many of you will have heard the old Chinese curse, “May you live in interesting times.”  We do, beyond any question.  With a longstanding interest in folklore, I often find myself wondering which, if any, of the old tales can speak to us now and illumine our situation?  I always come back to the trickster stories.

Br’er Rabbit, an Americanized African trickster, from an 1881 book cover by Frederick S. Church. Public domain

Trickster tales are told around the world and may be among our earliest stories; in some traditions, tricksters create the world and bring fire to humans.  Sometimes benefactors and sometimes criminals, tricksters are contrarians, rule breakers, restless beings who disrupt and disturb, who keep creation moving, dealing out life and death in turn.

Groucho Marx, Loki, all of Shakespeare’s fools, and many animals, from Coyote, to Spider, to Br’er Rabbit are tricksters.  We named our first rescue dog Kit, short for Kitsune, which is Japanese for “Fox,” another famous trickster.  The reason should be obvious in this picture:

Kit

Kit

We have to lock the windows when driving with Kit because she knows how to hit the window button with her paw to roll it down so she can hang her head out, bark at other dogs, and catch the breeze. If Kit had thumbs, we’d be in serious trouble!

Establishments have little use for tricksters, and it’s easy to see why.  We may like them in the movies, but no one wants the Three Stooges to work on their plumbing. Schools are ruthless in their suppression of tricksters.  And yet, in times when the norms break down and the culture looses its rudder, trickster energy may be what we need.  Free of cultural norms and concern for what is polite or even legal, tricksters focus on what will work in the here and now.

After interviews with twin tower survivors, researchers discovered that people waited an average of ten minutes before deciding to exit the buildings.  “Do you think we should leave?”  “Will we have to use vacation time if we go?”  “What about the report I have to finish?”  Once they decided to exit, survivors spent several more precious minutes logging out of their systems and locking their desks and file cabinets.

Researchers concluded from this and other studies, that the human brain is often dangerously slow in reacting to radically different events or disasters.  These are the times when we need trickster energy.  Unbound by convention, the trickster jumps on a desk and yells, “The sky is falling – get the f**k out!”

Allan Chinen, M.D., a psychiatrist and professor of psychiatry, wrote about tricksters from the Jungian perspective.  In 2012, I discussed his Once Upon a Midlife, an analysis of folklore aimed at that stage of life.  In 1993, Chinen published Beyond the Hero:  Classic Stories of Men in Search of Soul.

beyond the hero

Chinen argues that despite popular concepts and movies like Man of Steel, The Hero is not the core masculine archetype – the Shaman/Trickster is an older, wiser, and more primal energy.

Like most Jungian’s I have read, Chinen regards tricksters as primarily masculine archetypes.  I’m not sure how opinion stands in currently folklore studies; much work has been done with women’s tales in the last 20 years.  It is Gretel, after all, who uses trickery to kill the witch and save her brother.  Only by wiles can Bluebeard be defeated or brothers saved from various enchantments.

I suspect the difference is that full-time tricksters like Coyote are usually male.  You see it in children at play too, and sadly, it is overwhelmingly boys who get dosed with ritalin when they’re not docile enough for the modern classroom.  As Jung and Hillman both observed, what a culture defines as pathology may say more about the culture than the people it labels as defective.

Guardians of the status quo are wary of tricksters and with good reason.  They are almost always subversive – the Stooges only throw pies in the homes of the 1%, and Charlie Chaplin was no friend of the captains of industry.

Charlie Chaplin in "Modern Times."  CC-by-SA-2.0

Charlie Chaplin in “Modern Times.” CC-by-SA-2.0

To personify self-preservation; to point out the shadow of a dominant culture; to keep the flame of hope and spirit alive; to demonstrate the power to wit to those who are disenfranchised.  Scholars now believe the Br’er Rabbit tales performed such functions for slaves as the Coyote stories did for Native Americans on the reservations.  In all likelihood, these are the gifts tricksters have given for untold millennia.

Next time I’ll look at a classic trickster story that Allan Chinen told, with an eye to it’s relevance for the 21st century.